Deposits – Humanities Commons

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Maschinenbilder. Zur postsubjektiven Kamera
Author(s):
Birk Weiberg (see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Film, Film studies, Aesthetics, Media arts
Item Type:
Book chapter
Tag(s):
camera, machine, subjective camera, pov
Race
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare
Item Type:
Book
Tag(s):
race and gender, East Asian cultures, whiteness
Humanity Adrift: Race, Materiality, and Allegory in Alfonso Cuarón's Children of Men
Author(s):
Zahid R. Chaudhary (see profile)
Date:
2009
Subject(s):
Allegory, Feminism, Film studies, Frankfurt school, Postcolonialism, Race
Item Type:
Article
Tag(s):
Cuaron, feminist film theory, race and aesthetics, Walter Benjamin
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller, Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Digital Humanists, Film Studies
Subject(s):
Research data management, Copyright, Film studies
Item Type:
Article
Tag(s):
Open access to research data
Exploring the Moving Image: The Role of Audiovisual Archives as Partners for Digital Humanities and Cultural Heritage Institutions
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Subject(s):
Digital humanities, Archives, Museums, Film studies
Item Type:
Book chapter
Tag(s):
visualization
Materiality and Montage: Film Studies, Digital Humanities and the Visualization of Moving Images
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Subject(s):
Digital humanities, Film studies
Item Type:
Article
Tag(s):
Russian and Soviet Studies, visualization
The Current Landscape of Film Archiving and How Study Programs Can Contribute
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Subject(s):
Higher education, Film studies
Item Type:
Article
Tag(s):
archive, training
Don Delillo's Point Omega: Mediated Vision and the Novel After the Subject
Author(s):
Daniel Barrow (see profile)
Date:
2018
Subject(s):
Anthropocene, Contemporary art, Contemporary fiction, Film studies
Item Type:
Conference paper
Our Robots, Ourselves
Author(s):
Audrey DeLong (see profile)
Date:
2018
Group(s):
Cultural Studies
Subject(s):
English literature, Film studies, Graphic novels
Item Type:
Syllabus
Tag(s):
cyborg, robot
ONT vol 1
Author(s):
paul bali (see profile)
Date:
2018
Subject(s):
Film studies
Item Type:
Magazine section
Tag(s):
Beyond the Black Rainbow, La Jetee
“The Mosaic-Screen: Exploration and Definition”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2008
Group(s):
Cultural Studies, Film-Philosophy, Film Studies
Subject(s):
Film studies, Film criticism, Aesthetics, Philosophy
Item Type:
Article
Hearing Gender in George Lucas's Galaxy
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Film studies, Gender studies, Historical musicology
Item Type:
Blog Post
Будто голая я, а не героиня вашего фильма’: Скандалы ‘порноноваторства’ времен перестройки.
Author(s):
Philip Gleissner (see profile)
Date:
2017
Subject(s):
Film studies, Gender and sexualities, Psychoanalytic sociology, Russian studies, Sociology of literature
Item Type:
Article
Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien
Author(s):
Fabrice Lyczba (see profile)
Date:
2015
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film studies, Media studies, Reception studies, Silent cinema
Item Type:
Article
Tag(s):
audience reception, film paratexts, silent film exhibition
Fictions of Intimacy, and the intimacy of fiction: "Going Into People's Houses" and the Remediation of 1920s Film Reception
Author(s):
Fabrice Lyczba (see profile)
Date:
2017
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film studies, Media studies, Reception studies
Item Type:
Book chapter
Tag(s):
ballyhoo, film fan magazines, silent film exhibition, silent films
Hoaxing the Media: 1920s Film Ballyhoo and an Archaeology of Presence
Author(s):
Fabrice Lyczba (see profile)
Date:
2016
Subject(s):
Advertising, Cultural studies, Film studies, Media studies, Reception studies
Item Type:
Book chapter
Tag(s):
film marketing, paratexts
Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era
Author(s):
Adelheid Heftberger (see profile)
Date:
2017
Group(s):
Digital Humanists, Film Studies
Subject(s):
Digital humanities, Film studies, Library and Archival Studies
Item Type:
Article
Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov
Author(s):
Adelheid Heftberger (see profile)
Date:
2015
Group(s):
Digital Humanists, Film Studies
Subject(s):
Data visualization, Film studies, Russian studies
Item Type:
Article
Zerschnittene Bilder. Die drei Fassungen von Dziga Vertovs Tri pesni o Lenine (1934/35, 1938 und 1970)
Author(s):
Adelheid Heftberger (see profile)
Date:
2011
Group(s):
Film Studies
Subject(s):
Film studies, Russian studies
Item Type:
Book chapter
Tag(s):
Russian and Soviet Studies, version
Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation
Author(s):
Adelheid Heftberger (see profile)
Date:
2012
Group(s):
Digital Humanists, Film Studies
Subject(s):
Data visualization, Film studies, Russian studies
Item Type:
Book chapter
Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism
Author(s):
Adelheid Heftberger (see profile) , Michael Loebenstein, Georg Wasner
Date:
2009
Group(s):
Archives, Digital Humanists
Subject(s):
Archives, Film studies, Russian studies
Item Type:
Article
Tag(s):
digital humanities, Film history, versions
Vom Bathos: Woody Allen's Film "Love and Death"
Author(s):
Irina Schulzki (see profile)
Date:
2015
Group(s):
Film Studies
Subject(s):
Cinema, Cinematography, Comedy arts, Film studies, Russian literature
Item Type:
Book chapter
Tag(s):
Bathos, Humor, Longinus, Woody Allen
Representation of Indian diasporic female subjectivities in women’s diasporic cinema
Author(s):
Melanie Le Forestier (see profile)
Date:
2015
Group(s):
Feminist Humanities, Film Studies
Subject(s):
Asian diaspora, Cultural studies, Film studies, Indian culture, Women's studies
Item Type:
Article
Tag(s):
Diasporic cinema, Indian cinema, Subaltern studies, Women empowerment

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