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"The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac"
Author(s):
Steven Swarbrick (see profile)
Date:
2021
Group(s):
Environmental Humanities, Film Studies, Literary theory, TC Ecocriticism and Environmental Humanities, TC Science and Literature
Subject(s):
Film, Ecocriticism, Critical animal studies, Gender and sexualities, Formalism, Queer theory, Natural history, Gender and sexuality
Item Type:
Article
'Coming Out' Teaching Guide
Author(s):
Skyler Arndt-Briggs, Kyle Frackman (see profile)
Date:
2021
Group(s):
LLC 20th- and 21st-Century German, Queer and Trans German Studies
Subject(s):
East Germany, Film, Teaching, Film studies, German studies
Item Type:
Course material or learning objects
“The right to narrate”: Gazans contest popular geopolitics with film
Author(s):
Hania A.M. Nashef (see profile)
Date:
2021
Group(s):
MS Visual Culture, Postcolonial Studies, TC Popular Culture
Subject(s):
Palestine studies, Film, Narrative identity, Conflict, Colonialism
Item Type:
Article
Tag(s):
Gaza Strip, Rashid Mashawari, Nasser Brothers, Popular geopolitics, Susan Youssef
Risen
Author(s):
Katie Turner (see profile)
Date:
2016
Subject(s):
Biblical studies, New Testament, Christianity, Film, Reception of the Bible
Item Type:
Article
Tarzan, um negro: para uma crítica da economia política do nome de “África”
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2021
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film, Colonial discourse, African studies, Racism, Decolonization, Decolonial theory, Imperialism, Colonialism
Item Type:
Article
Tag(s):
Jean Rouch, Tarzan
"Five themes in Asian Shakespeare adaptations," Oxford University Press blog, February 16, 2021
Author(s):
Alexa Alice Joubin (see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Adaptation, Film, Intercultural performance, Globalization, Asian American
Item Type:
Blog Post
Tag(s):
east asia, Transgender, accents, race and gender
What is Social Media and Why is it Important to Documentary Filmmakers?
Author(s):
FRIEDRICH H. KOHLE
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Social media, Film, Documentary filmmaking, Journalism, Communication
Item Type:
Article
Weepies Going Dirty and Machos Doing Masti: Unveiling the Female Chauvinist Pigs in Indian Cinema
Author(s):
SIMRANPREET KAUR VANDANA SHARMA
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Indian cinema, Film, Broadcast journalism, Sexuality, Communication, Consumption
Item Type:
Article
Tag(s):
Raunch culture, post-feminism, chauvinistic
Depicting Development Issues: Thematic Trends of Documentary Films of Mindanao-Based Filmmakers
Author(s):
NEF T. LUCZON
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Film, Documentary filmmaking, Communication, Broadcast journalism, Cinema, Filmmaking, Phenomenology
Item Type:
Article
Tag(s):
Mindanao issues, documentary films, development themes
Feminist Perspectives on the Apology of Louis CK and the #MeToo and #TimesUp Movements
Author(s):
HELEANA THEIXOS HELEANA THEIXOS
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2018
Group(s):
Communication Studies, Feminist Humanities, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Gender and sexualities, Women's gender, and sexuality studies, Film, Feminist films, Journalism, Feminist philosophy
Item Type:
Article
Tag(s):
Sexual misconduct activism, #MeToo, #TimesUp, Harvey Weinstein
Cinema Attendance and Cinema-Going Audience in Malaysia
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
African Cinema Group, Communication Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Cinema, Cinematography, Audience analysis, Audience and reception studies, Film
Item Type:
Article
Tag(s):
Malaysian cinema, audience studies, cinema-going behavior, descriptive statistics
'Mate-me por favor': Como ser uma Final Girl em tempos de medo, de terror, de pesadelo
Author(s):
Natalia Christofoletti Barrenha (see profile)
Date:
2021
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Brazilian cinema, Horror films, Gender and genre, Film
Item Type:
Article
Tag(s):
Mate-me por favor, Anita Rocha da Silveira, Latin American Women's Filmmaking, Slasher films
'Kill Me Please': Being a Final Girl in Times of Fear, Terror, and Nightmare
Author(s):
Natalia Christofoletti Barrenha (see profile)
Date:
2021
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Brazilian cinema, Horror films, Gender and genre, Film
Item Type:
Article
Tag(s):
Kill Me Plase, Anita Rocha da Silveira, Latin American Women's Filmmaking, Slasher films
Journal of Cinema and Media Studies Call for Translations 2021
Editor(s):
Nathaniel Greenberg (see profile)
Date:
2021
Subject(s):
Film, Translation, Cinema, Criticism
Item Type:
Other
Gyani Maiya (2019 documentary)
Author(s):
Subhashish Panigrahi (see profile)
Translator(s):
Uday Raj Aaley, Sanjib Chaudhary, Ananda K.C.
Date:
2019
Group(s):
Open Educational Resources
Subject(s):
Nepal, Documentary, Indigenous peoples, Endangered languages, Film
Item Type:
Documentary
Tag(s):
documentary films, kusunda, Gi Mihaq
El spot de bien público: aproximación teórica y conceptual
Author(s):
Luis Ernesto Paz Enrique (see profile) , Eduardo Alejandro Hernández Alfonso
Date:
2021
Group(s):
Film Studies, Library & Information Science
Subject(s):
Television, Film
Item Type:
Article
Tag(s):
spot
Mind the Doors! Locating folk horror within the cinematic London Underground
Author(s):
David Evans-Powell (see profile)
Date:
2021
Subject(s):
Cinema, Film, Film studies, Folklore studies, Horror, Horror cinema, Horror films, Landscape
Item Type:
Conference paper
Tag(s):
Folk horror
Love transcending time: a concept paper to an untitled documentary
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Cinema, Documentary filmmaking, Documentary production, Art, Documentary, Personal documentary
Item Type:
Abstract
Tag(s):
concept paper, film proposal, diary film
Asphyxia by family: a constructed passage
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Filmmaking, Cinema, Experimental film and video, Art
Item Type:
Abstract
Tag(s):
concept paper, film proposal, asphyxia, experimental cinema, fish tank
The disorientation of Filipino migrant workers: an audiovisual representation
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Filmmaking, Cinema
Item Type:
Other
Tag(s):
concept paper, film proposal, disorientation, OFW
Espacios de imágenes del anime: Walter Benjamin y las políticas del consumo
Author(s):
Jacqueline Ristola (see profile)
Date:
2021
Subject(s):
Film, Animation, Cinema, Film and politics
Item Type:
Article
Tag(s):
anime, Walter Benjamin
After hours (2019): shooting script
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Film arts, Filmmaking, Cinema, Art, Film production, Screenwriting, Creative writing
Item Type:
Other
Tag(s):
script, screenplay
Bukid (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation
Item Type:
Visual art
Tag(s):
stop-motion
After hours (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema
Item Type:
Visual art
Tag(s):
film directing
To my beloved (2019)
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Art, Film, Film arts, Digital arts, Video arts, Cinematography, Filmmaking, Cinema, Documentary
Item Type:
Visual art

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