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• (Community) Video Art: DCTV’s Expanded Documentary Practice

  Author(s):

  Joel Anderson (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Cinema, Film studies, Film theory, Media studies

  Item Type:

  Article

  Permanent URL:

  http://dx.doi.org/10.17613/M6JX9T

  
  

• The Praxis of the Tractrix

  Author(s):

  Luke Fidler (see profile)

  Date:

  2016

  Group(s):

  Film Studies, History of Art

  Subject(s):

  Art history, Film studies, Medieval studies

  Item Type:

  Article

  Tag(s):

  anachronism, Hollis Frampton, Robert Grosseteste

  Permanent URL:

  http://dx.doi.org/10.17613/M6BH6P

  
  

• Video Killed the Martial Arts Star: Distribution Technologies and the Vagaries of Jackie Chan Fandom in Japan

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Fan studies, Film studies

  Item Type:

  Conference paper

  Tag(s):

  fan studies, Film studies, Japanese fans, Jackie Chan

  Permanent URL:

  http://dx.doi.org/10.17613/M6P38D

  
  

• Transnational Film and the Politics of Becoming: Negotiating East Asian Identity in Hong Kong Night Club and Moonlight Express

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Film studies

  Item Type:

  Article

  Tag(s):

  East Asian cultures, Film studies, Hong Kong cinema, Transnational film, Japanese cinema

  Permanent URL:

  http://dx.doi.org/10.17613/M6SX0K

  
  

• Third Culture Kids: A Bakhtinian Analysis of Language and Multiculturalism in Iwai Shunyi's Swallowtail Butterfly

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2004

  Group(s):

  Film Studies

  Subject(s):

  Film studies, Semiotics

  Item Type:

  Article

  Tag(s):

  multiculturalism, Iwai Shunji, Swallowtail Butterfly, Film studies, Mikhail Bakhtin

  Permanent URL:

  http://dx.doi.org/10.17613/M6XM2G

  
  

• The Loquacious Geisha: Lotus Blossom and the 'Hidden Transcript' of The Teahouse of the August Moon

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Asian studies, Film studies

  Item Type:

  Conference paper

  Tag(s):

  Asian Representation, Geisha, Teahouse of the August Moon, John Patrick, Kyo Machiko

  Permanent URL:

  http://dx.doi.org/10.17613/M62D5S

  
  

• Some of Us Are Looking at the Stars: Japanese Women, Hong Kong Films, and Transcultural Fandom

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2017

  Subject(s):

  Fan studies, Film studies

  Item Type:

  Dissertation

  Tag(s):

  audience reception, fan studies, Hong Kong cinema, japanese fans

  Permanent URL:

  http://dx.doi.org/10.17613/M6KD42

  
  

• Sappho and Pocahontas in Terrence Malick's The New World (2005)

  Author(s):

  Seán Easton (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome

  Subject(s):

  American history, Cinema, Classical Greek literature, Film studies, Native American studies

  Item Type:

  Book chapter

  Tag(s):

  Womens History Month

  Permanent URL:

  http://dx.doi.org/10.17613/M69K8T

  
  

• The Reality of the Body: Transgender, Transsexuality, and Truth in 'Romeos'

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2015

  Subject(s):

  Film studies, German language, Queer theory

  Item Type:

  Article

  Tag(s):

  German film, queer cinema, Queer Studies, transgender studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6491V

  
  

• Something Old, Something New: Integrating Canonical Works in a German Studies Curriculum

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2011

  Subject(s):

  Film studies, German language, Teaching of language, Teaching of literature

  Item Type:

  Article

  Permanent URL:

  http://dx.doi.org/10.17613/M6HK8P

  
  

• A Genius of Our Own: The GDR and DEFA's Beethovens

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2014

  Subject(s):

  Film studies, German language

  Item Type:

  Article

  Tag(s):

  German film, Ludwig van Beethoven, East German film, German studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6S33F

  
  

• "The Old Vines are Buried Deep:" Classical MOtifs in John Frankenheimer's .Seconds'.

  Author(s):

  Seán Easton (see profile)

  Date:

  2017

  Group(s):

  Ancient Greece & Rome

  Subject(s):

  American history, Ancient history, Biopolitics, Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  ancient, Classical receptions, classics, cold war, film

  Permanent URL:

  http://dx.doi.org/10.17613/M6FS7R

  
  

• The Curious Case of the Turkish Drag Queen: Film and Social Justice Education in Advanced German

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2012

  Subject(s):

  Film studies, German language, Queer theory

  Item Type:

  Article

  Tag(s):

  foreign languages, queer cinema, teaching, German film, Turkish German

  Permanent URL:

  http://dx.doi.org/10.17613/M6Q914

  
  

• Review of Barbara Mennel. "The Representation of Masochism and Queer Desire in Film and Literature."

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2017

  Subject(s):

  Film studies, Germanic literature, German language, Queer theory

  Item Type:

  Review

  Tag(s):

  film, German literature, masochism, queer cinema, sexuality, Womens History Month

  Permanent URL:

  http://dx.doi.org/10.17613/M6V031

  
  

• "Orpheus in a Gray Flannel Suit: George Nolfi's The Adjustment Bureau (2011)"

  Author(s):

  Seán Easton (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome

  Subject(s):

  Classical literature, Film studies

  Item Type:

  Book chapter

  Tag(s):

  Classical receptions, classics

  Permanent URL:

  http://dx.doi.org/10.17613/M6NG98

  
  

• The Return of Ulysses: A Cultural History of Homer's Odyssey

  Author(s):

  Edith Hall (see profile)

  Date:

  2010

  Group(s):

  Ancient Greece & Rome

  Subject(s):

  Ancient Greek history, Ancient history, Classical literature, Comparative literature, Film studies

  Item Type:

  Book

  Tag(s):

  18th Century, 20th Century Literature, 21st Century Literature, class, feminist studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6D32N

  
  

• "The Experimental Film Remake and the Digital Archive Effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake"

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2017

  Subject(s):

  Cultural studies, Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  found footage, Jennifer Proctor, Perry Bard, Bruce Conner, digital archive

  Permanent URL:

  http://dx.doi.org/10.17613/M6403H

  
  

• Contemporary Documentary Film and "Archive Fever": History, the Fragment, the Joke

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2007

  Group(s):

  Archives, Digital Humanists

  Subject(s):

  Cultural studies, Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  archives, found footage, historiography, history

  Permanent URL:

  http://dx.doi.org/10.17613/M69S4C

  
  

• “The Archive Effect: Archival Footage as an Experience of Reception.”

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2012

  Group(s):

  Archives, History, Library & Information Science

  Subject(s):

  Cultural studies, Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  archival footage, archive, archives, found footage, historiography, history

  Permanent URL:

  http://dx.doi.org/10.17613/M6FG9D

  
  

• Demythologizing the Palestinian in Hany Abu-Assad’sOmarandParadise Now

  Author(s):

  Hania Nashef (see profile)

  Date:

  2015

  Group(s):

  CLCS 20th- and 21st-Century, MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Cultural studies, Film studies, Media studies, Middle Eastern literature, Postcolonial literature

  Item Type:

  Article

  Tag(s):

  21st Century Literature, Arab cinema, arab media, cultural studies, Palestine

  Permanent URL:

  http://dx.doi.org/10.17613/M6CP73

  
  

• The bad boy antihero and contemporary politics: Scarface and Gunday

  Author(s):

  Debra Ann Castillo (see profile)

  Date:

  2016

  Group(s):

  CLCS 20th- and 21st-Century, LLC 20th- and 21st-Century American, MS Screen Arts and Culture, TC Race and Ethnicity Studies, TM Literary and Cultural Theory

  Subject(s):

  American literature, Comparative literature, Film studies, Indian literature, Modern literature

  Item Type:

  Essay

  Tag(s):

  21st Century Literature, collective politics, comparative literature, contemporary literature, film

  Permanent URL:

  http://dx.doi.org/10.17613/M6CS40

  
  

• Chinese Shakespeares: Two Centuries of Cultural Exchange

  Author(s):

  Alexa Huang (see profile)

  Date:

  2015

  Group(s):

  GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies

  Subject(s):

  Chinese literature, Drama, English literature, Film studies, Shakespeare, Translation

  Item Type:

  Book

  Tag(s):

  cultural theory, film, globalization, intercultural performance, Shakespeare

  Permanent URL:

  http://dx.doi.org/10.17613/M6Z32M

  
  

• Shakespearean Performance as a Multilingual Event: Alterity, Authenticity, Liminality

  Author(s):

  Alexa Huang (see profile)

  Date:

  2014

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies, TM Literary and Cultural Theory

  Subject(s):

  Drama, English literature, Film studies, Literary theory, Shakespeare, Translation

  Item Type:

  Book chapter

  Tag(s):

  british theatre, globalization, intercultural performance, multilingualism, Shakespeare

  Permanent URL:

  http://dx.doi.org/10.17613/M6G31W

  
  

• “Boomerang Shakespeare: ‘Foreign’ Performances in Britain.”

  Author(s):

  Alexa Huang (see profile)

  Date:

  2016

  Group(s):

  CLCS Global Anglophone, GS Drama and Performance, LLC Shakespeare, TC Translation Studies, TM Literary and Cultural Theory

  Subject(s):

  Drama, English literature, European history, Film studies, Shakespeare, Translation

  Item Type:

  Book chapter

  Tag(s):

  globalization, intercultural performance, Shakespeare

  Permanent URL:

  http://dx.doi.org/10.17613/M6C89Q

  
  

• “What Country, Friends, Is This?”: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography

  Author(s):

  Alexa Huang (see profile)

  Date:

  2013

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Asian history, Drama, English literature, Film studies, Shakespeare, Translation

  Item Type:

  Article

  Tag(s):

  early modern studies, film, globalization, Shakespeare, transcultural writing

  Permanent URL:

  http://dx.doi.org/10.17613/M64S56

  
  

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