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Formalisme et ritualité chez Boulez et Stockhausen
Author(s):
Lambert Dousson (see profile)
Date:
2013
Subject(s):
Contemporary music, Aesthetics, Philosophy and the arts, Formalism, Structuralism, Roland Barthes
Item Type:
Article
Tag(s):
Pierre Boulez, Karlheinz Stockhausen, Claude Lévi-Strauss
Politique de la voix archivée
Author(s):
Lambert Dousson (see profile)
Date:
2014
Subject(s):
Contemporary music, Music and philosophy, Opera, Voice and opera
Item Type:
Article
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Contemporary music, Sound art, Music composition, Music performance, Video arts, Collaboration
Item Type:
Article
Tag(s):
John Cage, experimental music, covid-19, quarantine
Editorial: Ubiquitous Music Making in COVID-19 Times
Author(s):
Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Computers and music, Contemporary music, Cultural studies, Music composition
Item Type:
Article
Love Under a Microscope: Chaya Czernowin's Heart Chamber
Author(s):
Anne C. Shreffler (see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Contemporary music
Item Type:
Review
Tag(s):
Chaya Czernowin, contemporary opera, Deutsche Oper Berlin, Heart Chamber, new music
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
musiclib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks
Author(s):
Tom Bickley (see profile) , Anne Rhodes, Chris Schiff
Date:
2018
Group(s):
Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson (see profile)
Date:
2014
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
Item Type:
Article
Tag(s):
musicology, los angeles, Patronage, Avant-garde
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, 20th-century American music, Contemporary music, Narrative and time
Item Type:
Article
Tag(s):
musicology, Harry Partch, Time and temporality, Queer Studies
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
20th-century American music, American studies, Avant-garde, Contemporary music, Musicology
Item Type:
Article
Tag(s):
American music, los angeles, Patronage, women in music
[Conversando con...] Jorge Villavicencio Grossmann
Author(s):
Stephen Thomson Moore (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
21st century, Contemporary music
Item Type:
Interview
Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
Author(s):
Mariusz Kozak (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th century, Contemporary music, Music analysis, Polish culture
Item Type:
Article

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