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Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD)
Author(s):
Adelheid Heftberger (see profile)
Date:
2020
Group(s):
Archives, Digital Humanists, Film Studies
Subject(s):
Film and history, Film and politics, Archives
Item Type:
Article
Tag(s):
Film archiving, History and Memory, digital cultural heritage
Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945
Author(s):
Natascha Drubek (see profile)
Date:
2020
Group(s):
Documentary Studies, Film Studies, Holocaust history, Soviet and Russian history and culture
Subject(s):
Film and history, Holocaust, Poland, Soviet Union, Documentary production
Item Type:
Book
Time and Identity in Folk Horror
Author(s):
Derek Johnston (see profile)
Date:
2014
Group(s):
Cultural Studies, Horror, Television Studies
Subject(s):
Television studies, Film and history, Film and society, Cultural identity, Identity, Television, Film
Item Type:
Conference paper
Tag(s):
Folk horror, Time
Veni, vidi, video: Screen portrayals of the Roman Empire
Author(s):
Antony Keen (see profile)
Date:
2018
Subject(s):
Classics, Film studies, Classical reception, Film history, Film and history
Item Type:
Article
Tag(s):
Classical reception studies, Classics and cinema, Cinema and ancient Greece and Rome, Hollywood epics
Exegi Monumentum Revolutionis – On Eisenstein’s "October"
Author(s):
Natascha Drubek (see profile)
Date:
2020
Group(s):
Film Studies, History, Soviet and Russian history and culture
Subject(s):
Film and history, Soviet film, Soviet history, Sculpture, French Revolution, Pushkin
Item Type:
Article
Tag(s):
Eisenstein, Jakobson
Cosmopoéticas do espectador selvagem
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2020
Group(s):
Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film and history, Genocide studies, Editing, Indigenous peoples, Indigenous cinema
Item Type:
Article
Tag(s):
cinema brasileiro contemporâneo, montagem, montagem anarquívica, cosmopoéticas
Grenzverwischer. ‘Jud Süss’ und ‘Das Dritte Geschlecht’: Verschränkte Diskurse von Ausgrenzung.
Author(s):
Francesca Falk (see profile)
Date:
2008
Group(s):
Cultural Studies, Gender Studies, Global & Transnational Studies, History
Subject(s):
Contemporary history, Discourse analysis, Film and history, History
Item Type:
Book
Cosmopolíticas e cosmopoéticas do contato
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2018
Group(s):
Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film studies, Film and history, Indigenous peoples
Item Type:
Article
Tag(s):
documentário, história, contato
Cine-Testimonio: Saturnino Huillca, estrella del documental revolucionario peruano
Author(s):
Isabel Seguí (see profile)
Date:
2016
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Documentary production, Film and history, Indigenous peoples, Peru, Transmedia practices
Item Type:
Article
Tag(s):
Agrarian Reform, Cinema and testimony, Peruvian cinema, Saturnino Huillca
Reviews of Lord of the Rings (Return of the King), Passion of Christ and Schindlers List
Author(s):
Steven Aoun (see profile)
Date:
2005
Group(s):
Advocating for the Humanities, Connected Academics, Cultural Studies, Film Studies, Literary theory
Subject(s):
Film and history, Cultural studies, Holocaust
Item Type:
Article
Tag(s):
Spielberg, Tolkien, Religion and Culture
Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film, Film and history, Cinema, Hollywood cinema
Item Type:
Book chapter
Tag(s):
Steven Spielberg, SAVING PRIVATE RYAN, war movies
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and history, Film and politics, 20th-century film, Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
Item Type:
Book chapter
Tag(s):
american cinema, academy award
‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein
Author(s):
Irina Schulzki (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Art, Global modernism across the arts, Intermediality
Item Type:
Book chapter
Tag(s):
gesture, synaesthesia, senses, montage
Rural Modernity in Britain: Introduction by Kristin Bluemel and Michael McCluskey
Author(s):
Kristin Bluemel (see profile) , Michael McCluskey
Date:
2018
Group(s):
LLC 20th- and 21st-Century English and Anglophone, TM Literary Criticism
Subject(s):
Art history, Cultural geography, Film and history, Literary criticism, Cultural studies, Working-class literature, Feminist criticism, Visual culture
Item Type:
Book chapter
Tag(s):
Britishness, War Studies
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef (see profile)
Date:
2018
Group(s):
LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture
Subject(s):
Arabic culture, Film, Film and history, Film and politics, Postcolonial culture
Item Type:
Article
Tag(s):
Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema
Pirandello’s Character in Ruttmann’s Cacophonic Film Acciaio (1933)
Author(s):
cecinove2017 (see profile)
Date:
2013
Subject(s):
European studies, Film and history, Film history, German studies, Italian studies
Item Type:
Conference paper
Tag(s):
20th Century Literature, 20th century film, Italian LIterature, German cinema, Italian theatre
The Last of the Self-Righteous: Claude Lanzmann’s version of Benjamin Murmelstein
Author(s):
Anna Hajkova (see profile)
Date:
2014
Group(s):
Cultural Studies, German Literature and Culture, Jewish Studies
Subject(s):
Film and history, Film criticism, Gender studies, Holocaust studies
Item Type:
Essay
Tag(s):
claude lanzmann, masculinity, oral history, theresienstadt
Der Judenälteste und seine SS–Männer: Benjamin Murmelstein, der letzte Judenälteste in Theresienstadt und seine Beziehung zu Adolf Eichmann und Karl Rahm
Author(s):
Anna Hajkova (see profile)
Date:
2011
Group(s):
Cultural Studies, German Literature and Culture, Jewish Studies
Subject(s):
Film and history, Gender studies, Holocaust studies, Jewish history, Oral history
Item Type:
Book chapter
Tag(s):
Holocaust, masculinity, violence, victim society, Murmelstein
Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)
Author(s):
Lee Skallerup Bessette (see profile)
Date:
2013
Group(s):
LLC Canadian, LLC Francophone, LLC Literatures of the United States in Languages Other Than English, Postcolonial Literature, TC Postcolonial Studies
Subject(s):
Adaptation, Caribbean studies, Film and history, Film and politics, Postcolonialism
Item Type:
Article
Ethnic Stereotypes in the Discourse of Former-Yugoslav TV and Cinema
Author(s):
Aleksandar Petrović, Marija Stepanović (see profile)
Date:
2015
Subject(s):
Film and history, Film and society, Semiotics
Item Type:
Conference proceeding
Tag(s):
Balkans, Former Yugoslavia, ethnic stereotypes, discourse analysis, film discourse

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