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The Colonizing Gaze in Romaine Fielding’s The Rattlesnake
Author(s):
Jeremy R. Ricketts
Editor(s):
Kreg Abshire (see profile)
Date:
2017
Subject(s):
American cultural studies, Film, Postcolonial studies
Item Type:
Article
Tag(s):
Romaine Fielding, The Rattlesnake: A Psychical Species (1913)
Based on a True Story: Tracking What is Queer about German Queer Documentary
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, History of East Germany, Film, Queer and gender studies
Item Type:
Article
Tag(s):
queer cinema, documentary films
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
The East German Film 'Coming Out' (1989) as Melancholic Reflection and Hopeful Projection
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Queer/gay, Film
Item Type:
Article
Tag(s):
East German film, Gay and Lesbian, queer cinema
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef (see profile)
Date:
2018
Group(s):
LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture
Subject(s):
Arabic culture, Film, Film and history, Film and politics, Postcolonial culture
Item Type:
Article
Tag(s):
Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema
Sex and Socialism in East German Cinema
Author(s):
Kyle Frackman (see profile) , Faye Stewart
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Film, Sexuality, Gender, German culture
Item Type:
Book chapter
Tag(s):
East German film
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
The Other Love in the Other Germany: East German Film, Media, and Social Change for Gay Rights
Author(s):
Kyle Frackman (see profile)
Date:
2016
Subject(s):
East Germany, Queer/gay, Gender and queer studies, Politics, Film
Item Type:
Conference paper
Tag(s):
gay rights
Shame and Love: East German Homosexuality Goes to the Movies
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LGBTQ Studies, LLC 20th- and 21st-Century German, TC Sexuality Studies
Subject(s):
East Germany, German history, Queer history, Film, Affect, Documentary
Item Type:
Book chapter
Tag(s):
German cinema
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
Persistent Ambivalence: Theorizing Queer East German Studies
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Affect, Queer and gender studies, Law and culture, Film, Seduction
Item Type:
Article
Tag(s):
youth, Homosexuality, Surveillance
The Ancestral Lands of Black Panther and Killmonger Unburied
Author(s):
A. Lewis (see profile)
Date:
2018
Group(s):
Religious Studies, TC Religion and Literature
Subject(s):
Film, Thanatology, Narratology, Cinema, Religion
Item Type:
Article
Tag(s):
black panther, superheroes, afterlife, antagonists, killmonger
“The Law of Capital: ‘The Measure of a Man’”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2016
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film, Marxism, Stylistics
Item Type:
Article
“Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2012
Group(s):
Film Studies, Religious Studies, Theology
Subject(s):
Film, Religion, Catholicism
Item Type:
Conference proceeding
“Sembène, Ousmane (1923-2007)”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2016
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film, Postcolonial culture, Politics
Item Type:
Book section
“Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2015
Group(s):
Cultural Studies, Film-Philosophy, Film Studies
Subject(s):
Film, Memory
Item Type:
Article
“Music Videos and Reused Footage”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2009
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film, Music, Video arts
Item Type:
Book chapter
Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion”
Editor(s):
Sérgio Dias Branco (see profile)
Date:
2013
Group(s):
Cultural Studies, Film-Philosophy, Film Studies, Religious Studies
Subject(s):
Film, Philosophy of religion, Aesthetics
Item Type:
Other
Cinema: Journal of Philosophy and the Moving Image, no. 8, “Marx’s Philosophy”
Editor(s):
Sérgio Dias Branco (see profile) , Michael Wayne
Date:
2016
Group(s):
Cultural Studies, Film-Philosophy
Subject(s):
Film, Karl Marx, Philosophy
Item Type:
Other
Psychoanalysis, Popular and Unpopular
Author(s):
Catherine Liu (see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Psychoanalysis, Film, Science fiction films, Critical theory, Science fiction, Cultural studies
Item Type:
Book chapter
"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory
Item Type:
Book chapter
Tag(s):
Shakespeare in performance, intercultural theatre
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina, Irina Schulzki (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film, Media studies, Body politics, Film theory, Performance art
Item Type:
Article
Tag(s):
gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies
Star Wars and the Power of Costume
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Subject(s):
Film, Costume design, Museum practice, Museums, Art criticism
Item Type:
Review
Tag(s):
Museum of Fine Arts St. Petersburg, Exhibition, Smithsonian
Beds, Handkerchiefs, and Moving Objects in Othello
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Subject(s):
Shakespeare, Adaptation, Film, New materialism
Item Type:
Article

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