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After hours (2019): shooting script
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Film arts, Filmmaking, Cinema, Art, Film production, Screenwriting, Creative writing
Item Type:
Other
Tag(s):
script, screenplay
The role of audiovisual production researcher in the treatment of audiovisual documentation
Author(s):
Luis Ernesto Paz Enrique (see profile) , Eduardo Alejandro Hernández Alfonso, Rachel Milagros Pérez Cabrera
Date:
2020
Group(s):
Archives, Film Studies, Library & Information Science
Subject(s):
Documentary filmmaking, Audiovisual narratives, Film production, Video production
Item Type:
Article
Directing Actors for Non-Directors: Creative Research Strategies for Fiction Films
Author(s):
Edwin Culp (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Arts-based research, Film production, Filmmaking, Acting, Fiction, Editing, Cinematography
Item Type:
Book chapter
Tag(s):
film directing, directing actors
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects, special effects
Acting for the Cameras: Performance in the Multi-Camera Sitcom
Author(s):
Christine Becker (see profile)
Date:
2008
Subject(s):
Television studies, Performance studies, Acting, Comedy (genre), Film production, Television
Item Type:
Online publication
Tag(s):
sitcoms, comedy
Digital Cinema, Montage and Other Visualities
Author(s):
Shaun Huston (see profile)
Date:
2014
Group(s):
Comics Scholarship/Comics Studies, Film Studies
Subject(s):
Comics, Digital media, Film production, Film studies
Item Type:
Article
Tag(s):
comics studies, documentary films, media geography, spatiality

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