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Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945
Author(s):
Natascha Drubek
(see profile)
Date:
2020
Group(s):
Documentary Studies
,
Film Studies
,
Holocaust history
,
Soviet and Russian history and culture
Subject(s):
Film and history
,
Holocaust
,
Poland
,
Soviet Union
,
Documentary production
Item Type:
Book
Time and Identity in Folk Horror
Author(s):
Derek Johnston
(see profile)
Date:
2014
Group(s):
Cultural Studies
,
Horror
,
Television Studies
Subject(s):
Television studies
,
Film and history
,
Film and society
,
Cultural identity
,
Identity
,
Television
,
Film
Item Type:
Conference paper
Tag(s):
Folk horror
,
Time
Veni, vidi, video: Screen portrayals of the Roman Empire
Author(s):
Antony Keen
(see profile)
Date:
2018
Subject(s):
Classics
,
Film studies
,
Classical reception
,
Film history
,
Film and history
Item Type:
Article
Tag(s):
Classical reception studies
,
Classics and cinema
,
Cinema and ancient Greece and Rome
,
Hollywood epics
Exegi Monumentum Revolutionis – On Eisenstein’s "October"
Author(s):
Natascha Drubek
(see profile)
Date:
2020
Group(s):
Film Studies
,
History
,
Soviet and Russian history and culture
Subject(s):
Film and history
,
Soviet film
,
Soviet history
,
Sculpture
,
French Revolution
,
Pushkin
Item Type:
Article
Tag(s):
Eisenstein
,
Jakobson
Cosmopoéticas do espectador selvagem
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2020
Group(s):
Arqueologia do sensível
,
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Film and history
,
Genocide studies
,
Editing
,
Indigenous peoples
,
Indigenous cinema
Item Type:
Article
Tag(s):
cinema brasileiro contemporâneo
,
montagem
,
montagem anarquívica
,
cosmopoéticas
Grenzverwischer. ‘Jud Süss’ und ‘Das Dritte Geschlecht’: Verschränkte Diskurse von Ausgrenzung.
Author(s):
Francesca Falk
(see profile)
Date:
2008
Group(s):
Cultural Studies
,
Gender Studies
,
Global & Transnational Studies
,
History
Subject(s):
Contemporary history
,
Discourse analysis
,
Film and history
,
History
Item Type:
Book
Cosmopolíticas e cosmopoéticas do contato
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2018
Group(s):
Arqueologia do sensível
,
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Film studies
,
Film and history
,
Indigenous peoples
Item Type:
Article
Tag(s):
documentário
,
história
,
contato
Cine-Testimonio: Saturnino Huillca, estrella del documental revolucionario peruano
Author(s):
Isabel Seguí
(see profile)
Date:
2016
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Documentary production
,
Film and history
,
Indigenous peoples
,
Peru
,
Transmedia practices
Item Type:
Article
Tag(s):
Agrarian Reform
,
Cinema and testimony
,
Peruvian cinema
,
Saturnino Huillca
Reviews of Lord of the Rings (Return of the King), Passion of Christ and Schindlers List
Author(s):
Steven Aoun
(see profile)
Date:
2005
Group(s):
Advocating for the Humanities
,
Connected Academics
,
Cultural Studies
,
Film Studies
,
Literary theory
Subject(s):
Film and history
,
Cultural studies
,
Holocaust
Item Type:
Article
Tag(s):
Spielberg
,
Tolkien
,
Religion and Culture
Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film
,
Film and history
,
Cinema
,
Hollywood cinema
Item Type:
Book chapter
Tag(s):
Steven Spielberg
,
SAVING PRIVATE RYAN
,
war movies
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema
,
Cinema
,
Cinema history
,
Film and history
,
Film
,
Film history
,
world cinema
Item Type:
Article
Tag(s):
neorealism
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film and history
,
Film and politics
,
20th-century film
,
Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW
,
Cinema Art Criticism
,
american cinema
,
francis coppola
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history
,
Film and politics
,
Film and society
,
Cinema
,
Hollywood cinema
,
Film history
,
20th-century film
Item Type:
Book chapter
Tag(s):
american cinema
,
academy award
‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein
Author(s):
Irina Schulzki
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history
,
Art
,
Global modernism across the arts
,
Intermediality
Item Type:
Book chapter
Tag(s):
gesture
,
synaesthesia
,
senses
,
montage
Rural Modernity in Britain: Introduction by Kristin Bluemel and Michael McCluskey
Author(s):
Kristin Bluemel
(see profile)
,
Michael McCluskey
Date:
2018
Group(s):
LLC 20th- and 21st-Century English and Anglophone
,
TM Literary Criticism
Subject(s):
Art history
,
Cultural geography
,
Film and history
,
Literary criticism
,
Cultural studies
,
Working-class literature
,
Feminist criticism
,
Visual culture
Item Type:
Book chapter
Tag(s):
Britishness
,
War Studies
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef
(see profile)
Date:
2018
Group(s):
LLC Arabic
,
MS Screen Arts and Culture
,
Postcolonial Studies
,
TC Memory Studies
,
TC Popular Culture
Subject(s):
Arabic culture
,
Film
,
Film and history
,
Film and politics
,
Postcolonial culture
Item Type:
Article
Tag(s):
Theeb
,
Abu-Nuwar
,
Mohammed al-Daradji
,
Iraqi cinema
,
Jordan cinema
Pirandello’s Character in Ruttmann’s Cacophonic Film Acciaio (1933)
Author(s):
cecinove2017
(see profile)
Date:
2013
Subject(s):
European studies
,
Film and history
,
Film history
,
German studies
,
Italian studies
Item Type:
Conference paper
Tag(s):
20th Century Literature
,
20th century film
,
Italian LIterature
,
German cinema
,
Italian theatre
The Last of the Self-Righteous: Claude Lanzmann’s version of Benjamin Murmelstein
Author(s):
Anna Hajkova
(see profile)
Date:
2014
Group(s):
Cultural Studies
,
German Literature and Culture
,
Jewish Studies
Subject(s):
Film and history
,
Film criticism
,
Gender studies
,
Holocaust studies
Item Type:
Essay
Tag(s):
claude lanzmann
,
masculinity
,
oral history
,
theresienstadt
Der Judenälteste und seine SS–Männer: Benjamin Murmelstein, der letzte Judenälteste in Theresienstadt und seine Beziehung zu Adolf Eichmann und Karl Rahm
Author(s):
Anna Hajkova
(see profile)
Date:
2011
Group(s):
Cultural Studies
,
German Literature and Culture
,
Jewish Studies
Subject(s):
Film and history
,
Gender studies
,
Holocaust studies
,
Jewish history
,
Oral history
Item Type:
Book chapter
Tag(s):
Holocaust
,
masculinity
,
violence
,
victim society
,
Murmelstein
Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)
Author(s):
Lee Skallerup Bessette
(see profile)
Date:
2013
Group(s):
LLC Canadian
,
LLC Francophone
,
LLC Literatures of the United States in Languages Other Than English
,
Postcolonial Literature
,
TC Postcolonial Studies
Subject(s):
Adaptation
,
Caribbean studies
,
Film and history
,
Film and politics
,
Postcolonialism
Item Type:
Article
Ethnic Stereotypes in the Discourse of Former-Yugoslav TV and Cinema
Author(s):
Aleksandar Petrović
,
Marija Stepanović
(see profile)
Date:
2015
Subject(s):
Film and history
,
Film and society
,
Semiotics
Item Type:
Conference proceeding
Tag(s):
Balkans
,
Former Yugoslavia
,
ethnic stereotypes
,
discourse analysis
,
film discourse
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