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Michael Nyman, London, 23 March 1983
Author(s):
Virginia Anderson
(see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
British music
,
Film music
,
Music composition
Item Type:
Interview
Tag(s):
experimental music
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film music
,
Music theory
Item Type:
Review
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Music Library Association
Subject(s):
Musicology
,
Film music
,
Film history
,
Music
,
Religion
Item Type:
Article
A Complete Catalog of Motivic Materials in Star Wars
Author(s):
Frank Lehman
(see profile)
Date:
2018
Subject(s):
Film music
,
Musicology
Item Type:
Catalog
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard
(see profile)
Date:
2011
Group(s):
American Musicological Society
,
Film Studies
,
Society for Music Theory
Subject(s):
Music analysis
,
Film music
,
Gothic
,
Musicology
Item Type:
Article
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
MS Screen Arts and Culture
Subject(s):
Musicology
,
20th-century film
,
American cultural studies
,
Film music
,
Music theory
,
Film
Item Type:
Article
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Film Studies
,
Music and Sound
Subject(s):
Film
,
Film music
,
Sound studies
,
Television
,
Television studies
Item Type:
Article
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