Deposits – Humanities Commons

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Whither Barbarism? (slides)
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2015
Subject(s):
Socialism, Film and politics, Karl Marx
Item Type:
Lecture
Tag(s):
Pier Paolo Pasolini, Rosa Luxemburg, Walter, Walter Benjamin
Whither Barbarism?
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2015
Subject(s):
Socialism, Film and politics, Karl Marx
Item Type:
Lecture
Tag(s):
Pier Paolo Pasolini, Rosa Luxemburg, Walter Benjamin, Theodor Adorno
Violence and Non-Violence
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2015
Subject(s):
Film and politics, Violence
Item Type:
Lecture
Tag(s):
Pier Paolo Pasolini, Walter Benjamin
Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD)
Author(s):
Adelheid Heftberger (see profile)
Date:
2020
Group(s):
Archives, Digital Humanists, Film Studies
Subject(s):
Film and history, Film and politics, Archives
Item Type:
Article
Tag(s):
Film archiving, History and Memory, digital cultural heritage
Espacios de imágenes del anime: Walter Benjamin y las políticas del consumo
Author(s):
Jacqueline Ristola (see profile)
Date:
2021
Subject(s):
Film, Animation, Cinema, Film and politics
Item Type:
Article
Tag(s):
anime, Walter Benjamin
The Camera Shot and the Gun Sight
Author(s):
Anne Eakin Moss (see profile)
Date:
2019
Group(s):
Film-Philosophy, Film Studies, Soviet and Russian history and culture
Subject(s):
Film (history and studio), Film and politics, Film theory, Soviet film, Studio-era Hollywood
Item Type:
Article
Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox (see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies, MS Screen Arts and Culture, MS Sound, MS Visual Culture
Subject(s):
French cinema, French studies, Gender politics, Sound design, Film and politics, Cinema
Item Type:
Blog Post
Tag(s):
female director, female gaze, listening, film industry
"Los niños perdidos zombis: La España postsecular y los descontentos con la memoria histórica en [REC]2"
Author(s):
Antonio Cordoba (see profile)
Date:
2018
Subject(s):
Film, Film and politics, Horror cinema, Horror films, Spanish cinema
Item Type:
Article
Syllabus: Irregular Warfare through Film
Author(s):
C. Christine Fair (see profile)
Date:
2019
Subject(s):
Film and politics, Film and society
Item Type:
Syllabus
Tag(s):
syllabus
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Cinema history, Mythology
Item Type:
Article
Tag(s):
Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark
The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Hollywood cinema
Item Type:
Article
Tag(s):
Steven Spielberg, E.T, christian iconography
Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1989
Group(s):
Film Studies
Subject(s):
Film and politics, Television studies, Television, Documentary
Item Type:
Article
Tag(s):
Oliver North, Frank Capra, TV
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and history, Film and politics, 20th-century film, Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
Item Type:
Book chapter
Tag(s):
american cinema, academy award
Separation, Difference, and Time in Godard's Ici et ailleurs
Author(s):
John E. Drabinski (see profile)
Date:
2008
Subject(s):
Film criticism, Film and politics, Continental philosophy
Item Type:
Article
Tag(s):
jean-luc godard, alterity, Time and temporality
Landscape Allegory in Cinema
Author(s):
David Melbye (see profile)
Date:
2010
Subject(s):
Allegory, Avant garde cinema, Film, Film and politics, Landscape, Transnational cinema
Item Type:
Book
Tag(s):
cinema and painting, film modernism, landscape allegory, landscape cinema
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef (see profile)
Date:
2018
Group(s):
LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture
Subject(s):
Arabic culture, Film, Film and history, Film and politics, Postcolonial culture
Item Type:
Article
Tag(s):
Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema
Ethics, Aesthetics, and the Future in Alfonso Cuarón’s Children of Men
Author(s):
Samuel Amago (see profile)
Date:
2010
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
global south, Cuaron
"The Gospel According to Spielberg in E.T.: The Extra-Terrestrial"
Author(s):
Frank Tomasulo (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Action and adventure films, Cinema, Film and politics, Film studies, Science fiction
Item Type:
Article
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2017
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Colonialism, Film and politics, Film history, Film theory, Postcolonialism
Item Type:
Article
Tag(s):
African film, commons, cosmopoetics, cosmopolitics, decolonization
“Terrence Malick's Tree of Life: Grace and the General Economy”
Author(s):
Todd Comer (see profile)
Date:
2017
Subject(s):
Christianity, Economics, Film and politics
Item Type:
Conference paper
Tag(s):
Derrida, Malick, Terrence, grace
The Revolution Will be Uploaded: Vernacular Video and the Arab Spring
Author(s):
Peter Snowdon (see profile)
Date:
2014
Group(s):
Anarchism, Cultural Studies, Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Arab Spring, Ivan Illich, Libya, Vernacular, YouTube
The Last Broadcast
Author(s):
Peter Snowdon (see profile)
Date:
2016
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Arab Spring, citizen journalism, Libya, social media, YouTube
Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)
Author(s):
Lee Skallerup Bessette (see profile)
Date:
2013
Group(s):
LLC Canadian, LLC Francophone, LLC Literatures of the United States in Languages Other Than English, Postcolonial Literature, TC Postcolonial Studies
Subject(s):
Adaptation, Caribbean studies, Film and history, Film and politics, Postcolonialism
Item Type:
Article
"This aggression will not stand": Myth, War, and Ethics in The Big Lebowski
Author(s):
Todd Comer (see profile)
Date:
2005
Group(s):
Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Joel and Ethan Coen

Viewing item 1 to 25 (of 25 items)

CORE Search Results Start Search Over

Whither Barbarism? (slides)

Whither Barbarism?

Violence and Non-Violence

Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD)

Espacios de imágenes del anime: Walter Benjamin y las políticas del consumo

The Camera Shot and the Gun Sight

Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'

"Los niños perdidos zombis: La España postsecular y los descontentos con la memoria histórica en [REC]2"

Syllabus: Irregular Warfare through Film

Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History

The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

1976: Movies and Cultural Contradictions

Separation, Difference, and Time in Godard's Ici et ailleurs

Landscape Allegory in Cinema

Coming of Age in Troubled Times: Son of Babylon and Theeb

Ethics, Aesthetics, and the Future in Alfonso Cuarón’s Children of Men

"The Gospel According to Spielberg in E.T.: The Extra-Terrestrial"

Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos

“Terrence Malick's Tree of Life: Grace and the General Economy”

The Revolution Will be Uploaded: Vernacular Video and the Arab Spring

The Last Broadcast

Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)

"This aggression will not stand": Myth, War, and Ethics in The Big Lebowski

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