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Performance en Guatemala: La Materia del Gesto
Author(s):
Rodrigo Arenas-Carter
(see profile)
Date:
2021
Subject(s):
Art history
,
Art theory
,
Central America
,
Performance
,
Performance art
Item Type:
Book chapter
Tag(s):
Action Art
,
conversation
,
Guatemala
,
Roundtable
Review: Thought Experiments: The Art of Jonathan Keats
Author(s):
Greta Suiter
Editor(s):
Megan Macken
(see profile)
,
Terrie Wilson
Date:
2021
Group(s):
ARLIS/NA Reviews Editors
Subject(s):
Contemporary art
,
Environmental art
,
Art theory
,
Philosophy and the arts
Item Type:
Book review
Review: Domesticating the Invisible: Form and Environmental Anxiety in Postwar America
Author(s):
Michele Jennings
Editor(s):
Megan Macken
(see profile)
,
Terrie Wilson
Date:
2021
Group(s):
ARLIS/NA Reviews Editors
Subject(s):
Art and environment
,
Art theory
,
Modern art
,
Art history
Item Type:
Book review
The Future Historiography of AI Art
Author(s):
Alvin Alagao
(see profile)
Date:
2021
Group(s):
Artificial Intelligence
,
Cultural Studies
,
History of Art
,
Networked Art
,
Philosophy
Subject(s):
Art history
,
Artificial intelligence
,
Art theory
,
Consciousness
,
Ethics
,
Historiography of art
,
Philosophy and the arts
Item Type:
Essay
Tag(s):
philippine art
,
philosophy of art
,
philosophy of artificial intelligence
Art Style, Art & Culture International Magazine, no. 1
Editor(s):
Christiane Wagner
(see profile)
Date:
2019
Group(s):
Film Studies
,
History of Art
,
Open Access Publishing
,
Public Humanities
,
Scenography
Subject(s):
Aesthetics
,
Art history
,
Art theory
,
Media studies
,
Theories of architecture
Item Type:
Online publication
Tag(s):
aesthetics and politics
,
Art and culture
,
moving images
Are We What We Ate?
Author(s):
María Paloma Velázquez
(see profile)
Date:
2020
Subject(s):
Art theory
,
Cultural identity
,
Food studies
,
Social history
Item Type:
Essay
From Critical Studies to Public Programming: Public Knowledge at the Post-Democratic Impasse
Author(s):
Valeria Graziano
(see profile)
Date:
2018
Group(s):
Cultural Studies
,
Education and Pedagogy
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Arts education
,
Museum education
,
Art theory
,
Curatorial studies
,
Critical theory
Item Type:
Abstract
Tag(s):
public programming
,
gallery education
,
Public Sphere
,
contemporary culture
Public Programming, Social Movements and Solidarity
Author(s):
Janna Graham
,
Valeria Graziano
(see profile)
,
Susan Kelly
Date:
2017
Group(s):
Cultural Studies
,
Education and Pedagogy
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Curatorial studies
,
Museum education
,
Philosophy and the arts
,
Art theory
,
Arts education
,
Discourse
Item Type:
Abstract
Tag(s):
public programming
,
Public Sphere
,
gallery education
,
contemporary culture
Public Programming? Pedagogical Practices in a Missing Europe
Author(s):
Valeria Graziano
(see profile)
Date:
2016
Group(s):
Cultural Studies
,
Education and Pedagogy
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Art education
,
Art theory
,
Philosophy and the arts
,
Curating
,
Public culture
,
Critical pedagogy
Item Type:
Abstract
Tag(s):
post-representational
An aesthetic impasse in Artigas: between socialist realism and concretism
Author(s):
Raphael Grazziano
(see profile)
Date:
2019
Subject(s):
Architectural history
,
Art theory
,
Brazilian culture
,
Modernism
,
Socialist realism
Item Type:
Article
Tag(s):
Brutalism
,
Concretism
,
João Batista Vilanova Artigas
,
Olga Baeta
,
Rubens de Mendonça
How to explain information to a dead hare: Floridi's approach to information and its relevance to art practice
Author(s):
Gordon Edison McQueen
(see profile)
Date:
2019
Group(s):
CityLIS
,
Contemporary Art
,
Library & Information Science
,
Philosophy
Subject(s):
Art theory
,
Contemporary art
,
Philosophy of information
Item Type:
Dissertation
Tag(s):
Art practice
,
Information theory
,
infosphere
,
Interactivity
,
Luciano Floridi
Εικαστικοί καλλιτέχνες σε κρίση η περίπτωση της Ένωσης Επαναστατών Εικαστικών Καλλιτεχνών Γερμανίας (1928-1933)
Author(s):
Nikos Pegioudis
(see profile)
Date:
2016
Group(s):
History of Art
Subject(s):
Art history
,
Design history
,
Art theory
,
Art
,
Applied arts
Item Type:
Book chapter
Tag(s):
artistic radicalism
,
German visual arts
,
art and politics
Towards a theory of prefigurative practices
Author(s):
Valeria Graziano
(see profile)
Date:
2017
Group(s):
Anarchism
,
Cultural Studies
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Political Philosophy & Theory
Subject(s):
Avant-garde
,
Art theory
,
Literature of social movements
,
Performance and politics
,
Performance studies
,
Critical theory
Item Type:
Article
Tag(s):
prefiguration
,
political activism
Neue, neuere, neueste Kunstgeschichte? Wie die Wissenschaft versucht, den Kunsthandel zu „erobern“
Author(s):
Lukas Fuchsgruber
(see profile)
Date:
2015
Group(s):
History of Art
Subject(s):
Art market
,
Art marketing
,
Art history
,
Economic history
,
Art theory
Item Type:
Article
Tag(s):
Kunstgeschichte
,
Neue Kunstgeschichte
,
Social History of Art
,
Economics of Culture
The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century
Author(s):
Lukas Fuchsgruber
(see profile)
Date:
2017
Group(s):
History of Art
,
Victorian Studies
Subject(s):
19th-century discourse
,
19th-century French literature
,
Art history
,
Art market
,
Art theory
Item Type:
Article
Tag(s):
auction
,
Auctions
,
financialisation
,
Hôtel Drouot
Surrogate Theories of Art
Author(s):
Arnold Berleant
(see profile)
Date:
1969
Subject(s):
Art
,
Art theory
,
Philosophy and the arts
,
Aesthetic theory
,
Aesthetics
Item Type:
Article
Tag(s):
aesthetic experience
,
critique of art
OEuvres en devenir - devenir d'une oeuvre. L'an-archive de Bujar Marika
Author(s):
Anne-Laure Oberson
(see profile)
Date:
2014
Group(s):
Archives
Subject(s):
Archives
,
Art theory
,
Contemporary art
,
Education
,
Social sciences
Item Type:
Book section
“Sometimes doing is undoing and sometimes undoing is doing”
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2014
Subject(s):
Contemporary art
,
Art history
,
Art theory
,
Sculpture
Item Type:
Book chapter
Tag(s):
Francis Alÿs
Against (Porno)Precarity
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2014
Subject(s):
Contemporary art
,
Art history
,
Art theory
,
Precarity
,
Latin American art
Item Type:
Book chapter
Locating Work in Santiago Sierra’s Artistic Practice
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2013
Subject(s):
Contemporary art
,
Art history
,
Art theory
,
Freedom
,
Labour
Item Type:
Article
Tag(s):
Santiago Sierra
,
work
,
freedom
Ghosts of Futures Past: Time in Francis Alÿs’ Rehearsal and Tania Bruguera’s Untitled (Place, Year) series
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2013
Subject(s):
Art history
,
Contemporary art
,
Art theory
,
Temporality
Item Type:
Article
Tag(s):
Francis Alÿs
,
Tania Bruguera
,
Uncanny
,
Modernity
,
Contemporary Art
Debunking Modernism: Politics of Rehearsal, 8 Persons Paid to Remain Inside Cardboard Boxes and Tatlin’s Whisper# 5
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2012
Subject(s):
Contemporary art
,
Art history
,
Art theory
Item Type:
Book chapter
Tag(s):
Francis Alÿs
,
Santiago Sierra
,
Modernity
,
Tania Bruguera
,
Debunking
Francis Alÿs, Santiago Sierra y Tania Bruguera: Exilios voluntarios, lugares en debate y desplazamientos orales
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2011
Subject(s):
Contemporary art
,
Art history
,
Art theory
,
Migration
Item Type:
Article
Tag(s):
Tania Bruguera
,
Francis Alÿs
,
Santiago Sierra
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