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Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski
Author(s):
Toru Momii
(see profile)
Date:
2021
Subject(s):
Contemporary music
,
Critical race and ethnic studies
,
Interculturality
,
Japanese music
,
Music theory
,
Popular Music Studies
Item Type:
Dissertation
Tag(s):
21st-century music
,
Honjoh Hidejirō
,
Mitski
,
Miyata Mayumi
« Politique de l’instant musical. Résider, produire, disparaître – écouter. Entretien avec Nicolas Frize »
Author(s):
Lambert Dousson
(see profile)
Date:
2008
Subject(s):
Contemporary music
Item Type:
Interview
« Anges pour l'histoire. Entretien avec Vinko Globokar »
Author(s):
Lambert Dousson
(see profile)
,
Sylvain Prudhomme
Date:
2005
Subject(s):
Contemporary music
Item Type:
Interview
« De la structure au geste. Entretien avec Frédéric Durieux »
Author(s):
Lambert Dousson
(see profile)
Date:
2007
Subject(s):
Contemporary music
Item Type:
Interview
« De l’écoute buissonnière à l’empreinte du geste. Entretien avec Gérard Pesson »
Author(s):
Lambert Dousson
(see profile)
,
Sarah Troche
Date:
2009
Subject(s):
Contemporary music
Item Type:
Interview
Tag(s):
Gérard Pesson
« Faire corps, (dés)assembler. Sur les pouvoirs politiques de l’écriture musicale (Wagner, Mahler, Berio) »
Author(s):
Lambert Dousson
(see profile)
Date:
2005
Subject(s):
Contemporary music
,
Aesthetic theory
Item Type:
Article
Tag(s):
Richard Wagner
,
Gesamtkunstwerk
,
Luciano Berio
« Vertiges de la voix »
Author(s):
Lambert Dousson
(see profile)
Date:
2020
Subject(s):
Contemporary music
Item Type:
Article
Tag(s):
Electroacoustic music
« Les cosmophonies domestiques de Karlheinz Stockhausen. Maison-musique-machine : mystique(s) »
Author(s):
Lambert Dousson
(see profile)
Date:
2008
Subject(s):
Contemporary music
Item Type:
Article
Tag(s):
Karlheinz Stockhausen
« Un spectre habite les océans (Steve Reich, Gérard Grisey, le chant des cigales et des baleines) »
Author(s):
Lambert Dousson
(see profile)
Date:
2009
Subject(s):
Contemporary music
Item Type:
Article
Tag(s):
steve reich
,
Gérard Grisey
,
music and nature
,
whales
Formalisme et ritualité chez Boulez et Stockhausen
Author(s):
Lambert Dousson
(see profile)
Date:
2013
Subject(s):
Contemporary music
,
Aesthetics
,
Philosophy and the arts
,
Formalism
,
Structuralism
,
Roland Barthes
Item Type:
Article
Tag(s):
Pierre Boulez
,
Karlheinz Stockhausen
,
Claude Lévi-Strauss
Politique de la voix archivée
Author(s):
Lambert Dousson
(see profile)
Date:
2014
Subject(s):
Contemporary music
,
Music and philosophy
,
Opera
,
Voice and opera
Item Type:
Article
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Contemporary music
,
Sound art
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
Editorial: Ubiquitous Music Making in COVID-19 Times
Author(s):
Leandro Costalonga
,
Damián Keller
,
Marcello Messina
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Computers and music
,
Contemporary music
,
Cultural studies
,
Music composition
Item Type:
Article
Love Under a Microscope: Chaya Czernowin's Heart Chamber
Author(s):
Anne C. Shreffler
(see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Contemporary music
Item Type:
Review
Tag(s):
Chaya Czernowin
,
contemporary opera
,
Deutsche Oper Berlin
,
Heart Chamber
,
new music
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
musiclib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks
Author(s):
Tom Bickley
(see profile)
,
Anne Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson
(see profile)
Date:
2014
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
Contemporary music
,
Avant-garde
,
Patronage discourse
,
Women and performance
Item Type:
Article
Tag(s):
musicology
,
los angeles
,
Patronage
,
Avant-garde
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
20th-century American music
,
Contemporary music
,
Narrative and time
Item Type:
Article
Tag(s):
musicology
,
Harry Partch
,
Time and temporality
,
Queer Studies
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson
(see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
20th-century American music
,
American studies
,
Avant-garde
,
Contemporary music
,
Musicology
Item Type:
Article
Tag(s):
American music
,
los angeles
,
Patronage
,
women in music
[Conversando con...] Jorge Villavicencio Grossmann
Author(s):
Stephen Thomson Moore
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
,
Open Music
Subject(s):
21st century
,
Contemporary music
Item Type:
Interview
Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
Author(s):
Mariusz Kozak
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
20th century
,
Contemporary music
,
Music analysis
,
Polish culture
Item Type:
Article
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