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Love Under a Microscope: Chaya Czernowin's Heart Chamber
Author(s):
Anne C. Shreffler
(see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Contemporary music
Item Type:
Review
Tag(s):
Chaya Czernowin
,
contemporary opera
,
Deutsche Oper Berlin
,
Heart Chamber
,
new music
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides
Author(s):
Tom Bickley
(see profile)
,
Ann Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
musiclib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks
Author(s):
Tom Bickley
(see profile)
,
Anne Rhodes
,
Chris Schiff
Date:
2018
Group(s):
Music Library Association
Subject(s):
Contemporary music
,
Information literacy
,
Music notation
Item Type:
Presentation
Tag(s):
muslib2018
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson
(see profile)
Date:
2014
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
Contemporary music
,
Avant-garde
,
Patronage discourse
,
Women and performance
Item Type:
Article
Tag(s):
musicology
,
los angeles
,
Patronage
,
Avant-garde
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
20th-century American music
,
Contemporary music
,
Narrative and time
Item Type:
Article
Tag(s):
musicology
,
Harry Partch
,
Time and temporality
,
Queer Studies
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson
(see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
20th-century American music
,
American studies
,
Avant-garde
,
Contemporary music
,
Musicology
Item Type:
Article
Tag(s):
American music
,
los angeles
,
Patronage
,
women in music
[Conversando con...] Jorge Villavicencio Grossmann
Author(s):
Stephen Thomson Moore
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
,
Open Music
Subject(s):
21st century
,
Contemporary music
Item Type:
Interview
Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
Author(s):
Mariusz Kozak
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
20th century
,
Contemporary music
,
Music analysis
,
Polish culture
Item Type:
Article
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