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Topographia Helvetiae. Linked Art in Switzerland - from panel 'Linked Art: Networking Digital Collections and Scholarship'
Author(s):
Thomas Hänsli (see profile)
Editor(s):
Kevin Page
Date:
2020
Group(s):
DH2020, Linked Open Data
Subject(s):
Digital art history, Linked open data
Item Type:
Conference paper
The History of Art is Linked but the Data Is Not: Georgia O’Keeffe, Provenance and Scholarship - from panel ‘Linked Art: Networking Digital Collections and Scholarship’
Author(s):
Lynn Rother
Editor(s):
Kevin Page (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Art, Digital art history, Linked open data, Metadata
Item Type:
Conference paper
Linked Data and Open Data in Cultural Heritage - from panel 'Linked Art: Networking Digital Collections and Scholarship'
Author(s):
Emmanuelle Delmas-Glass
Editor(s):
Kevin Page (see profile)
Date:
2020
Group(s):
DH2020, Linked Open Data
Subject(s):
Art, Digital art history, Linked open data, Metadata
Item Type:
Conference paper
Paper Feature Extraction from Digital Images
Author(s):
Shouji SAKAMOTO (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Digital archives, Digital art history
Item Type:
Conference poster
Tag(s):
paper analysis, paper feature
Project: Building a Research Collection
Author(s):
Yelena Kalinsky (see profile)
Date:
2019
Group(s):
Digital Art History, Digital Humanists, Education and Pedagogy
Subject(s):
Art history, Digital art history, Research methods, Pedagogy
Item Type:
Course material or learning objects
Tag(s):
assignment, digital project
Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary
Author(s):
Maximilian Kaiser (see profile) , Katalin Lejtovicz, Peter Alexander Rumpolt, Matthias Schlögl
Date:
2018
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Art history, Digital humanities, Digital art history, Prosopography, 19th-century art
Item Type:
Article
Tag(s):
biographical dictionary, spatial history of art
Was uns Biographien über Künstlernetzwerke sagen
Author(s):
Maximilian Kaiser (see profile)
Date:
2017
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Art history, Biography Studies, Digital art history, Digital humanities
Item Type:
Article
Tag(s):
artist biographies, historical network research
Animated Shadows on Virtual Stone: Ancient Sundials in a Gallery Setting
Author(s):
Sebastian Heath (see profile) , Rachel Herschman, Christine Roughan
Date:
2018
Subject(s):
Digital art history, Greek art, Museum studies, Roman art
Item Type:
Article
Experts and Auctioneers in Paris Art Auctions 1852-1862
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2017
Group(s):
Digital Art History, History of Art, Linked Open Data, Victorian Studies
Subject(s):
Art history, Digital art history, Art market, 19th-century French studies, Network analysis
Item Type:
Online publication
Tag(s):
auction, Hôtel Drouot, Commissaire-Priseur, Expert, expertise
There are many sides to every story: Alan Schechner looks at the Holocaust
Author(s):
Anne Swartz (see profile)
Date:
2002
Subject(s):
Digital art history, Art history, Museum studies, Jewish studies, Contemporary art
Item Type:
Article
Digital Art And Feminism: A Surreal Relationship
Author(s):
Anne Swartz (see profile)
Editor(s):
Connie Tell
Date:
2015
Subject(s):
Contemporary art, Art history, Digital art history, Feminist art history
Item Type:
Book chapter
Why Digital Art History?
Author(s):
Michelle Millar Fisher, Anne Swartz (see profile)
Editor(s):
Christine Sundt
Date:
2014
Subject(s):
Digital humanities, Art history, Digital art history, New media
Item Type:
Article
MOOCs 2.0: Reviewing n.paradoxa's MOOC on Contemporary Art and Feminism
Author(s):
Parme Giuntini, Anne Swartz (see profile) , Kathleen Wentrack
Editor(s):
Renee McGarry, Virginia Spivey
Date:
2018
Subject(s):
Art history, Digital art history, MOOCs, Feminist art history, Feminism
Item Type:
Article

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