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Groups
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MSU
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Why is the Platypus Our Mascot?
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Introduction: radical documentary today
Author(s):
Sarah Hamblin
,
Ryan Watson
(see profile)
Date:
2019
Group(s):
Film Studies
,
MS Screen Arts and Culture
Subject(s):
Documentary
,
Radical art
,
New media
,
Film history
,
Filmmaking
Item Type:
Article
Veni, vidi, video: Screen portrayals of the Roman Empire
Author(s):
Antony Keen
(see profile)
Date:
2018
Subject(s):
Classics
,
Film studies
,
Classical reception
,
Film history
,
Film and history
Item Type:
Article
Tag(s):
Classical reception studies
,
Classics and cinema
,
Cinema and ancient Greece and Rome
,
Hollywood epics
The Embodied Testimony of Domitila Chungara in 'The Courage of the People' (Jorge Sanjinés, 1971)
Author(s):
Isabel Seguí
(see profile)
Date:
2017
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Andean culture
,
Censorship
,
Film history
,
Latin American cinema
,
Testimonial literature
Item Type:
Article
Tag(s):
Bolivian cinema
,
Domitila Chungara
,
Filmic testimonio
,
Jorge Sanjinés
,
Ukamau
Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production
Author(s):
Isabel Seguí
(see profile)
Date:
2018
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Andean culture
,
Film history
,
Latin American cinema
,
Women's studies
Item Type:
Article
Tag(s):
Andean Cinema
,
Beatriz Palacios
,
Latin American Women's Filmmaking
,
María Barea
,
Ukamau
Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film music
,
Film history
,
Religion
Item Type:
Book
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1998
Group(s):
Documentary Studies
,
Film Studies
Subject(s):
Film
,
Film and society
,
Film history
,
Cinema
,
Cinema history
,
Documentary
,
Propaganda
Item Type:
Book chapter
Tag(s):
Hitler
,
Leni Riefenstahl
,
Wilhelm Reich
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film
,
Film theory
,
Cinema
,
Hollywood cinema
,
Cinema history
,
Film history
,
20th-century film
Item Type:
Article
Tag(s):
american cinema
,
CITIZEN KANE
,
orson welles
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film arts
,
Film history
,
Acting
,
Cinema history
,
Cinema
,
Modernism
Item Type:
Book chapter
Tag(s):
performamnce
,
film acting
,
film directing
,
minimalism
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema
,
Cinema
,
Cinema history
,
Film and history
,
Film
,
Film history
,
world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film criticism
,
Italian cinema
,
world cinema
,
Architecture
,
Film history
,
Cinema
Item Type:
Article
Tag(s):
film modernism
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history
,
Film and politics
,
Film and society
,
Cinema
,
Hollywood cinema
,
Film history
,
20th-century film
Item Type:
Book chapter
Tag(s):
american cinema
,
academy award
The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history
,
Film
,
Hollywood
Item Type:
Article
Tag(s):
film adaptation
,
american cinema
Digitised Data from Tudor Cinema Ledgers, Leicester, 1925-1932
Author(s):
Nyasha Sibanda
(see profile)
Date:
2018
Subject(s):
Film history
,
Film sound
,
Film studies
,
Modern British history
,
Silent cinema
Item Type:
Data set
Tag(s):
exhibition history
,
silent film exhibition
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg
(see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history
,
Film production
,
Actor-network theory
,
History of technology
,
Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects
,
special effects
Phantoms of the Archives slides
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Presentation
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Music Library Association
Subject(s):
Musicology
,
Film music
,
Film history
,
Music
,
Religion
Item Type:
Article
Film Museum Practice and Film Historiography
Author(s):
Bregt Lameris
(see profile)
Date:
2017
Group(s):
Archives
,
Film Studies
Subject(s):
Archival studies
,
Film history
,
Historiography
,
Media studies
,
Restoration culture
Item Type:
Monograph
Šestaja čast' kadra
Author(s):
Adelheid Heftberger
(see profile)
Date:
2019
Group(s):
Archives
,
Film Studies
,
Soviet and Russian history and culture
Subject(s):
Film history
,
Restoration culture
,
Film arts
,
Archival materials
,
Archives
Item Type:
Article
Tag(s):
russian film
,
restoration
Jaque Catelain and the cultural negotiation of manhood in interwar France
Author(s):
Joan Tumblety
(see profile)
Date:
2014
Subject(s):
Cultural history
,
European history
,
Fashion studies
,
Film history
,
French studies
,
Gender and sexuality
,
Queer and gender studies
Item Type:
Online publication
Tag(s):
France
140 Jahre Russisches Licht
Author(s):
Natascha Drubek
(see profile)
,
Alexander Kluge
Date:
2017
Group(s):
Film Studies
Subject(s):
Arts
,
Film history
,
Lighting design
,
Religious art
,
Russia
Item Type:
Documentary
Tag(s):
Early film
,
Alexander Kluge
,
Interview
,
Evgenii Bauer
Man with a Movie Camera under the Lens of Cinemetrics
Author(s):
Adelheid Heftberger
(see profile)
,
Matteo Lepore
,
Yuri Tsivian
Date:
2009
Group(s):
Digital Humanists
,
Film Studies
Subject(s):
Digital humanities
,
Film history
,
Russian studies
Item Type:
Article
Tag(s):
versions
Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism
Author(s):
Adelheid Heftberger
(see profile)
,
Michael Loebenstein
,
Georg Wasner
Date:
2009
Group(s):
Archives
,
Digital Humanists
Subject(s):
Archives
,
Film studies
,
Russian studies
,
Digital humanities
,
Film history
Item Type:
Article
Tag(s):
versions
Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven
Author(s):
Adelheid Heftberger
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history
,
Library and Archival Studies
,
Library and information science
,
Film
,
Metadata
Item Type:
Book
Tag(s):
online collections
,
sharing
,
Sustaining Cultural Heritage Collections
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