Search for:
Register
Log In
Open access, open source, open to all
News Feed
Members
Groups
Sites
CORE Repository
Help & Support
Societies
AJS
ASEEES
CAA
MLA
About
We’re hiring!
Roadmap
Team Blog
Register
Login
News Feed
Members
Groups
Sites
CORE Repository
Help & Support
Societies
AJS
ASEEES
CAA
MLA
About
We’re hiring!
Roadmap
Team Blog
CORE
Search Results
Start Search Over
Order By:
Newest Deposits
Alphabetical
Search Field:
All Fields
Author/Contributor
Subject
Tag
Title
All Deposits
0
Fair Use in the Visual Arts: Lesson Plans for Librarians
Editor(s):
Bridget Madden
,
Alexandra Provo
,
Danielle Reay
,
Anna Simon
,
Alexander Watkins
(see profile)
Date:
2018
Subject(s):
Art (studio)
,
Art history
,
Copyright
,
Design
,
Information literacy
,
Library and information science
Item Type:
Book
“The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Author(s):
Claire E.A. McLeish
(see profile)
Date:
2014
Subject(s):
Copyright
,
Cultural musicology
,
Digital humanities
,
Intertextuality
,
Medieval music
,
Orality
Item Type:
Thesis
Tag(s):
mashup
,
online communities
,
Remix
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller
,
Adelheid Heftberger
(see profile)
Date:
2018
Group(s):
Digital Humanists
,
Film Studies
Subject(s):
Research data management
,
Copyright
,
Film studies
Item Type:
Article
Tag(s):
Open access to research data
an ad for devouring everything
Author(s):
paul bali
(see profile)
Date:
2018
Group(s):
Animal Studies
Subject(s):
Theodor W. Adorno
,
Animal ethics
,
Copyright
,
Graffiti
Item Type:
Article
Tag(s):
carnism
,
urban aesthetics
,
product placement
Balances of Power Between IP Creators: Ethical Issues in Scholarly Communication
Author(s):
Kristin Laughtin-Dunker
(see profile)
Date:
2018
Subject(s):
Copyright
,
Ethics
,
Institutional repositories
,
Intellectual property
,
Scholarly communication
Item Type:
Conference proceeding
How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop
Author(s):
Amanda Sewell
(see profile)
Date:
2014
Subject(s):
Copyright
,
Hip-hop studies
,
Musicology
Item Type:
Article
Tag(s):
sampling
,
musical borrowing
Copyright in China’s digital cultural industries
Author(s):
Lucy Montgomery
(see profile)
,
Eric Priest
Date:
2016
Subject(s):
Copyright
,
China, modern (post-1911)
,
Digital culture
,
Digital labor
,
Economic transitions
Item Type:
Book chapter
Where are all the orphans? How effective is current legislation in enabling cultural heritage institutions to make orphan works available online?
Author(s):
Thomas Ash
(see profile)
Date:
2018
Group(s):
CityLIS
,
Library & Information Science
Subject(s):
Copyright
,
Digital archives
,
Digital libraries
,
Digitisation
,
Library and information science
Item Type:
Dissertation
Tag(s):
Digitization
,
Library & Information Science
,
orphanworks
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music Librarians
,
Open Music
Subject(s):
Copyright
,
Digital humanities
,
Fair use
,
Music
Item Type:
Presentation
Tag(s):
altmuslib2018
,
MLAtechcamp
,
muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music Librarians
,
Open Music
Subject(s):
Music
,
Copyright
,
Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp
,
muslib2018
,
altmuslib2018
Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect
Author(s):
Gil Rodman
(see profile)
,
Cheyanne Vanderdonckt
Date:
2018
Group(s):
Cultural Studies
Subject(s):
Cultural studies
,
Intellectual property
,
Music
,
Affect
,
Copyright
Item Type:
Article
Tag(s):
filesharing
,
mp3
Viewing item 1 to 11 (of 11 items)
@
Not recently active
