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Nossa Senhora da Imaculada Conceição, Padroeira e Rainha de Portugal. Pintura de Francisco Xavier Lobo na Igreja de Santa Maria da Devesa de Castelo de Vide.
Author(s):
Lécio Leal
(see profile)
Date:
2019
Group(s):
History of Art
Subject(s):
Painting
,
Portuguese culture
,
Religion
,
Aesthetics
,
Baroque
,
Conservatism
Item Type:
Article
Tag(s):
religious painting
Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750
Author(s):
Erika Supria Honisch
(see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Sound studies
,
Musicology
,
Baroque
,
War and conflict
Item Type:
Syllabus
Teatri di Verzura: Hedge Theatres in Baroque Lucca
Author(s):
Katrina Grant
(see profile)
Date:
2007
Group(s):
Digital Art History
Subject(s):
Garden history
,
Art history
,
Italian studies
,
Baroque
,
Baroque theatre
,
Landscape
Item Type:
Book chapter
Tag(s):
theatre
To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
Author(s):
Reba Wissner
(see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Baroque
,
Opera
,
Semiotics
Item Type:
Article
Tag(s):
baroque
,
Opera
,
semiotics
Bach's Greatest Moment?: An Audio-Visual Essay
Author(s):
Daniel Brown
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
18th century
,
Baroque
,
Music
,
Music analysis
,
Music criticism
Item Type:
Book chapter
Tag(s):
Bach
,
Choral music
,
Kyrie
,
Mass in B Minor
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