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Project: Building a Research Collection
Author(s):
Yelena Kalinsky
(see profile)
Date:
2019
Group(s):
Digital Art History
,
Digital Humanists
,
Education and Pedagogy
Subject(s):
Art history
,
Digital art history
,
Research methods
,
Pedagogy
Item Type:
Course material or learning objects
Tag(s):
assignment
,
digital project
Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary
Author(s):
Maximilian Kaiser
(see profile)
,
Katalin Lejtovicz
,
Peter Alexander Rumpolt
,
Matthias Schlögl
Date:
2018
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Art history
,
Digital humanities
,
Digital art history
,
Prosopography
,
19th-century art
Item Type:
Article
Tag(s):
biographical dictionary
,
spatial history of art
Was uns Biographien über Künstlernetzwerke sagen
Author(s):
Maximilian Kaiser
(see profile)
Date:
2017
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Art history
,
Biography Studies
,
Digital art history
,
Digital humanities
Item Type:
Article
Tag(s):
artist biographies
,
historical network research
Animated Shadows on Virtual Stone: Ancient Sundials in a Gallery Setting
Author(s):
Sebastian Heath
(see profile)
,
Rachel Herschman
,
Christine Roughan
Date:
2018
Subject(s):
Digital art history
,
Greek art
,
Museum studies
,
Roman art
Item Type:
Article
Experts and Auctioneers in Paris Art Auctions 1852-1862
Author(s):
Lukas Fuchsgruber
(see profile)
Date:
2017
Group(s):
Digital Art History
,
History of Art
,
Linked Open Data
,
Victorian Studies
Subject(s):
Art history
,
Digital art history
,
Art market
,
19th-century French studies
,
Network analysis
Item Type:
Online publication
Tag(s):
auction
,
Hôtel Drouot
,
Commissaire-Priseur
,
Expert
,
expertise
There are many sides to every story: Alan Schechner looks at the Holocaust
Author(s):
Anne Swartz
(see profile)
Date:
2002
Subject(s):
Digital art history
,
Art history
,
Museum studies
,
Jewish studies
,
Contemporary art
Item Type:
Article
Digital Art And Feminism: A Surreal Relationship
Author(s):
Anne Swartz
(see profile)
Editor(s):
Connie Tell
Date:
2015
Subject(s):
Contemporary art
,
Art history
,
Digital art history
,
Feminist art history
Item Type:
Book chapter
Why Digital Art History?
Author(s):
Michelle Millar Fisher
,
Anne Swartz
(see profile)
Editor(s):
Christine Sundt
Date:
2014
Subject(s):
Digital humanities
,
Art history
,
Digital art history
,
New media
Item Type:
Article
MOOCs 2.0: Reviewing n.paradoxa's MOOC on Contemporary Art and Feminism
Author(s):
Parme Giuntini
,
Anne Swartz
(see profile)
,
Kathleen Wentrack
Editor(s):
Renee McGarry
,
Virginia Spivey
Date:
2018
Subject(s):
Art history
,
Digital art history
,
MOOCs
,
Feminist art history
,
Feminism
Item Type:
Article
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