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El discreto (y cómico) encanto de la sobremesa
Author(s):
Edwin Culp
(see profile)
Date:
2015
Group(s):
Film-Philosophy
,
Film Studies
Subject(s):
Comedy (genre)
,
Film studies
,
Aesthetics
Item Type:
Book chapter
Precarity and Protest: The politics of Aristophanes’ Lysistrata
Author(s):
Carol Atack
(see profile)
Date:
2017
Group(s):
Ancient Greece & Rome
,
Women in Antiquity
Subject(s):
Classical reception
,
Classical literature
,
Comedy (genre)
,
Social history
,
Performance and politics
,
Precarity
Item Type:
Article
Tag(s):
Aristophanes
,
comedy
,
revolution
,
protest
“Now someone’s talking”: Unpunctuation and the Deadpan Poem
Author(s):
Calista McRae
(see profile)
Date:
2018
Subject(s):
Modernism
,
20th-century American poetry
,
American modernism
,
Comedy (genre)
,
Punctuation
Item Type:
Article
Tag(s):
deadpan
,
unpunctuation
,
buster keaton
,
archy and mehitabel
,
tone
The Shadow of Aristophanes: Hellenistic Poetry’s Reception of Comic Poetics
Author(s):
thomasjnelson
(see profile)
Date:
2018
Group(s):
Ancient Greece & Rome
Subject(s):
Ancient Greek poetry
,
Ancient Greek
,
Classics
,
Comedy (genre)
,
Poetics
,
Literary reception
Item Type:
Book chapter
Tag(s):
Hellenistic Poetry
,
Callimachus
,
Old Comedy
,
Aristophanes
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine
(see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society
,
MS Visual Culture
,
TC Cognitive and Affect Studies
,
TC Popular Culture
,
TM Literary and Cultural Theory
Subject(s):
Narrative criticism
,
20th-century film
,
Cognitive literary studies
,
Rhetorical theory
,
Comedy (genre)
,
Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers
,
rhetorical narratology
,
Jim Phelan
,
cognition
,
Duck Soup
Acting for the Cameras: Performance in the Multi-Camera Sitcom
Author(s):
Christine Becker
(see profile)
Date:
2008
Subject(s):
Television studies
,
Performance studies
,
Acting
,
Comedy (genre)
,
Film production
,
Television
Item Type:
Online publication
Tag(s):
sitcoms
,
comedy
nonsensemix
Author(s):
Richard Elliott
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Comedy (genre)
,
Music
,
Sound poetry
,
Sound studies
Item Type:
Sound recording-non musical
Tag(s):
comedy
,
nonsense
,
nonsense poetry
,
pop music
,
sound poetry
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