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What is Social Media and Why is it Important to Documentary Filmmakers?
Author(s):
FRIEDRICH H. KOHLE
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Social media, Film, Documentary filmmaking, Journalism, Communication
Item Type:
Article
Depicting Development Issues: Thematic Trends of Documentary Films of Mindanao-Based Filmmakers
Author(s):
NEF T. LUCZON
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Film, Documentary filmmaking, Communication, Broadcast journalism, Cinema, Filmmaking, Phenomenology
Item Type:
Article
Tag(s):
Mindanao issues, documentary films, development themes
Love transcending time: a concept paper to an untitled documentary
Author(s):
Roland Cartagena (see profile)
Date:
2019
Subject(s):
Film, Cinema, Documentary filmmaking, Documentary production, Art, Documentary, Personal documentary
Item Type:
Abstract
Tag(s):
concept paper, film proposal, diary film
MAN WITH A MOVIE CAMERA: trainspotting!
Author(s):
Richard Bossons (see profile)
Date:
2020
Group(s):
Film Studies
Subject(s):
Documentary filmmaking, Soviet film
Item Type:
Article
Tag(s):
agit trains, Dziga Vertov, Man with a Movie Camera, railways, trains
MAN WITH A MOVIE CAMERA: the movie cameras
Author(s):
Richard Bossons (see profile)
Date:
2018
Group(s):
Film Studies
Subject(s):
Documentary filmmaking, Soviet film
Item Type:
Article
Tag(s):
Dziga Vertov, Early cinema, Man with a Movie Camera, silent films, Soviet silent film
MAN WITH A MOVIE CAMERA: the first cinema screening
Author(s):
Richard Bossons (see profile)
Date:
2020
Group(s):
Film Studies
Subject(s):
Documentary filmmaking, Soviet film
Item Type:
Article
Tag(s):
Dziga Vertov, Early cinema, Early cinemas, Kyiv, Man with a Movie Camera
MAN WITH A MOVIE CAMERA: the film locations
Author(s):
Richard Bossons (see profile)
Date:
2020
Group(s):
Film Studies
Subject(s):
Documentary filmmaking, Soviet film
Item Type:
Article
Tag(s):
documentary films, Dziga Vertov, Man with a Movie Camera, Soviet silent film
The role of audiovisual production researcher in the treatment of audiovisual documentation
Author(s):
Luis Ernesto Paz Enrique (see profile) , Eduardo Alejandro Hernández Alfonso, Rachel Milagros Pérez Cabrera
Date:
2020
Group(s):
Archives, Film Studies, Library & Information Science
Subject(s):
Documentary filmmaking, Audiovisual narratives, Film production, Video production
Item Type:
Article
Archivo familiar y memoria en El edificio de los chilenos (Macarena Aguiló 2010)
Author(s):
Maria Aimaretti (see profile)
Date:
2020
Group(s):
Red de Investigación Mujeres en el Cine Latinoamericano
Subject(s):
Memory, Exile studies, Chile, Documentary filmmaking, Archives
Item Type:
Article
Tag(s):
estudios de exilio, cine documental, archivos
Affective radicality: prisons, Palestine, and interactive documentary
Author(s):
Ryan Watson (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Activism, Affect, Documentary filmmaking, interactive media, Theories of affect
Item Type:
Article
Tag(s):
Interactive Documentary, Sharon Daniel, Zohar Kfir
In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death
Author(s):
Ryan Watson (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Black studies, Digital media, Documentary filmmaking, Media studies, Media theory
Item Type:
Article
Tag(s):
Media Activism, Militant Evidence, Police Brutality, Visible Evidence
WAR AND THE NATURAL WORLD: Discussion questions for “Scarred Lands and Wounded Lives: The Environmental Footprint of War” by Alice and Lincoln Day and related sources
Author(s):
Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Environmental humanities, Documentary filmmaking, Film studies
Item Type:
Course material or learning objects
Tag(s):
empire
WAR AND THE NATURAL WORLD: Interview with filmmakers and producers Alice and Lincoln Day about their documentary “Scarred Lands and Wounded Lives: The Environmental Footprint of War”
Author(s):
Lincoln Day, Alice Day, Tom Durwood (see profile)
Date:
2012
Subject(s):
War and conflict, Environmental humanities, Film studies, Documentary filmmaking
Item Type:
Interview
Tag(s):
empire
Our man in the archive
Author(s):
William Farrell (see profile)
Date:
2015
Subject(s):
Archives, Television, Documentary filmmaking, Contemporary history
Item Type:
Blog Post
Tag(s):
Adam Curtis, bbc, television archives, history on television, 20th century history
"I'll See It When I Believe It": Rodney King and the Prison-House of Video
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1996
Group(s):
Documentary Studies, Film Studies
Subject(s):
Documentary, Documentary filmmaking, Film, Phenomenology, Cinema
Item Type:
Book chapter
Tag(s):
documentary films, Race and film
Beyond the Morality Tale of Humanitarianism: Epistolary Narration and Montage in Raoul Peck's Assistance mortelle
Author(s):
Nathan H. Dize (see profile)
Date:
2017
Group(s):
CLCS Caribbean, LLC Francophone, Race and Aesthetics in French and Francophone Culture
Subject(s):
Haiti, Cinematography, Documentary filmmaking, Literary criticism, Caribbean
Item Type:
Article
Tag(s):
Raoul Peck, Haitian Cinema, Disaster Studies
Local Landscapes, Global Cinemascapes, and the New Galician Documentary
Author(s):
samago (see profile)
Date:
2018
Group(s):
LLC Galician
Subject(s):
Digital arts, Spanish cinema, Galician studies, Cultural geography, Documentary filmmaking
Item Type:
Article
Tag(s):
digital cinema, Galician, experimental cinema
"Learning to Look: The Educational Documentary and Post-War Race Relations"
Author(s):
Stephen Charbonneau (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Civil rights, Documentary, Documentary filmmaking
Item Type:
Book
Tag(s):
nontheatrical filmmaking, Race and film

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