Deposits – Humanities Commons

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Aaron Swartz's Legacy (Academe, 2014)
Author(s):
Rebecca Ruth Gould (see profile)
Date:
2018
Group(s):
Anarchism, Digital Books, Digital Humanists, Translation & Activism
Subject(s):
Copyright, Culture and capitalism, Higher education, Open access, Digital scholarship, Digital culture
Item Type:
Magazine section
Tag(s):
Open Access policy, Scholar-led Publishing, engaged scholarship, Digitization
Fair Use in the Visual Arts: Lesson Plans for Librarians
Editor(s):
Bridget Madden, Alexandra Provo, Danielle Reay, Anna Simon, Alexander Watkins (see profile)
Date:
2018
Subject(s):
Art (studio), Art history, Copyright, Design, Information literacy, Library and information science
Item Type:
Book
“The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Author(s):
Claire E.A. McLeish (see profile)
Date:
2014
Subject(s):
Copyright, Cultural musicology, Digital humanities, Intertextuality, Medieval music, Orality
Item Type:
Thesis
Tag(s):
mashup, online communities, Remix
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller, Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Digital Humanists, Film Studies
Subject(s):
Research data management, Copyright, Film studies
Item Type:
Article
Tag(s):
Open access to research data
an ad for devouring everything
Author(s):
paul bali (see profile)
Date:
2018
Group(s):
Animal Studies
Subject(s):
Theodor W. Adorno, Animal ethics, Copyright, Graffiti
Item Type:
Article
Tag(s):
carnism, urban aesthetics, product placement
Balances of Power Between IP Creators: Ethical Issues in Scholarly Communication
Author(s):
Kristin Laughtin-Dunker (see profile)
Date:
2018
Subject(s):
Copyright, Ethics, Institutional repositories, Intellectual property, Scholarly communication
Item Type:
Conference proceeding
How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop
Author(s):
Amanda Sewell (see profile)
Date:
2014
Subject(s):
Copyright, Hip-hop studies, Musicology
Item Type:
Article
Tag(s):
sampling, musical borrowing
Copyright in China’s digital cultural industries
Author(s):
Lucy Montgomery (see profile) , Eric Priest
Date:
2016
Subject(s):
Copyright, China, modern (post-1911), Digital culture, Digital labor, Economic transitions
Item Type:
Book chapter
Where are all the orphans? How effective is current legislation in enabling cultural heritage institutions to make orphan works available online?
Author(s):
Thomas Ash (see profile)
Date:
2018
Group(s):
CityLIS, Library & Information Science
Subject(s):
Copyright, Digital archives, Digital libraries, Digitisation, Library and information science
Item Type:
Dissertation
Tag(s):
Digitization, Library & Information Science, orphanworks
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Copyright, Digital humanities, Fair use, Music
Item Type:
Presentation
Tag(s):
altmuslib2018, MLAtechcamp, muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Music, Copyright, Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp, muslib2018, altmuslib2018
Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect
Author(s):
Gil Rodman (see profile) , Cheyanne Vanderdonckt
Date:
2018
Group(s):
Cultural Studies
Subject(s):
Cultural studies, Intellectual property, Music, Affect, Copyright
Item Type:
Article
Tag(s):
filesharing, mp3

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