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Aural Skills 3 - Film Score Dictation Project
Author(s):
Megan Kaes Long (see profile)
Date:
2019
Subject(s):
Film music, Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills, ear training
Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film music, Film history, Religion
Item Type:
Book
Women at the Pedals: Female Cinema Musicians during the Great War
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film music
Item Type:
Book chapter
Pre-existing music as authorial signature in the fiction films of Martin Scorsese
Author(s):
Jonathan Godsall (see profile)
Date:
2015
Subject(s):
Film, Film music, Musicology
Item Type:
Book chapter
Further seductions: ‘Mrs. Robinson’, post-Graduate
Author(s):
Jonathan Godsall (see profile)
Date:
2015
Subject(s):
Film music, Intertextuality, Musicology, Popular Music Studies
Item Type:
Article
Cape Fear: Remaking a film score
Author(s):
Jonathan Godsall (see profile)
Date:
2013
Subject(s):
Adaptation, Film music, Intertextuality, Musicology
Item Type:
Article
Phantoms of the Archives slides
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Laura Rossi’s War Musics
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Musicology, Cultural musicology, Film music
Item Type:
Book chapter
A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)
Author(s):
Frank Lehman (see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Music, Film music, Music theory, Film
Item Type:
Catalog
Tag(s):
Music Cataloging, Music cataloguing
Michael Nyman, London, 23 March 1983
Author(s):
Virginia Anderson (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
British music, Film music, Music composition
Item Type:
Interview
Tag(s):
experimental music
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film music, Music theory
Item Type:
Review
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
A Complete Catalog of Motivic Materials in Star Wars
Author(s):
Frank Lehman (see profile)
Date:
2018
Subject(s):
Film music, Musicology
Item Type:
Catalog
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article

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