Deposits – Humanities Commons

CORE Search Results Start Search Over

Two-Act In-Progress Play: Nobody goes to Gary
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Ecocriticism, Economics & Literature, GS Drama and Performance, RCWS Creative Writing, Urban Cultural Studies
Subject(s):
Playwriting, Urban creativity, Industrial sociology, Satire, Drama
Item Type:
Other
Tag(s):
tragi-comedy, Economics of Culture
Western Theatrical Traditions: Four Introductory Lectures
Author(s):
RONALD VINCE (see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Theatre history, Teaching, Drama
Item Type:
Course material or learning objects
Tag(s):
theatre
On the Unruly Power of Pain in Middle English Drama
Author(s):
Susan M. Nakley (see profile)
Date:
2015
Group(s):
CLCS Medieval, GS Drama and Performance, LLC Middle English, TC Philosophy and Literature, TC Postcolonial Studies
Subject(s):
Middle English, Drama, Postcolonial theatre, Medieval drama, Literature and medicine, Pain, Performance
Item Type:
Article
Tag(s):
empire, patriarchy
An Intellectual Autobiography
Author(s):
gairloch3 (see profile)
Date:
2018
Subject(s):
Comparative cultural studies, Drama, English literature, History of Shakespearean criticism, Literary theory
Item Type:
Article
Tag(s):
Historical Psychology
Dirt and Trash in Romeo and Juliet (Social Stratification)
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism
Subject(s):
Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory
Item Type:
Blog Post
Tag(s):
exclusion
Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ethnomusicology
Subject(s):
Theater, Drama, Playwriting, Music, Scotland
Item Type:
Book chapter
Agorafobia: crítica: universidad: claves para otra historia y crítica de la dramaturgia chilena
Author(s):
Cristián Opazo (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Drama, Latin American theatre, Performance studies
Item Type:
Article
Tag(s):
Performance Studies
Seneca Tragicus course 2011
Author(s):
Michael Lurie (see profile)
Date:
2017
Group(s):
Ancient Greece & Rome, Greek and Roman Intellectual History, Philosophy
Subject(s):
Ancient philosophy, Drama, Intellectual history, Latin literature
Item Type:
Syllabus
Tag(s):
Greek and Roman intellectual history, literature and philosophy, Tragedy, Seneca
Raymond Carver, John Cheever, and Montana Wildhack on a Cold Winter's Night in Iowa City
Author(s):
James Fitzmaurice (see profile)
Date:
2017
Group(s):
Margaret Cavendish Study Group
Subject(s):
Critical theory, Drama, Science fiction, Screenwriting
Item Type:
Fictional work
The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Drama, Reception studies, Renaissance theater, Shakespeare, Theatre and history
Item Type:
Article
Tag(s):
Gothic, Hamlet
Auschwitz mitt ibland oss: Om Peter Weiss "Min hemvist" och Rannsakningen. Oratorium i 11 sånger
Author(s):
Markus Huss (see profile)
Date:
2016
Group(s):
German Literature and Culture
Subject(s):
Drama, German history, Holocaust studies, Scandinavian studies
Item Type:
Essay
A Conversation with Nina Raine, April 5, 2014
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2017
Subject(s):
British drama, Drama
Item Type:
Interview
Tag(s):
British drama, drama, Nina Raine
“The Liminal Space between Feminism and Misogyny: Introducing Playwright Nina Raine’s Rabbit"
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2017
Subject(s):
British drama, Drama, Women's studies
Item Type:
Article
Tag(s):
Nina Raine, British drama
GRK 24: Sophocles' Oedipus Rex (Course Bibliography)
Author(s):
Michael Lurie (see profile)
Date:
2017
Group(s):
Ancient Greece & Rome
Subject(s):
Classical Greek literature, Classics, Drama, Intellectual history
Item Type:
Syllabus
Tag(s):
Greek and Roman intellectual history, Greek tragedy, Greek tragic tradition, Sophocles
GRK 24: Euripides' Bacchae (Syllabus & Bibliography)
Author(s):
Michael Lurie (see profile)
Date:
2017
Group(s):
Ancient Greece & Rome
Subject(s):
Classical Greek literature, Classics, Drama
Item Type:
Syllabus
Tag(s):
Euripides, Greek and Roman intellectual history, Greek tragedy
‘Facing up to tragedy: Toward an intellectual history of Sophocles in Europe from Camerarius to Nietzsche’
Author(s):
Michael Lurie (see profile)
Date:
2012
Group(s):
Ancient Greece & Rome
Subject(s):
Classical Greek literature, Classics, Drama, Intellectual history
Item Type:
Book chapter
Tag(s):
classical tradition, pessimism, Sophocles, Tragedy
REED London: Humanistic Roots, Humanistic Futures
Author(s):
Diane Jakacki (see profile)
Date:
2017
Group(s):
GS Drama and Performance, LLC 16th-Century English, TC Digital Humanities
Subject(s):
Digital humanities, Drama, Early modern studies, English literature
Item Type:
Conference paper
Tag(s):
digital humanities, drama, english, mla17, performance
Justice, Geography, and Empire in Aeschylus' Eumenides
Author(s):
Rebecca Kennedy (see profile)
Date:
2006
Group(s):
Ancient Greece & Rome
Subject(s):
Classical Greek culture, Classical Greek literature, Drama
Item Type:
Article
Tag(s):
Imperialism, Justice, Greek drama, Aeschylus, Geography
Poor Traces of the Room
Author(s):
Joseph Dunne (see profile) , Anna Makrzanowska
Date:
2017
Group(s):
Archives, CityLIS, Library & Information Science
Subject(s):
Archives, Drama, Library and information science, Modern theatre, Performance studies
Item Type:
Article
Tag(s):
Kantor, performing arts, Rose Bruford, Theatre history
Two Minor Dramatic Experiments. Edward Morgan Forster and His Pageants
Author(s):
Krzysztof Fordonski (see profile)
Date:
2011
Group(s):
Edward Morgan Forster
Subject(s):
British drama, Drama, English literature
Item Type:
Article
Tag(s):
Edward Morgan Forster, pageant, Ralph Vaughan Williams
Jewish Questions in Robert Wilson’s The Three Ladies of London
Author(s):
Brett Greatley-Hirsch (see profile)
Date:
2016
Subject(s):
Drama, Early modern studies
Item Type:
Article
Tag(s):
Jews, Renaissance drama, The Three Ladies of London, Theatre history
‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama
Author(s):
Brett Greatley-Hirsch (see profile)
Date:
2013
Subject(s):
Drama
Item Type:
Article
Tag(s):
digital editions, scholarly editing, Tudor drama
Bringing Richard Brome Online
Author(s):
Brett Greatley-Hirsch (see profile)
Date:
2010
Subject(s):
Digital humanities, Drama, Early modern studies
Item Type:
Article
Tag(s):
digital editing, Richard Brome, Caroline drama
‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice
Author(s):
Brett Greatley-Hirsch (see profile)
Date:
2006
Subject(s):
Drama, Early modern studies, Jewish studies, Shakespeare
Item Type:
Article
Tag(s):
The Merchant of Venice, Jews
‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice
Author(s):
Brett Greatley-Hirsch (see profile)
Date:
2005
Subject(s):
Drama, Early modern studies, Intellectual history, Shakespeare
Item Type:
Article
Tag(s):
Kabbalah, The Merchant of Venice, Jewish mysticism

Viewing item 1 to 25 (of 58 items)

1 2 3 →

CORE Search Results Start Search Over

Two-Act In-Progress Play: Nobody goes to Gary

Western Theatrical Traditions: Four Introductory Lectures

On the Unruly Power of Pain in Middle English Drama

An Intellectual Autobiography

Dirt and Trash in Romeo and Juliet (Social Stratification)

Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum

Agorafobia: crítica: universidad: claves para otra historia y crítica de la dramaturgia chilena

Seneca Tragicus course 2011

Raymond Carver, John Cheever, and Montana Wildhack on a Cold Winter's Night in Iowa City

The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.

Auschwitz mitt ibland oss: Om Peter Weiss "Min hemvist" och Rannsakningen. Oratorium i 11 sånger

A Conversation with Nina Raine, April 5, 2014

“The Liminal Space between Feminism and Misogyny: Introducing Playwright Nina Raine’s Rabbit"

GRK 24: Sophocles' Oedipus Rex (Course Bibliography)

GRK 24: Euripides' Bacchae (Syllabus & Bibliography)

‘Facing up to tragedy: Toward an intellectual history of Sophocles in Europe from Camerarius to Nietzsche’

REED London: Humanistic Roots, Humanistic Futures

Justice, Geography, and Empire in Aeschylus' Eumenides

Poor Traces of the Room

Two Minor Dramatic Experiments. Edward Morgan Forster and His Pageants

Jewish Questions in Robert Wilson’s The Three Ladies of London

‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama

Bringing Richard Brome Online

‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice

‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice

@