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  • Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski

    Author(s):
    Toru Momii (see profile)
    Date:
    2021
    Subject(s):
    Contemporary music, Critical race and ethnic studies, Interculturality, Japanese music, Music theory, Popular Music Studies
    Item Type:
    Dissertation
    Tag(s):
    21st-century music, Honjoh Hidejirō, Mitski, Miyata Mayumi

  • « Politique de l’instant musical. Résider, produire, disparaître – écouter. Entretien avec Nicolas Frize »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2008
    Subject(s):
    Contemporary music
    Item Type:
    Interview

  • « Anges pour l'histoire. Entretien avec Vinko Globokar »

    Author(s):
    Lambert Dousson (see profile) , Sylvain Prudhomme
    Date:
    2005
    Subject(s):
    Contemporary music
    Item Type:
    Interview

  • « De la structure au geste. Entretien avec Frédéric Durieux »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2007
    Subject(s):
    Contemporary music
    Item Type:
    Interview

  • « De l’écoute buissonnière à l’empreinte du geste. Entretien avec Gérard Pesson »

    Author(s):
    Lambert Dousson (see profile) , Sarah Troche
    Date:
    2009
    Subject(s):
    Contemporary music
    Item Type:
    Interview
    Tag(s):
    Gérard Pesson

  • « Faire corps, (dés)assembler. Sur les pouvoirs politiques de l’écriture musicale (Wagner, Mahler, Berio) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2005
    Subject(s):
    Contemporary music, Aesthetic theory
    Item Type:
    Article
    Tag(s):
    Richard Wagner, Gesamtkunstwerk, Luciano Berio

  • « Vertiges de la voix »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2020
    Subject(s):
    Contemporary music
    Item Type:
    Article
    Tag(s):
    Electroacoustic music

  • « Les cosmophonies domestiques de Karlheinz Stockhausen. Maison-musique-machine : mystique(s) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2008
    Subject(s):
    Contemporary music
    Item Type:
    Article
    Tag(s):
    Karlheinz Stockhausen

  • « Un spectre habite les océans (Steve Reich, Gérard Grisey, le chant des cigales et des baleines) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2009
    Subject(s):
    Contemporary music
    Item Type:
    Article
    Tag(s):
    steve reich, Gérard Grisey, music and nature, whales

  • Formalisme et ritualité chez Boulez et Stockhausen

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2013
    Subject(s):
    Contemporary music, Aesthetics, Philosophy and the arts, Formalism, Structuralism, Roland Barthes
    Item Type:
    Article
    Tag(s):
    Pierre Boulez, Karlheinz Stockhausen, Claude Lévi-Strauss

  • Politique de la voix archivée

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2014
    Subject(s):
    Contemporary music, Music and philosophy, Opera, Voice and opera
    Item Type:
    Article

  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Contemporary music, Sound art, Music composition, Music performance, Video arts, Collaboration
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers and music, Contemporary music, Cultural studies, Music composition
    Item Type:
    Article

  • Love Under a Microscope: Chaya Czernowin's Heart Chamber

    Author(s):
    Anne C. Shreffler (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society
    Subject(s):
    Contemporary music
    Item Type:
    Review
    Tag(s):
    Chaya Czernowin, contemporary opera, Deutsche Oper Berlin, Heart Chamber, new music

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    musiclib2018

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks

    Author(s):
    Tom Bickley (see profile) , Anne Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE

    Author(s):
    Jake Johnson (see profile)
    Date:
    2014
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
    Item Type:
    Article
    Tag(s):
    musicology, los angeles, Patronage, Avant-garde

  • “Unstuck in time”: Harry Partch's Bilocated Life

    Author(s):
    Jake Johnson (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, 20th-century American music, Contemporary music, Narrative and time
    Item Type:
    Article
    Tag(s):
    musicology, Harry Partch, Time and temporality, Queer Studies

  • The Music Room: Betty Freeman's Musical Soirées

    Author(s):
    Jake Johnson (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society
    Subject(s):
    20th-century American music, American studies, Avant-garde, Contemporary music, Musicology
    Item Type:
    Article
    Tag(s):
    American music, los angeles, Patronage, women in music

  • [Conversando con...] Jorge Villavicencio Grossmann

    Author(s):
    Stephen Thomson Moore (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound, Open Music
    Subject(s):
    21st century, Contemporary music
    Item Type:
    Interview

  • Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    20th century, Contemporary music, Music analysis, Polish culture
    Item Type:
    Article

Viewing item 1 to 23 (of 23 items)

  • Author
    • Ann Rhodes 3X
    • Anne C. Shreffler 1X
    • Anne Rhodes 1X
    • Chris Schiff 4X
    • Damián Keller 1X
    • Jake Johnson 3X
    • Lambert Dousson 10X
    • Leandro Costalonga 1X
    • Marcello Messina 2X
    • Marco Scarassatti 1X
    • Mariusz Kozak 1X
    • Sarah Troche 1X
    • Stephen Thomson Moore 1X
    • Sylvain Prudhomme 1X
    • Tom Bickley 4X
    • Toru Momii 1X
    • Valério Fiel da Costa 1X
    • more>>
  • Group
    • American Musicological Society 6X
    • Music Library Association 4X
    • Music and Sound 7X
    • Open Music 1X
    • Society for Music Theory – Popular Music Interest Group (SMT PMIG) 2X
    • more>>
  • Subject
    • 20th century 1X
    • 20th-century American music 2X
    • 21st century 1X
    • Aesthetic theory 1X
    • Aesthetics 1X
    • American studies 1X
    • Avant-garde 2X
    • Collaboration 1X
    • Computers and music 1X
    • Contemporary music 23X
    • Critical race and ethnic studies 1X
    • Cultural studies 1X
    • Formalism 1X
    • Information literacy 4X
    • Interculturality 1X
    • Japanese music 1X
    • Music analysis 1X
    • Music and philosophy 1X
    • Music composition 2X
    • Music notation 4X
    • Music performance 1X
    • Music theory 1X
    • Musicology 3X
    • Narrative and time 1X
    • Opera 1X
    • Patronage discourse 1X
    • Philosophy and the arts 1X
    • Polish culture 1X
    • Popular Music Studies 1X
    • Roland Barthes 1X
    • Sound art 1X
    • Structuralism 1X
    • Video arts 1X
    • Voice and opera 1X
    • Women and performance 1X
    • more>>
  • Item Type
    • Article 12X
    • Dissertation 1X
    • Interview 5X
    • Presentation 4X
    • Review 1X
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  • Date
    • 2021 1X
    • 2020 3X
    • 2019 1X
    • 2018 5X
    • 2017 2X
    • 2015 1X
    • 2014 2X
    • 2013 1X
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    • Text 21X
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