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Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox
(see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
French cinema
,
French studies
,
Gender politics
,
Sound design
,
Film and politics
,
Cinema
Item Type:
Blog Post
Tag(s):
female director
,
female gaze
,
listening
,
film industry
"Los niños perdidos zombis: La España postsecular y los descontentos con la memoria histórica en [REC]2"
Author(s):
Antonio Cordoba
(see profile)
Date:
2018
Subject(s):
Film
,
Film and politics
,
Horror cinema
,
Horror films
,
Spanish cinema
Item Type:
Article
Syllabus: Irregular Warfare through Film
Author(s):
C. Christine Fair
(see profile)
Date:
2019
Subject(s):
Film and politics
,
Film and society
Item Type:
Syllabus
Tag(s):
syllabus
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film and politics
,
Cinema
,
Cinema history
,
Mythology
Item Type:
Article
Tag(s):
Steven Spielberg
,
Joseph Campbell
,
Monomyth
,
Raiders of the Lost Ark
The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film
,
Film and politics
,
Cinema
,
Hollywood cinema
Item Type:
Article
Tag(s):
Steven Spielberg
,
E.T
,
christian iconography
Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1989
Group(s):
Film Studies
Subject(s):
Film and politics
,
Television studies
,
Television
,
Documentary
Item Type:
Article
Tag(s):
Oliver North
,
Frank Capra
,
TV
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film and history
,
Film and politics
,
20th-century film
,
Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW
,
Cinema Art Criticism
,
american cinema
,
francis coppola
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history
,
Film and politics
,
Film and society
,
Cinema
,
Hollywood cinema
,
Film history
,
20th-century film
Item Type:
Book chapter
Tag(s):
american cinema
,
academy award
Separation, Difference, and Time in Godard's Ici et ailleurs
Author(s):
John E. Drabinski
(see profile)
Date:
2008
Subject(s):
Film criticism
,
Film and politics
,
Continental philosophy
Item Type:
Article
Tag(s):
jean-luc godard
,
alterity
,
Time and temporality
Landscape Allegory in Cinema
Author(s):
David Melbye
(see profile)
Date:
2010
Subject(s):
Allegory
,
Avant garde cinema
,
Film
,
Film and politics
,
Landscape
,
Transnational cinema
Item Type:
Book
Tag(s):
cinema and painting
,
film modernism
,
landscape allegory
,
landscape cinema
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef
(see profile)
Date:
2018
Group(s):
LLC Arabic
,
MS Screen Arts and Culture
,
Postcolonial Studies
,
TC Memory Studies
,
TC Popular Culture
Subject(s):
Arabic culture
,
Film
,
Film and history
,
Film and politics
,
Postcolonial culture
Item Type:
Article
Tag(s):
Theeb
,
Abu-Nuwar
,
Mohammed al-Daradji
,
Iraqi cinema
,
Jordan cinema
Ethics, Aesthetics, and the Future in Alfonso Cuarón’s Children of Men
Author(s):
Samuel Amago
(see profile)
Date:
2010
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
global south
,
Cuaron
"The Gospel According to Spielberg in E.T.: The Extra-Terrestrial"
Author(s):
Frank Tomasulo
(see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Action and adventure films
,
Cinema
,
Film and politics
,
Film studies
,
Science fiction
Item Type:
Article
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Colonialism
,
Film and politics
,
Film history
,
Film theory
,
Postcolonialism
Item Type:
Article
Tag(s):
African film
,
commons
,
cosmopoetics
,
cosmopolitics
,
decolonization
“Terrence Malick's Tree of Life: Grace and the General Economy”
Author(s):
Todd Comer
(see profile)
Date:
2017
Subject(s):
Christianity
,
Economics
,
Film and politics
Item Type:
Conference paper
Tag(s):
Derrida
,
Malick
,
Terrence
,
grace
The Revolution Will be Uploaded: Vernacular Video and the Arab Spring
Author(s):
Peter Snowdon
(see profile)
Date:
2014
Group(s):
Anarchism
,
Cultural Studies
,
Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Arab Spring
,
Ivan Illich
,
Libya
,
Vernacular
,
YouTube
The Last Broadcast
Author(s):
Peter Snowdon
(see profile)
Date:
2016
Group(s):
Cultural Studies
,
Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Arab Spring
,
citizen journalism
,
Libya
,
social media
,
YouTube
Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)
Author(s):
Lee Skallerup Bessette
(see profile)
Date:
2013
Group(s):
LLC Canadian
,
LLC Francophone
,
LLC Literatures of the United States in Languages Other Than English
,
Postcolonial Literature
,
TC Postcolonial Studies
Subject(s):
Adaptation
,
Caribbean studies
,
Film and history
,
Film and politics
,
Postcolonialism
Item Type:
Article
"This aggression will not stand": Myth, War, and Ethics in
The Big Lebowski
Author(s):
Todd Comer
(see profile)
Date:
2005
Group(s):
Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Joel and Ethan Coen
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