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The Problem of Nonhuman Phenomenology or, What is it Like to Be a Kinect?
Author(s):
Anne Pasek
(see profile)
Date:
2015
Subject(s):
Art history
,
Dance
,
New materialism
,
Philosophy of technology
,
Visual culture
Item Type:
Article
Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale
Author(s):
Steven Swarbrick
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
Critical Disability Studies
,
TC Disability Studies
,
TC Ecocriticism and Environmental Humanities
,
TM Literary and Cultural Theory
Subject(s):
Dance and disability
,
Shakespeare
,
Ecocriticism
,
Dance
,
Dance and identity
Item Type:
Book chapter
Tag(s):
affect theory
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
,
Dance
Item Type:
Article
Tag(s):
Lucretius
,
music video
Liberating the Natural Movement: Dance and Dress Reform in the Self-Expression of Isadora Duncan (1877-1927)
Author(s):
Alicia Mihalic
(see profile)
Date:
2019
Group(s):
Cultural Studies
Subject(s):
Modern dance
,
Dance history
,
Fashion theory
,
Fashion studies
,
Dance
Item Type:
Article
Tag(s):
Dress and the Body
,
Dress History
,
History of Dress
,
Isadora Duncan
Liberating the Natural Movement: Dress Reform and Historical References in the Self-Expression of Isadora Duncan
Author(s):
Alicia Mihalic
(see profile)
Date:
2019
Group(s):
Cultural Studies
Subject(s):
Modern dance
,
Dance history
,
Fashion theory
,
Fashion studies
,
Dance
Item Type:
Conference paper
Tag(s):
Dress and the Body
,
Dress History
,
History of Dress
,
Isadora Duncan
Women Dancing the Morris in Fletcher and Shakespeare’s The Two Noble Kinsmen, 1613–2015
Author(s):
Elizabeth Zeman Kolkovich
(see profile)
Date:
2017
Subject(s):
Dance
,
Dance history
,
Gender
,
Shakespeare
,
Shakespeare and early modern drama
,
Shakespeare performance
,
Theater history
,
Women's history
Item Type:
Article
Tag(s):
early modern women
,
morris
“Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.”
Author(s):
Ryan Dohoney
(see profile)
Date:
2019
Subject(s):
Dance
,
Modernism
,
Musicology
,
Philosophy and the arts
Item Type:
Article
Embodied Music
Editor(s):
Arnold Berleant
(see profile)
Date:
2002
Subject(s):
Music
,
Embodiment
,
Dance
Item Type:
Book chapter
Tag(s):
musical embodiment
,
environmental engagement
,
musical experience
Aesthetic Engagement in Video Dance
Author(s):
Arnold Berleant
(see profile)
Date:
2018
Subject(s):
Dance
,
Dance and technology
,
Aesthetics
,
Aboriginal literature
Item Type:
Article
Tag(s):
aesthetic engagement
,
video art
Dares as Ethical Operations.
Author(s):
Valeria Graziano
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies
,
Critical dance performance
,
Visual culture
,
Cultural studies
,
Performance art
,
Performance
,
Affect
,
Dance
Item Type:
Book chapter
Tag(s):
dare
Haitian Dance and Movement Bibliography
Author(s):
Nadine Mondestin
(see profile)
Date:
2018
Group(s):
Dance
,
Haiti
,
Latin America and the Caribbean
,
Performance Studies
Subject(s):
Caribbean
,
Dance
,
Haiti
,
Movement
,
Vodou
Item Type:
Bibliography
Tag(s):
Martial Arts
Dancing with Knives: American Cold War Ideology in the Dances of West Side Story
Author(s):
Daniel Belgrad
(see profile)
,
Zhu Ying
Date:
2016
Group(s):
Performance Studies
,
War Studies
Subject(s):
Affect
,
Choreography
,
Dance
,
Ideology
,
Performance and politics
,
War and society
Item Type:
Article
Poetic Language and Corporeality in Translations of Greek Tragedy
Author(s):
Stephe Harrop
(see profile)
,
David Wiles
Date:
2008
Group(s):
Ancient Greece & Rome
,
Classical Tradition
Subject(s):
Choreography
,
Classical reception
,
Dance
,
Greek and Roman drama
,
Translation
Item Type:
Article
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