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Day 1: Draft Prep Sheet on the 8 Parts of Speech through the Story of Hidden Figures
Author(s):
Laurie Ringer (see profile)
Date:
2019
Group(s):
Education and Pedagogy, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, Speculative and Science Fiction, TM The Teaching of Literature
Subject(s):
Teaching literature, Language pedagogy, Academic writing, Speculative fiction, Historical fiction, English language, College writing, Film
Item Type:
Course material or learning objects
Tag(s):
Hidden Figures, 8 Parts of Speech
EGL 194: Intro to Film (Fall 2019)
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Humanities Commons Summer Camp
Subject(s):
Film, Horror, 21st-century American film, Genre, Film studies, Genre studies
Item Type:
Syllabus
Tag(s):
syllabus
Intermediated Bodies and Bodies of Media: Screen Othellos
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Michael Neill, David Schalkwyk
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality
Item Type:
Book chapter
Tag(s):
Othello, Shakestream, Vlog, Shakespeare on film
“Live or die, make your choice”: American Survival Game Horror
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Neoliberal Fiction
Subject(s):
Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film
Item Type:
Conference paper
Tag(s):
american gothic, survival
War and the Natural World - Introduction, Interview, and Lesson Plan with Filmmakers Day and Day
Author(s):
Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Society-nature relationships, Film
Item Type:
Online publication
Tag(s):
empire
“Watching Austen, Reading Ourselves”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film, Jane Austen, Television studies
Item Type:
Book chapter
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and society, Hollywood cinema, Ethnicity, Cinema
Item Type:
Article
Tag(s):
Italian Americans in film, Italian film, representations
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film, Film arts, Japan, Cinema, world cinema
Item Type:
Article
Tag(s):
Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film arts, Cinema, world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni, Italian film
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Cinema history, Mythology
Item Type:
Article
Tag(s):
Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Hollywood cinema
Item Type:
Article
Tag(s):
Steven Spielberg, E.T, christian iconography
Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film, Film and history, Cinema, Hollywood cinema
Item Type:
Book chapter
Tag(s):
Steven Spielberg, SAVING PRIVATE RYAN, war movies
"I'll See It When I Believe It": Rodney King and the Prison-House of Video
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1996
Group(s):
Documentary Studies, Film Studies
Subject(s):
Documentary, Documentary filmmaking, Film, Phenomenology, Cinema
Item Type:
Book chapter
Tag(s):
documentary films, Race and film
EROS and Civilization: Sexuality and the Contemporary International Art Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2008
Group(s):
Film Studies
Subject(s):
Film, Film arts, Sexuality, Cinema, world cinema
Item Type:
Article
Tag(s):
Transnational film
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and history, Film and politics, 20th-century film, Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film history, Film, Hollywood
Item Type:
Article
Tag(s):
film adaptation, american cinema
Pre-existing music as authorial signature in the fiction films of Martin Scorsese
Author(s):
Jonathan Godsall (see profile)
Date:
2015
Subject(s):
Film, Film music, Musicology
Item Type:
Book chapter
Linked Open Data for Filmarchives - Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC)
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Film Studies
Subject(s):
Metadata, Linked open data, Film
Item Type:
Report

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