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After hours (2019): shooting script
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Film arts, Filmmaking, Cinema, Art, Film production, Screenwriting, Creative writing
Item Type:
Other
Tag(s):
script, screenplay
Bukid (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation
Item Type:
Visual art
Tag(s):
stop-motion
After hours (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema
Item Type:
Visual art
Tag(s):
film directing
To my beloved (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Cinematography, Filmmaking, Cinema, Documentary
Item Type:
Visual art
Singaw (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema
Item Type:
Visual art
Tag(s):
film directing
Tapon (2018)
Author(s):
Roland Cartagena (see profile)
Date:
2018
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Cinematography, Filmmaking, Cinema
Item Type:
Visual art
Seek (2018)
Author(s):
Roland Cartagena (see profile)
Date:
2018
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinematography, Cinema, Horror
Item Type:
Visual art
Flush (2020): an animation production thesis
Author(s):
Roland Cartagena (see profile)
Date:
2020
Subject(s):
Film, Film arts, Animation, Filmmaking, Marxism
Item Type:
Thesis
Tag(s):
Scatology, Abjection, Capitalism, Labor, Class struggle
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film, Film arts, Japan, Cinema, world cinema
Item Type:
Article
Tag(s):
Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film arts, Cinema, world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni, Italian film
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
EROS and Civilization: Sexuality and the Contemporary International Art Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2008
Group(s):
Film Studies
Subject(s):
Film, Film arts, Sexuality, Cinema, world cinema
Item Type:
Article
Tag(s):
Transnational film
EL TOPO and the Midnight Movie Craze
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Surrealism, Film arts, Cinema, world cinema
Item Type:
Article
Tag(s):
Alejandro Jodorowsky, Surrealist Cinema, EL TOPO
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film arts, Film history, Acting, Cinema history, Cinema, Modernism
Item Type:
Book chapter
Tag(s):
performamnce, film acting, film directing, minimalism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
Los contornos del miedo. La huella del arte pictórico en el giallo italiano
Author(s):
Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover
Date:
2018
Subject(s):
Film arts, Film studies, Italian cinema, Painting
Item Type:
Article
Šestaja čast' kadra
Author(s):
Adelheid Heftberger (see profile)
Date:
2019
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet]
Author(s):
Natascha Drubek (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Film arts, Russia
Item Type:
Book chapter
Tag(s):
Film studies, glass, Russian and Soviet Studies, Gesture, Thing

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