Deposits – Humanities Commons

CORE Search Results Start Search Over

The 'new' Ophelia in Michael Almereyda's Hamlet
Author(s):
Amanda Kane Rooks (see profile)
Date:
2020
Subject(s):
Film criticism, Literature and film, Shakespeare
Item Type:
Article
Tum Toh Mohammed Rafi Nikle: The song sequence in contemporary Hindi cinema
Author(s):
Aakshi Magazine (see profile)
Date:
2019
Subject(s):
Film criticism, Film music, Film studies, Hindi, Indian cinema
Item Type:
Article
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
Like Two Autistic Moonbeams Piercing the Windows of My Asylum: Chaucer's Griselda and Lars von Trier's Bess McNeill
Author(s):
Eileen Joy (see profile)
Date:
2011
Group(s):
Cultural Studies, Historical theory and the philosophy of history, Medieval Studies, Narrative theory and Narratology, Philosophy
Subject(s):
Medieval studies, Film criticism, Object-oriented ontology, Narrative theory, New materialism, Chaucer, speculative realism
Item Type:
Article
Tag(s):
Lars von Trier, Claude Romano, Jane Bennett
Separation, Difference, and Time in Godard's Ici et ailleurs
Author(s):
John E. Drabinski (see profile)
Date:
2008
Subject(s):
Film criticism, Film and politics, Continental philosophy
Item Type:
Article
Tag(s):
jean-luc godard, alterity, Time and temporality
The Search for a Way of Being
Author(s):
Patrick McEvoy-Halston (see profile)
Date:
2001
Group(s):
TC Cognitive and Affect Studies, TC Popular Culture
Subject(s):
Film and society, Film, Film criticism
Item Type:
Essay
Tag(s):
ridley scott, blade runner
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
ONT vol 2
Author(s):
paul bali (see profile)
Date:
2018
Subject(s):
Film criticism
Item Type:
Magazine section
Tag(s):
In the Mood For Love, Sans Soleil
“The Mosaic-Screen: Exploration and Definition”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2008
Group(s):
Cultural Studies, Film-Philosophy, Film Studies
Subject(s):
Film studies, Film criticism, Aesthetics, Philosophy
Item Type:
Article
“Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2017
Group(s):
Cultural Studies, Film-Philosophy, Film Studies
Subject(s):
Film criticism, Authorship studies, Canadian studies
Item Type:
Article
Got Jewish Milk? Screening Epstein and Van Sant for Intersectional Film History
Author(s):
Helene Meyers (see profile)
Date:
2017
Group(s):
CLCS Global Jewish, LLC Jewish American, MS Screen Arts and Culture, TC Sexuality Studies
Subject(s):
Film criticism, Jews and the arts, Queer/gay
Item Type:
Article
Tag(s):
Biopics, Film history, Jewish American, queer cinema
Terayama's "China Doll" (in Japanese)
Author(s):
Steven Ridgely (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, French Literature & Cultural Studies, Linguistics, LLC 20th- and 21st-Century French, LLC Japanese since 1900
Subject(s):
20th century, Critical theory, Film criticism, French studies, Japanese studies
Item Type:
Book chapter
Academy Motion Picture Oral History Digital Archive - Planning Project
Project Director(s):
Teague Schneiter
Author(s):
Teague Schneiter
Date:
2015
Group(s):
Data Rescue
Subject(s):
Film history, Film criticism
Item Type:
White paper
Tag(s):
NEH White papers, Humanities Collections and Reference Resources, NEH Preservation and Access
Scholarship in Sound and Image: Producing Videographic Criticism in the Digital Age
Project Director(s):
Christian Michael Keathley, Jason Mittell (see profile)
Author(s):
Christian Michael Keathley, Jason Mittell (see profile)
Date:
2016
Group(s):
Data Rescue, Digital Humanists, Film Studies
Subject(s):
Film criticism, Film history, Media studies
Item Type:
White paper
Tag(s):
Institutes for Advanced Topics in the Digital Humanities, NEH Digital Humanities, NEH White papers
ACTION (Audio-visual Cinematic Toolbox for Interaction, Organization, and Navigation): an open-source Python platform
Project Director(s):
Michael A. Casey, Mark J. Williams
Author(s):
Michael A. Casey, Mark J. Williams
Date:
2013
Group(s):
Data Rescue
Subject(s):
Film history, Film criticism
Item Type:
White paper
Tag(s):
NEH White papers, Digital Humanities Start-Up Grants, NEH Digital Humanities
Cinemetrics, a Digital Laboratory for Film Studies.
Project Director(s):
Yuri Tsivian
Author(s):
Yuri Tsivian
Date:
2013
Group(s):
Data Rescue
Subject(s):
Film history, Film criticism
Item Type:
White paper
Tag(s):
NEH White papers, Digital Humanities Start-Up Grants, NEH Digital Humanities
“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, East Asian literatures, Film criticism, Globalization, Shakespeare
Item Type:
Book chapter
Tag(s):
Global Shakespeare, Film, East Asian cultures
The Last of the Self-Righteous: Claude Lanzmann’s version of Benjamin Murmelstein
Author(s):
Anna Hajkova (see profile)
Date:
2014
Group(s):
Cultural Studies, German Literature and Culture, Jewish Studies
Subject(s):
Film and history, Film criticism, Gender studies, Holocaust studies
Item Type:
Essay
Tag(s):
claude lanzmann, masculinity, oral history, theresienstadt
Birth as Ethical Sublime in Joel and Ethan Coen's Fargo
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film criticism
Item Type:
Conference paper
Tag(s):
Joel and Ethan Coen, Sublime

Viewing item 1 to 20 (of 20 items)

CORE Search Results Start Search Over

The 'new' Ophelia in Michael Almereyda's Hamlet

Tum Toh Mohammed Rafi Nikle: The song sequence in contemporary Hindi cinema

The Architectonics of Alienation: Antonioni's Edifice Complex

ADAPTATION as Adaptation

Like Two Autistic Moonbeams Piercing the Windows of My Asylum: Chaucer's Griselda and Lars von Trier's Bess McNeill

Separation, Difference, and Time in Godard's Ici et ailleurs

The Search for a Way of Being

The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

ONT vol 2

“The Mosaic-Screen: Exploration and Definition”

“Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin”

Got Jewish Milk? Screening Epstein and Van Sant for Intersectional Film History

Terayama's "China Doll" (in Japanese)

Academy Motion Picture Oral History Digital Archive - Planning Project

Scholarship in Sound and Image: Producing Videographic Criticism in the Digital Age

ACTION (Audio-visual Cinematic Toolbox for Interaction, Organization, and Navigation): an open-source Python platform

Cinemetrics, a Digital Laboratory for Film Studies.

“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240

The Last of the Self-Righteous: Claude Lanzmann’s version of Benjamin Murmelstein

Birth as Ethical Sublime in Joel and Ethan Coen's Fargo

@