Deposits – Humanities Commons

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Learning an Inclusive Blue Humanities: Oceania and Academia through the Lens of Cinema
Author(s):
James L. Smith (see profile) , Steve Mentz
Date:
2020
Group(s):
Cultural Studies, Environmental Humanities
Subject(s):
Water, Oceanic studies, Literature, Oceania/Australia, Film, Environmental humanities
Item Type:
Article
Tag(s):
Blue Humanities, reflection
Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'
Author(s):
Doris Hambuch (see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture
Subject(s):
Film, Feminism, Cinema, world cinema, Women's studies
Item Type:
Article
Time and Identity in Folk Horror
Author(s):
Derek Johnston (see profile)
Date:
2014
Group(s):
Cultural Studies, Horror, Television Studies
Subject(s):
Television studies, Film and history, Film and society, Cultural identity, Identity, Television, Film
Item Type:
Conference paper
Tag(s):
Folk horror, Time
Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Adaptation, Sinophone literature, Globalization, Film, Global Shakespeare, Translation
Item Type:
Book chapter
Tag(s):
Hong Kong, Richard III, Hamlet
Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Adaptation, Intercultural performance, Translation, Sinophone literature, Chinese studies, Shakespeare, Film, Appropriation
Item Type:
Book chapter
Tag(s):
theatre
Troy: A Reflection
Author(s):
Antony Keen (see profile)
Date:
2005
Subject(s):
Classics, Homer, Classical reception, Film studies, Film, Reception
Item Type:
Blog Post
Tag(s):
Classical Reception Studies, Troy, Trojan War, Classics and Cinema
Classical Hollywood as an Epistemological Network
Author(s):
Birk Weiberg (see profile)
Date:
2012
Subject(s):
Film, History of technology, Actor-network theory
Item Type:
Article
Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung
Author(s):
Adelheid Heftberger (see profile)
Date:
2020
Subject(s):
Film (history and studio), Archives, Digitisation, Film
Item Type:
Article
Notes on the End of Rome, Open City
Author(s):
Charles L. Leavitt IV (see profile)
Date:
2018
Group(s):
LLC 20th- and 21st-Century Italian
Subject(s):
Film, Italian cinema, Cinema, Cinema history, Modern Italian cinema
Item Type:
Article
RECording the End time in Twenty-First-Century Spanish Film
Author(s):
Elizabeth Scarlett (see profile)
Date:
2019
Group(s):
Cinemas of Spain & Latin America, MS Screen Arts and Culture, TC Religion and Literature
Subject(s):
Apocalypticism, Spanish cinema, 21st-century Spanish culture, Horror cinema, Horror films, Film
Item Type:
Article
Tag(s):
apocalypse, 21st-Century visual culture
Virtual Space: Palestinians Negotiate a Lost Homeland in Film
Author(s):
Hania A.M. Nashef (see profile)
Date:
2020
Group(s):
CLCS Global Arab and Arab American, LLC Arabic, MLA Members for Justice in Palestine, Postcolonial Studies, TC Memory Studies
Subject(s):
Palestine studies, Film, Memory studies, Possible worlds, Virtual reality
Item Type:
Book chapter
Tag(s):
Elia Suleiman, Hany Abu-Assad, Palestinian
"Los niños perdidos zombis: La España postsecular y los descontentos con la memoria histórica en [REC]2"
Author(s):
Antonio Cordoba (see profile)
Date:
2018
Subject(s):
Film, Film and politics, Horror cinema, Horror films, Spanish cinema
Item Type:
Article
'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)
Author(s):
Neil Gregor (see profile) , Thomas Irvine
Date:
2019
Group(s):
Cultural Studies, History, Music and Sound
Subject(s):
Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history
Item Type:
Book chapter
Tag(s):
Theatre Studies
"Re-Envisioning Japan" DH project overview - MLA2020 Collaborative Round Table (DH in Japan & Korea Studies: Approaches and Challenges)
Author(s):
Joanne Bernardi (see profile)
Date:
2020
Group(s):
2020 MLA Convention, Digital Humanities East Asia, Evaluating Digital Scholarship, Global DH, LLC Japanese since 1900
Subject(s):
Digital scholarship, Digital humanities, Japanese culture, Digital archiving, Material culture, Japan, East Asian studies, Film
Item Type:
Presentation
Tag(s):
Ephemera, inter-regional collaboration
Materialità e sensazione storiche del film
Author(s):
Bregt Lameris (see profile)
Date:
2005
Group(s):
Archives, Film Studies
Subject(s):
Materiality, Film, Historiography
Item Type:
Article
Tag(s):
historical sensation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2019
Subject(s):
Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare
Item Type:
Article
Tag(s):
bbc, Henry IV, Queer Performance, Royal Shakespeare Company
Day 1: Draft Prep Sheet on the 8 Parts of Speech through the Story of Hidden Figures
Author(s):
Laurie Ringer (see profile)
Date:
2019
Group(s):
Education and Pedagogy, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, Speculative and Science Fiction, TM The Teaching of Literature
Subject(s):
Teaching literature, Language pedagogy, Academic writing, Speculative fiction, Historical fiction, English language, College writing, Film
Item Type:
Course material or learning objects
Tag(s):
Hidden Figures, 8 Parts of Speech
EGL 194: Intro to Film (Fall 2019)
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Humanities Commons Summer Camp
Subject(s):
Film, Horror, 21st-century American film, Genre, Film studies, Genre studies
Item Type:
Syllabus
Tag(s):
syllabus
Intermediated Bodies and Bodies of Media: Screen Othellos
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Michael Neill, David Schalkwyk
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality
Item Type:
Book chapter
Tag(s):
Othello, Shakestream, Vlog, Shakespeare on film
“Live or die, make your choice”: American Survival Game Horror
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Neoliberal Fiction
Subject(s):
Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film
Item Type:
Conference paper
Tag(s):
american gothic, survival
War and the Natural World - Introduction, Interview, and Lesson Plan with Filmmakers Day and Day
Author(s):
Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Society-nature relationships, Film
Item Type:
Online publication
Tag(s):
empire
“Watching Austen, Reading Ourselves”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film, Jane Austen, Television studies
Item Type:
Book chapter
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and society, Hollywood cinema, Ethnicity, Cinema
Item Type:
Article
Tag(s):
Italian Americans in film, Italian film, representations

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