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"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Classical music, Music history, Musicology, Music theory
Item Type:
Article
Singing Down the Barriers: Encouraging Singers of All Racial Backgrounds to Perform Music by African American Composers
Author(s):
Caroline Helton, Emery Stephens (see profile)
Date:
2007
Subject(s):
African American, African American studies, Black American literature, Classical music, Harlem Renaissance
Item Type:
Book chapter
Tag(s):
American composers, art music, Music composers
Appendix 2 – Concert Spiritual Singers and Their Recordings
Author(s):
Randye Jones (see profile)
Date:
2019
Group(s):
Music and Sound, Music Library Association
Subject(s):
African American culture, Classical music, Music performance
Item Type:
Online publication
Tag(s):
African American music, Negro spirituals, vocal performance
When #TimesUp for Musical Gods: The James Levine Scandal
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
Musicology, Reception studies, Classical music, Western classical music, Internet culture
Item Type:
Conference paper
Tag(s):
James Levine, sexual assault, #MeToo, #TimesUp, Post-Truth
The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
19th century, Classical music, Feminism, Fine arts, Historiography, Musicology
Item Type:
Presentation
Tag(s):
#MeToo, James Levine
Black Beethoven and the Racial Politics of Music History
Author(s):
Nicholas Rinehart (see profile)
Date:
2013
Group(s):
LLC African American
Subject(s):
Music criticism, Classical music, Music history, Race/ethnicity, African diaspora
Item Type:
Article

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