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CORE Search Results Start Search Over

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  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Contemporary music, Sound art, Music composition, Music performance, Video arts, Collaboration
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers and music, Contemporary music, Cultural studies, Music composition
    Item Type:
    Article

  • Love Under a Microscope: Chaya Czernowin's Heart Chamber

    Author(s):
    Anne C. Shreffler (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society
    Subject(s):
    Contemporary music
    Item Type:
    Review
    Tag(s):
    Chaya Czernowin, contemporary opera, Deutsche Oper Berlin, Heart Chamber, new music

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    musiclib2018

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks

    Author(s):
    Tom Bickley (see profile) , Anne Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music Library Association
    Subject(s):
    Contemporary music, Information literacy, Music notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018

  • PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE

    Author(s):
    Jake Johnson (see profile)
    Date:
    2014
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
    Item Type:
    Article
    Tag(s):
    musicology, los angeles, Patronage, Avant-garde

  • “Unstuck in time”: Harry Partch's Bilocated Life

    Author(s):
    Jake Johnson (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, 20th-century American music, Contemporary music, Narrative and time
    Item Type:
    Article
    Tag(s):
    musicology, Harry Partch, Time and temporality, Queer Studies

  • The Music Room: Betty Freeman's Musical Soirées

    Author(s):
    Jake Johnson (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society
    Subject(s):
    20th-century American music, American studies, Avant-garde, Contemporary music, Musicology
    Item Type:
    Article
    Tag(s):
    American music, los angeles, Patronage, women in music

  • [Conversando con...] Jorge Villavicencio Grossmann

    Author(s):
    Stephen Thomson Moore (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound, Open Music
    Subject(s):
    21st century, Contemporary music
    Item Type:
    Interview

  • Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    20th century, Contemporary music, Music analysis, Polish culture
    Item Type:
    Article

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    • Chris Schiff 4X
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    • Jake Johnson 3X
    • Leandro Costalonga 1X
    • Marcello Messina 2X
    • Marco Scarassatti 1X
    • Mariusz Kozak 1X
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