Deposits – Humanities Commons

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El discreto (y cómico) encanto de la sobremesa
Author(s):
Edwin Culp (see profile)
Date:
2015
Group(s):
Film-Philosophy, Film Studies
Subject(s):
Comedy (genre), Film studies, Aesthetics
Item Type:
Book chapter
"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
Item Type:
Book chapter
Tag(s):
affect theory, Cultural appropriation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities
Author(s):
Adelheid Heftberger (see profile)
Date:
2016
Group(s):
Digital Humanists, Film Studies, Soviet and Russian history and culture
Subject(s):
Digital humanities research and methodology, Film studies, Soviet film, Data visualization
Item Type:
Book
SPA296: Fascism and the dictatorial past in Spain and Argentina: Graphic novel, Visual Culture, and Literature.
Author(s):
Félix Zamora-Gómez (see profile)
Date:
2018
Group(s):
Comics Scholarship/Comics Studies
Subject(s):
Film studies, Graphic novels, Latin American history, Modern Spanish History
Item Type:
Syllabus
Tag(s):
syllabus
Cryptophasia and the Question of Database
Author(s):
Ekin Erkan (see profile)
Date:
2019
Group(s):
Television Studies
Subject(s):
Continental philosophy, Deleuze, Film studies, New media
Item Type:
Article
Tag(s):
cinema studies, Ekin Erkan
EGL 194: Intro to Film (Fall 2019)
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Humanities Commons Summer Camp
Subject(s):
Film, Horror, 21st-century American film, Genre, Film studies, Genre studies
Item Type:
Syllabus
Tag(s):
syllabus
Contemporary Children’s Lit + Empire Essay Contest (October 1 Deadline)
Author(s):
Tom Durwood (see profile)
Date:
2019
Subject(s):
Literatures of empire, Children's literature, Film studies
Item Type:
Other
Tag(s):
empire
WAR AND THE NATURAL WORLD: Discussion questions for “Scarred Lands and Wounded Lives: The Environmental Footprint of War” by Alice and Lincoln Day and related sources
Author(s):
Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Environmental humanities, Documentary filmmaking, Film studies
Item Type:
Course material or learning objects
Tag(s):
empire
WAR AND THE NATURAL WORLD: Interview with filmmakers and producers Alice and Lincoln Day about their documentary “Scarred Lands and Wounded Lives: The Environmental Footprint of War”
Author(s):
Lincoln Day, Alice Day, Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Environmental humanities, Film studies, Documentary filmmaking
Item Type:
Interview
Tag(s):
empire
“‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film studies, Jane Austen, Television studies
Item Type:
Book chapter
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
Digitised Data from Tudor Cinema Ledgers, Leicester, 1925-1932
Author(s):
Nyasha Sibanda (see profile)
Date:
2018
Subject(s):
Film history, Film sound, Film studies, Modern British history, Silent cinema
Item Type:
Data set
Tag(s):
exhibition history, silent film exhibition
Viraha: A Trajectory in the Nehruvian Era
Author(s):
Kumkum Sangari (see profile)
Date:
2011
Subject(s):
Bhakti, Film studies, Indian cinema, Sufism
Item Type:
Book chapter
Tag(s):
Bhakti Movement, partition, Partition of India, Quratulain Hyder
De carcajadas escapistas. Análisis de la secuencia de apertura de Paranoia Agent
Author(s):
Antonio Loriguillo-López (see profile)
Date:
2014
Subject(s):
Animation, Film studies, Japanese cinema and visual culture, Television studies
Item Type:
Article
"Vive, muere, repite": el blockbuster ante el desafío interactivo
Author(s):
Antonio Loriguillo-López (see profile) , Teresa Sorolla-Romero
Date:
2015
Subject(s):
Film studies, Interactive storytelling, Narratology, Video game narratives
Item Type:
Article
Los contornos del miedo. La huella del arte pictórico en el giallo italiano
Author(s):
Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover
Date:
2018
Subject(s):
Film arts, Film studies, Italian cinema, Painting
Item Type:
Article
"Violeta Went to Heaven" and the Ethics of Contemporary Latin American Melodrama
Author(s):
Rosa Tapia (see profile)
Date:
2018
Subject(s):
Chile, Film studies, Latin American cinema, Latin American studies, Theories of affect
Item Type:
Book chapter
Tag(s):
Andres Wood, Chilean film, Violeta Parra, Violeta se fue a los cielos, Violeta Went to Heaven
Cuerpo, mirada y género en la película "La teta asustada" de Claudia Llosa
Author(s):
Rosa Tapia (see profile)
Date:
2019
Subject(s):
Biopolitics, Film studies, Giorgio Agamben, Latin American cinema, Peru
Item Type:
Article
Tag(s):
cinematic gaze, Claudia Llosa, indigenous identities, Peruvian cinema, Teresa de Lauretis
The TV Show 'Game of Thrones' as an Educational Axis to Teach Medieval Hispanic Cultures
Author(s):
Oscar Perea-Rodriguez (see profile)
Date:
2018
Group(s):
Cultural Studies, Education and Pedagogy, Historiography, Late Medieval History, Medieval Studies
Subject(s):
Medieval Iberian culture, Film studies, Medieval Spanish History, Medieval Spanish Literature, Propaganda
Item Type:
Article
Maschinenbilder. Zur postsubjektiven Kamera
Author(s):
Birk Weiberg (see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Film, Film studies, Aesthetics, Media arts
Item Type:
Book chapter
Tag(s):
camera, machine, subjective camera, pov
Race
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare
Item Type:
Book
Tag(s):
race and gender, East Asian cultures, whiteness
Humanity Adrift: Race, Materiality, and Allegory in Alfonso Cuarón's Children of Men
Author(s):
Zahid R. Chaudhary (see profile)
Date:
2009
Subject(s):
Allegory, Feminism, Film studies, Frankfurt school, Postcolonialism, Race
Item Type:
Article
Tag(s):
Cuaron, feminist film theory, race and aesthetics, Walter Benjamin
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia

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