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How to explain information to a dead hare: Floridi's approach to information and its relevance to art practice
Author(s):
Gordon Edison McQueen (see profile)
Date:
2019
Group(s):
CityLIS, Contemporary Art, Library & Information Science, Philosophy
Subject(s):
Philosophy of information, Art theory, Contemporary art
Item Type:
Dissertation
Tag(s):
Luciano Floridi, Information theory, infosphere, Art practice, Interactivity
Εικαστικοί καλλιτέχνες σε κρίση η περίπτωση της Ένωσης Επαναστατών Εικαστικών Καλλιτεχνών Γερμανίας (1928-1933)
Author(s):
Nikos Pegioudis (see profile)
Date:
2016
Group(s):
History of Art
Subject(s):
Art history, Design history, Art theory, Art, Applied arts
Item Type:
Book chapter
Tag(s):
artistic radicalism, German visual arts, art and politics
Towards a theory of prefigurative practices
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory
Subject(s):
Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory
Item Type:
Article
Tag(s):
prefiguration, political activism
Neue, neuere, neueste Kunstgeschichte? Wie die Wissenschaft versucht, den Kunsthandel zu „erobern“
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2015
Group(s):
History of Art
Subject(s):
Art market, Art marketing, Art history, Economic history, Art theory
Item Type:
Article
Tag(s):
Kunstgeschichte, Neue Kunstgeschichte, Social History of Art, Economics of Culture
The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2017
Group(s):
History of Art, Victorian Studies
Subject(s):
19th-century discourse, 19th-century French literature, Art history, Art market, Art theory
Item Type:
Article
Tag(s):
auction, Auctions, financialisation, Hôtel Drouot
Surrogate Theories of Art
Author(s):
Arnold Berleant (see profile)
Date:
1969
Subject(s):
Art, Art theory, Philosophy and the arts, Aesthetic theory, Aesthetics
Item Type:
Article
Tag(s):
aesthetic experience, critique of art
OEuvres en devenir - devenir d'une oeuvre. L'an-archive de Bujar Marika
Author(s):
Anne-Laure Oberson (see profile)
Date:
2014
Group(s):
Archives
Subject(s):
Archives, Art theory, Contemporary art, Education, Social sciences
Item Type:
Book section
“Sometimes doing is undoing and sometimes undoing is doing”
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2014
Subject(s):
Contemporary art, Art history, Art theory, Sculpture
Item Type:
Book chapter
Tag(s):
Francis Alÿs
Against (Porno)Precarity
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2014
Subject(s):
Contemporary art, Art history, Art theory, Precarity, Latin American art
Item Type:
Book chapter
Locating Work in Santiago Sierra’s Artistic Practice
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2013
Subject(s):
Contemporary art, Art history, Art theory, Freedom, Labour
Item Type:
Article
Tag(s):
Santiago Sierra, work, freedom
Ghosts of Futures Past: Time in Francis Alÿs’ Rehearsal and Tania Bruguera’s Untitled (Place, Year) series
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2013
Subject(s):
Art history, Contemporary art, Art theory, Temporality
Item Type:
Article
Tag(s):
Francis Alÿs, Tania Bruguera, Uncanny, Modernity, Contemporary Art
Debunking Modernism: Politics of Rehearsal, 8 Persons Paid to Remain Inside Cardboard Boxes and Tatlin’s Whisper# 5
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2012
Subject(s):
Contemporary art, Art history, Art theory
Item Type:
Book chapter
Tag(s):
Francis Alÿs, Santiago Sierra, Modernity, Tania Bruguera, Debunking
Francis Alÿs, Santiago Sierra y Tania Bruguera: Exilios voluntarios, lugares en debate y desplazamientos orales
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2011
Subject(s):
Contemporary art, Art history, Art theory, Migration
Item Type:
Article
Tag(s):
Tania Bruguera, Francis Alÿs, Santiago Sierra

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