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‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar
Author(s):
Robin Rolfhamre (see profile)
Date:
2018
Group(s):
Communication Studies, Rhetoric and Composition
Subject(s):
Baroque, Communication, Early Modern, Music performance, Rhetoric
Item Type:
Article
Nossa Senhora da Imaculada Conceição, Padroeira e Rainha de Portugal. Pintura de Francisco Xavier Lobo na Igreja de Santa Maria da Devesa de Castelo de Vide.
Author(s):
Lécio Leal (see profile)
Date:
2019
Group(s):
History of Art
Subject(s):
Painting, Portuguese culture, Religion, Aesthetics, Baroque, Conservatism
Item Type:
Article
Tag(s):
religious painting
Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750
Author(s):
Erika Supria Honisch (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Sound studies, Musicology, Baroque, War and conflict
Item Type:
Syllabus
Teatri di Verzura: Hedge Theatres in Baroque Lucca
Author(s):
Katrina Grant (see profile)
Date:
2007
Group(s):
Digital Art History
Subject(s):
Garden history, Art history, Italian studies, Baroque, Baroque theatre, Landscape
Item Type:
Book chapter
Tag(s):
theatre
To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
Author(s):
Reba Wissner (see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Baroque, Opera, Semiotics
Item Type:
Article
Tag(s):
baroque, Opera, semiotics
Bach's Greatest Moment?: An Audio-Visual Essay
Author(s):
Daniel Brown (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
18th century, Baroque, Music, Music analysis, Music criticism
Item Type:
Book chapter
Tag(s):
Bach, Choral music, Kyrie, Mass in B Minor

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