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The Problem of Nonhuman Phenomenology or, What is it Like to Be a Kinect?
Author(s):
Anne Pasek (see profile)
Date:
2015
Subject(s):
Art history, Dance, New materialism, Philosophy of technology, Visual culture
Item Type:
Article
Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale
Author(s):
Steven Swarbrick (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, Critical Disability Studies, TC Disability Studies, TC Ecocriticism and Environmental Humanities, TM Literary and Cultural Theory
Subject(s):
Dance and disability, Shakespeare, Ecocriticism, Dance, Dance and identity
Item Type:
Book chapter
Tag(s):
affect theory
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn (see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music theory, Popular Music Studies, Dance
Item Type:
Article
Tag(s):
Lucretius, music video
Liberating the Natural Movement: Dance and Dress Reform in the Self-Expression of Isadora Duncan (1877-1927)
Author(s):
Alicia Mihalic (see profile)
Date:
2019
Group(s):
Cultural Studies
Subject(s):
Modern dance, Dance history, Fashion theory, Fashion studies, Dance
Item Type:
Article
Tag(s):
Dress and the Body, Dress History, History of Dress, Isadora Duncan
Liberating the Natural Movement: Dress Reform and Historical References in the Self-Expression of Isadora Duncan
Author(s):
Alicia Mihalic (see profile)
Date:
2019
Group(s):
Cultural Studies
Subject(s):
Modern dance, Dance history, Fashion theory, Fashion studies, Dance
Item Type:
Conference paper
Tag(s):
Dress and the Body, Dress History, History of Dress, Isadora Duncan
Women Dancing the Morris in Fletcher and Shakespeare’s The Two Noble Kinsmen, 1613–2015
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2017
Subject(s):
Dance, Dance history, Gender, Shakespeare, Shakespeare and early modern drama, Shakespeare performance, Theater history, Women's history
Item Type:
Article
Tag(s):
early modern women, morris
“Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.”
Author(s):
Ryan Dohoney (see profile)
Date:
2019
Subject(s):
Dance, Modernism, Musicology, Philosophy and the arts
Item Type:
Article
Embodied Music
Editor(s):
Arnold Berleant (see profile)
Date:
2002
Subject(s):
Music, Embodiment, Dance
Item Type:
Book chapter
Tag(s):
musical embodiment, environmental engagement, musical experience
Aesthetic Engagement in Video Dance
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Dance, Dance and technology, Aesthetics, Aboriginal literature
Item Type:
Article
Tag(s):
aesthetic engagement, video art
Dares as Ethical Operations.
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance
Item Type:
Book chapter
Tag(s):
dare
Haitian Dance and Movement Bibliography
Author(s):
Nadine Mondestin (see profile)
Date:
2018
Group(s):
Dance, Haiti, Latin America and the Caribbean, Performance Studies
Subject(s):
Caribbean, Dance, Haiti, Movement, Vodou
Item Type:
Bibliography
Tag(s):
Martial Arts
Dancing with Knives: American Cold War Ideology in the Dances of West Side Story
Author(s):
Daniel Belgrad (see profile) , Zhu Ying
Date:
2016
Group(s):
Performance Studies, War Studies
Subject(s):
Affect, Choreography, Dance, Ideology, Performance and politics, War and society
Item Type:
Article
Poetic Language and Corporeality in Translations of Greek Tragedy
Author(s):
Stephe Harrop (see profile) , David Wiles
Date:
2008
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Choreography, Classical reception, Dance, Greek and Roman drama, Translation
Item Type:
Article

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