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Introduction: radical documentary today
Author(s):
Sarah Hamblin, Ryan Watson (see profile)
Date:
2019
Group(s):
Film Studies, MS Screen Arts and Culture
Subject(s):
Documentary, Radical art, New media, Film history, Filmmaking
Item Type:
Article
Veni, vidi, video: Screen portrayals of the Roman Empire
Author(s):
Antony Keen (see profile)
Date:
2018
Subject(s):
Classics, Film studies, Classical reception, Film history, Film and history
Item Type:
Article
Tag(s):
Classical reception studies, Classics and cinema, Cinema and ancient Greece and Rome, Hollywood epics
The Embodied Testimony of Domitila Chungara in 'The Courage of the People' (Jorge Sanjinés, 1971)
Author(s):
Isabel Seguí (see profile)
Date:
2017
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Andean culture, Censorship, Film history, Latin American cinema, Testimonial literature
Item Type:
Article
Tag(s):
Bolivian cinema, Domitila Chungara, Filmic testimonio, Jorge Sanjinés, Ukamau
Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production
Author(s):
Isabel Seguí (see profile)
Date:
2018
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Andean culture, Film history, Latin American cinema, Women's studies
Item Type:
Article
Tag(s):
Andean Cinema, Beatriz Palacios, Latin American Women's Filmmaking, María Barea, Ukamau
Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film music, Film history, Religion
Item Type:
Book
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film arts, Film history, Acting, Cinema history, Cinema, Modernism
Item Type:
Book chapter
Tag(s):
performamnce, film acting, film directing, minimalism
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
Item Type:
Book chapter
Tag(s):
american cinema, academy award
The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history, Film, Hollywood
Item Type:
Article
Tag(s):
film adaptation, american cinema
Digitised Data from Tudor Cinema Ledgers, Leicester, 1925-1932
Author(s):
Nyasha Sibanda (see profile)
Date:
2018
Subject(s):
Film history, Film sound, Film studies, Modern British history, Silent cinema
Item Type:
Data set
Tag(s):
exhibition history, silent film exhibition
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects, special effects
Phantoms of the Archives slides
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
Film Museum Practice and Film Historiography
Author(s):
Bregt Lameris (see profile)
Date:
2017
Group(s):
Archives, Film Studies
Subject(s):
Archival studies, Film history, Historiography, Media studies, Restoration culture
Item Type:
Monograph
Šestaja čast' kadra
Author(s):
Adelheid Heftberger (see profile)
Date:
2019
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
Jaque Catelain and the cultural negotiation of manhood in interwar France
Author(s):
Joan Tumblety (see profile)
Date:
2014
Subject(s):
Cultural history, European history, Fashion studies, Film history, French studies, Gender and sexuality, Queer and gender studies
Item Type:
Online publication
Tag(s):
France
140 Jahre Russisches Licht
Author(s):
Natascha Drubek (see profile) , Alexander Kluge
Date:
2017
Group(s):
Film Studies
Subject(s):
Arts, Film history, Lighting design, Religious art, Russia
Item Type:
Documentary
Tag(s):
Early film, Alexander Kluge, Interview, Evgenii Bauer
Man with a Movie Camera under the Lens of Cinemetrics
Author(s):
Adelheid Heftberger (see profile) , Matteo Lepore, Yuri Tsivian
Date:
2009
Group(s):
Digital Humanists, Film Studies
Subject(s):
Digital humanities, Film history, Russian studies
Item Type:
Article
Tag(s):
versions
Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism
Author(s):
Adelheid Heftberger (see profile) , Michael Loebenstein, Georg Wasner
Date:
2009
Group(s):
Archives, Digital Humanists
Subject(s):
Archives, Film studies, Russian studies, Digital humanities, Film history
Item Type:
Article
Tag(s):
versions
Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven
Author(s):
Adelheid Heftberger (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history, Library and Archival Studies, Library and information science, Film, Metadata
Item Type:
Book
Tag(s):
online collections, sharing, Sustaining Cultural Heritage Collections

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