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The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film arts, Film history, Acting, Cinema history, Cinema, Modernism
Item Type:
Book chapter
Tag(s):
performamnce, film acting, film directing, minimalism
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
Item Type:
Book chapter
Tag(s):
american cinema, academy award
The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history, Film, Hollywood
Item Type:
Article
Tag(s):
film adaptation, american cinema
Digitised Data from Tudor Cinema Ledgers, Leicester, 1925-1932
Author(s):
Nyasha Sibanda (see profile)
Date:
2018
Subject(s):
Film history, Film sound, Film studies, Modern British history, Silent cinema
Item Type:
Data set
Tag(s):
exhibition history, silent film exhibition
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects, special effects
Phantoms of the Archives slides
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
Film Museum Practice and Film Historiography
Author(s):
Bregt Lameris (see profile)
Date:
2017
Group(s):
Archives, Film Studies
Subject(s):
Archival studies, Film history, Historiography, Media studies, Restoration culture
Item Type:
Monograph
Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
Jaque Catelain and the cultural negotiation of manhood in interwar France
Author(s):
Joan Tumblety (see profile)
Date:
2014
Subject(s):
Cultural history, European history, Fashion studies, Film history, French studies, Gender and sexuality, Queer and gender studies
Item Type:
Online publication
Tag(s):
France
140 Jahre Russisches Licht
Author(s):
Natascha Drubek (see profile) , Alexander Kluge
Date:
2017
Group(s):
Film Studies
Subject(s):
Arts, Film history, Lighting design, Religious art, Russia
Item Type:
Documentary
Tag(s):
Early film, Alexander Kluge, Interview, Evgenii Bauer
Man with a Movie Camera under the Lens of Cinemetrics
Author(s):
Adelheid Heftberger (see profile) , Matteo Lepore, Yuri Tsivian
Date:
2009
Group(s):
Digital Humanists, Film Studies
Subject(s):
Digital humanities, Film history, Russian studies
Item Type:
Article
Tag(s):
versions
Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven
Author(s):
Adelheid Heftberger (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film history, Library and Archival Studies, Library and information science
Item Type:
Book
Tag(s):
film, metadata, online collections, sharing, Sustaining Cultural Heritage Collections
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2017
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Colonialism, Film and politics, Film history, Film theory, Postcolonialism
Item Type:
Article
Tag(s):
African film, commons, cosmopoetics, cosmopolitics, decolonization
“Using Resources for Silent Film Music”
Author(s):
Kendra Leonard (see profile)
Date:
2017
Subject(s):
Film history, Music
Item Type:
Article
Pirandello’s Character in Ruttmann’s Cacophonic Film Acciaio (1933)
Author(s):
cecinove2017 (see profile)
Date:
2013
Subject(s):
European studies, Film and history, Film history, German studies, Italian studies
Item Type:
Conference paper
Tag(s):
20th Century Literature, 20th century film, Italian LIterature, German cinema, Italian theatre
Academy Motion Picture Oral History Digital Archive - Planning Project
Project Director(s):
Teague Schneiter
Author(s):
Teague Schneiter
Date:
2015
Group(s):
Data Rescue
Subject(s):
Film history, Film criticism
Item Type:
White paper
Tag(s):
NEH White papers, Humanities Collections and Reference Resources, NEH Preservation and Access
Scholarship in Sound and Image: Producing Videographic Criticism in the Digital Age
Project Director(s):
Christian Michael Keathley, Jason Mittell (see profile)
Author(s):
Christian Michael Keathley, Jason Mittell (see profile)
Date:
2016
Group(s):
Data Rescue, Digital Humanists, Film Studies
Subject(s):
Film criticism, Film history, Media studies
Item Type:
White paper
Tag(s):
Institutes for Advanced Topics in the Digital Humanities, NEH Digital Humanities, NEH White papers
ACTION (Audio-visual Cinematic Toolbox for Interaction, Organization, and Navigation): an open-source Python platform
Project Director(s):
Michael A. Casey, Mark J. Williams
Author(s):
Michael A. Casey, Mark J. Williams
Date:
2013
Group(s):
Data Rescue
Subject(s):
Film history, Film criticism
Item Type:
White paper
Tag(s):
NEH White papers, Digital Humanities Start-Up Grants, NEH Digital Humanities

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