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Disability, Deficiency, and Excess: A Cinematic Construction of Disability in Popular Odia Cinema
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
Cultural Studies, Feminist Humanities, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Film and society, Cinema history, Indian cinema, Broadcast journalism, Art journaling, Disability, Representation, Identity, Gender, Culture
Item Type:
Article
Tag(s):
Odia cinema, marginalized, media
Notes on the End of Rome, Open City
Author(s):
Charles L. Leavitt IV (see profile)
Date:
2018
Group(s):
LLC 20th- and 21st-Century Italian
Subject(s):
Film, Italian cinema, Cinema, Cinema history, Modern Italian cinema
Item Type:
Article
Film, Television and Video productions featuring brass bands
Author(s):
Gavin Holman (see profile)
Date:
2019
Group(s):
North American British Music Studies Association
Subject(s):
Brass Instruments, Music history, Film and society, Cinema history, Television studies
Item Type:
Article
Tag(s):
Brass bands
Los arquetipos femeninos: Misión y visión del Estudio Ghibli
Author(s):
Arantxa Serantes (see profile)
Date:
2019
Subject(s):
Film (history and studio), Cinema history, Art, Feminisms, Characters, Feminism
Item Type:
Other
Tag(s):
Cine, film directing, films
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Cinema history, Mythology
Item Type:
Article
Tag(s):
Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film arts, Film history, Acting, Cinema history, Cinema, Modernism
Item Type:
Book chapter
Tag(s):
performamnce, film acting, film directing, minimalism
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism

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