Register Log In

Open access, open source, open to all

Humanities Commons
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ASEEES
    • AUPresses
    • MLA
    • MSU
    • SAH
  • About
    • HC Bylaws
    • Participating Organization Council
    • Advisory Groups
    • Why is the Platypus Our Mascot?
  • Roadmap
  • Team Blog
  • Log in
Register Login
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ASEEES
    • AUPresses
    • MLA
    • MSU
    • SAH
  • About
    • HC Bylaws
    • Participating Organization Council
    • Advisory Groups
    • Why is the Platypus Our Mascot?
  • Roadmap
  • Team Blog

CORE Search Results Start Search Over

  • All Deposits 0
  • Introduction: radical documentary today

    Author(s):
    Sarah Hamblin, Ryan Watson (see profile)
    Date:
    2019
    Group(s):
    Film Studies, MS Screen Arts and Culture
    Subject(s):
    Documentary, Radical art, New media, Film history, Filmmaking
    Item Type:
    Article

  • Veni, vidi, video: Screen portrayals of the Roman Empire

    Author(s):
    Antony Keen (see profile)
    Date:
    2018
    Subject(s):
    Classics, Film studies, Classical reception, Film history, Film and history
    Item Type:
    Article
    Tag(s):
    Classical reception studies, Classics and cinema, Cinema and ancient Greece and Rome, Hollywood epics

  • The Embodied Testimony of Domitila Chungara in 'The Courage of the People' (Jorge Sanjinés, 1971)

    Author(s):
    Isabel Seguí (see profile)
    Date:
    2017
    Group(s):
    Red de Investigación Mujeres en el Cine Latinoamericano
    Subject(s):
    Andean culture, Censorship, Film history, Latin American cinema, Testimonial literature
    Item Type:
    Article
    Tag(s):
    Bolivian cinema, Domitila Chungara, Filmic testimonio, Jorge Sanjinés, Ukamau

  • Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production

    Author(s):
    Isabel Seguí (see profile)
    Date:
    2018
    Group(s):
    Red de Investigación Mujeres en el Cine Latinoamericano
    Subject(s):
    Andean culture, Film history, Latin American cinema, Women's studies
    Item Type:
    Article
    Tag(s):
    Andean Cinema, Beatriz Palacios, Latin American Women's Filmmaking, María Barea, Ukamau

  • Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Film Studies
    Subject(s):
    Musicology, Film music, Film history, Religion
    Item Type:
    Book

  • The Mass Psychology of Fascist Cinema: "Triumph of the Will"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1998
    Group(s):
    Documentary Studies, Film Studies
    Subject(s):
    Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
    Item Type:
    Book chapter
    Tag(s):
    Hitler, Leni Riefenstahl, Wilhelm Reich

  • Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1986
    Group(s):
    Film Studies
    Subject(s):
    Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
    Item Type:
    Article
    Tag(s):
    american cinema, CITIZEN KANE, orson welles

  • The Sounds of Silence: Minimalist Acting in BLOW-UP

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film arts, Film history, Acting, Cinema history, Cinema, Modernism
    Item Type:
    Book chapter
    Tag(s):
    performamnce, film acting, film directing, minimalism

  • BICYCLE THIEVES: A Re-reading

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
    Item Type:
    Article
    Tag(s):
    neorealism

  • The Architectonics of Alienation: Antonioni's Edifice Complex

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
    Item Type:
    Article
    Tag(s):
    film modernism

  • 1976: Movies and Cultural Contradictions

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
    Item Type:
    Book chapter
    Tag(s):
    american cinema, academy award

  • The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film history, Film, Hollywood
    Item Type:
    Article
    Tag(s):
    film adaptation, american cinema

  • Digitised Data from Tudor Cinema Ledgers, Leicester, 1925-1932

    Author(s):
    Nyasha Sibanda (see profile)
    Date:
    2018
    Subject(s):
    Film history, Film sound, Film studies, Modern British history, Silent cinema
    Item Type:
    Data set
    Tag(s):
    exhibition history, silent film exhibition

  • Image as Collective: A History of Optical Effects in Hollywood's Studio System

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2016
    Group(s):
    Film Studies
    Subject(s):
    Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood
    Item Type:
    Dissertation
    Tag(s):
    optical effects, special effects

  • Phantoms of the Archives slides

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Film Studies
    Subject(s):
    Musicology, Film history, Film music
    Item Type:
    Presentation

  • Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Film Studies
    Subject(s):
    Musicology, Film history, Film music
    Item Type:
    Presentation

  • Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
    Subject(s):
    Musicology, Film history, Film music
    Item Type:
    Book chapter
    Tag(s):
    silent film

  • Performing Spiritualism in the Silent Cinema

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
    Subject(s):
    Musicology, Film music, Film history, Music, Religion
    Item Type:
    Article

  • Film Museum Practice and Film Historiography

    Author(s):
    Bregt Lameris (see profile)
    Date:
    2017
    Group(s):
    Archives, Film Studies
    Subject(s):
    Archival studies, Film history, Historiography, Media studies, Restoration culture
    Item Type:
    Monograph

  • Šestaja čast' kadra

    Author(s):
    Adelheid Heftberger (see profile)
    Date:
    2019
    Group(s):
    Archives, Film Studies, Soviet and Russian history and culture
    Subject(s):
    Film history, Restoration culture, Film arts, Archival materials, Archives
    Item Type:
    Article
    Tag(s):
    russian film, restoration

  • Jaque Catelain and the cultural negotiation of manhood in interwar France

    Author(s):
    Joan Tumblety (see profile)
    Date:
    2014
    Subject(s):
    Cultural history, European history, Fashion studies, Film history, French studies, Gender and sexuality, Queer and gender studies
    Item Type:
    Online publication
    Tag(s):
    France

  • 140 Jahre Russisches Licht

    Author(s):
    Natascha Drubek (see profile) , Alexander Kluge
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Arts, Film history, Lighting design, Religious art, Russia
    Item Type:
    Documentary
    Tag(s):
    Early film, Alexander Kluge, Interview, Evgenii Bauer

  • Man with a Movie Camera under the Lens of Cinemetrics

    Author(s):
    Adelheid Heftberger (see profile) , Matteo Lepore, Yuri Tsivian
    Date:
    2009
    Group(s):
    Digital Humanists, Film Studies
    Subject(s):
    Digital humanities, Film history, Russian studies
    Item Type:
    Article
    Tag(s):
    versions

  • Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism

    Author(s):
    Adelheid Heftberger (see profile) , Michael Loebenstein, Georg Wasner
    Date:
    2009
    Group(s):
    Archives, Digital Humanists
    Subject(s):
    Archives, Film studies, Russian studies, Digital humanities, Film history
    Item Type:
    Article
    Tag(s):
    versions

  • Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven

    Author(s):
    Adelheid Heftberger (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film history, Library and Archival Studies, Library and information science, Film, Metadata
    Item Type:
    Book
    Tag(s):
    online collections, sharing, Sustaining Cultural Heritage Collections

Viewing item 1 to 25 (of 33 items)
1 2 →

  • Author
    • Adelheid Heftberger 4X
    • Alexa Alice Joubin 1X
    • Alexander Kluge 1X
    • Antony Keen 1X
    • Birk Weiberg 1X
    • Bregt Lameris 1X
    • Christian Michael Keathley 1X
    • Frank P. Tomasulo, Ph.D. 7X
    • Georg Wasner 1X
    • Isabel Seguí 2X
    • Jason Mittell 1X
    • Joan Tumblety 1X
    • Kendra Leonard 6X
    • Marcelo R. S. Ribeiro 1X
    • Mark J. Williams 1X
    • Matteo Lepore 1X
    • Michael A. Casey 1X
    • Michael Loebenstein 1X
    • Natascha Drubek 1X
    • Nyasha Sibanda 1X
    • Ryan Watson 1X
    • Sarah Hamblin 1X
    • Teague Schneiter 1X
    • Yuri Tsivian 2X
    • cecinove2017 1X
    • more>>
  • Group
    • American Musicological Society 5X
    • Archives 3X
    • Cultural Studies 1X
    • Data Rescue 4X
    • Digital Humanists 3X
    • Documentary Studies 1X
    • East Asian Languages and Literatures after 1900 1X
    • Film Studies 21X
    • GS Drama and Performance 1X
    • Global Shakespeares 1X
    • LLC Shakespeare 1X
    • MS Screen Arts and Culture 2X
    • Music Library Association 2X
    • Postcolonial Studies 1X
    • Red de Investigación Mujeres en el Cine Latinoamericano 2X
    • Society for Music Theory 1X
    • Soviet and Russian history and culture 1X
    • TC Translation Studies 1X
    • more>>
  • Subject
    • 20th-century film 2X
    • Acting 1X
    • Actor-network theory 1X
    • Adaptation 1X
    • Andean culture 2X
    • Architecture 1X
    • Archival materials 1X
    • Archival studies 1X
    • Archives 2X
    • Arts 1X
    • Censorship 1X
    • Cinema 6X
    • Cinema history 4X
    • Classical reception 1X
    • Classics 1X
    • Colonialism 1X
    • Cultural history 1X
    • Digital humanities 2X
    • Documentary 2X
    • East Asian literatures 1X
    • European history 1X
    • European studies 1X
    • Fashion studies 1X
    • Film 6X
    • Film and history 4X
    • Film and politics 2X
    • Film and society 2X
    • Film arts 2X
    • Film criticism 5X
    • Film history 33X
    • Film music 5X
    • Film production 1X
    • Film sound 1X
    • Film studies 3X
    • Film theory 2X
    • Filmmaking 1X
    • French studies 1X
    • Gender and sexuality 1X
    • Gender studies 1X
    • German studies 1X
    • Historiography 1X
    • History of technology 1X
    • Hollywood 1X
    • Hollywood cinema 2X
    • Italian cinema 2X
    • Italian studies 1X
    • Latin American cinema 2X
    • Library and Archival Studies 1X
    • Library and information science 1X
    • Lighting design 1X
    • Media studies 2X
    • Metadata 1X
    • Modern British history 1X
    • Modernism 1X
    • Music 2X
    • Musicology 5X
    • New media 1X
    • Postcolonialism 1X
    • Propaganda 1X
    • Queer and gender studies 1X
    • Radical art 1X
    • Religion 2X
    • Religious art 1X
    • Restoration culture 2X
    • Russia 1X
    • Russian studies 2X
    • Shakespeare 1X
    • Silent cinema 1X
    • Studio-era Hollywood 1X
    • Testimonial literature 1X
    • Women's studies 1X
    • world cinema 2X
    • more>>
  • Item Type
    • Article 14X
    • Book 2X
    • Book chapter 5X
    • Conference paper 1X
    • Data set 1X
    • Dissertation 1X
    • Documentary 1X
    • Monograph 1X
    • Online publication 1X
    • Presentation 2X
    • White paper 4X
    • more>>
  • Date
    • 2019 11X
    • 2018 5X
    • 2017 5X
    • 2016 2X
    • 2015 1X
    • 2014 1X
    • 2013 3X
    • 2012 1X
    • 2009 2X
    • 1998 1X
    • 1986 1X
    • more>>
  • File Type
    • Mixed material 3X
    • Text 22X
    • Video 1X
    • more>>
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active