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Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580-1630
Author(s):
Keelan Overton (see profile)
Date:
2016
Subject(s):
Iranian studies, India, Persian, Art history, Manuscript culture
Item Type:
Article
[POSTER] Re-interpreting the Poems and Paintings of the Lotus Sutra by a Correspondence Analysis and the Visualization of a Dimension Reduction: The Philosophy of Aristocratic Life during the Japanese Medieval Age
Author(s):
Aiko Aida Hashimura (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Art history, Buddhist studies, Stylometry, Iconography
Item Type:
Presentation
Tag(s):
Japanese Art History, text mining
Re-interpreting the Poems and Paintings of the Lotus Sutra by a Correspondence Analysis and the Visualization of a Dimension Reduction: The Philosophy of Aristocratic Life during the Japanese Medieval Age
Author(s):
Aiko Aida Hashimura (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Art history, Buddhist studies, Iconography, Stylometry
Item Type:
Presentation
Tag(s):
Japanese Art History, text mining
Potential Archives: Envisioning the Future of the Interdisciplinary Artist Archive in Canada (How Digital Humanities and Feminist Ethical Praxis Will Transform the Interdisciplinary Artist Archive)
Author(s):
Julia Polyck-O'Neill (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Archives, Digital archives, Art librarianship, Art history, Feminist studies, Digital archiving
Item Type:
Presentation
Tag(s):
artists, critical archival studies
Iconographic similarities between Permian “goddess plaques” (Ural region, 7-8th centuries CE) and Horus cippi (Egypt, 8th century BCE - 2nd century CE)
Author(s):
Lloyd Graham (see profile)
Date:
2020
Group(s):
Ancient Near East, Assyriologists, Egyptology
Subject(s):
Assyriology, Egyptology, Art history, Iconography, Religion
Item Type:
Article
Tag(s):
Permian animal style, Perm bronzes, Horus cippus, Master of Animals, Mistress of Animals
‘The International Style, Colour and Polychrome Faience’.
Author(s):
Andrea Sinclair (see profile)
Date:
2020
Group(s):
Aegean and Eastern Mediterranean archaeology, Ancient Near East, Near Eastern Archaeology
Subject(s):
Art history
Item Type:
Article
Tag(s):
faience, colour theory, colour
Architecture as Portrait: Exoticism and the Royal Character of the Louvre, 1380–1681
Author(s):
Pedro P. Palazzo (see profile)
Date:
2012
Group(s):
Architectural History and Theory, Renaissance / Early Modern Studies
Subject(s):
Architectural history, Art history, Classical architecture, Early modern French culture
Item Type:
Article
Tag(s):
French architecture and art, Grand siècle, Louis XIV, Louvre, Palaces
Centre William Rappard: Home of the World Trade Organization, Geneva
Author(s):
Joelle Kuntz, Edmundo Murray (see profile)
Date:
2011
Group(s):
Cultural Studies, Global & Transnational Studies, History, History of Art, International Organization
Subject(s):
Art history, Diplomatic history, Trade, Labor history, International relations, Censorship
Item Type:
Book
Tag(s):
architecture history, Art Deco, gift giving, Cultural diplomacy
Landscape and Public Art in the Age of Aquarius: Garrett Eckbo’s Union Bank Plaza
Author(s):
Anthony Denzer (see profile)
Date:
2004
Subject(s):
Art history, Landscape architecture, Landscape history, Sculpture, Urban history
Item Type:
Conference paper
Tag(s):
Garrett Eckbo, los angeles
What part did decorative plasterwork play in the transformation of the Great House before 1660?
Author(s):
Annika McQueen (see profile)
Date:
2018
Group(s):
Applied and decorative arts (1400-1700), Architectural History and Theory, British History, History, History of Art
Subject(s):
Art history, Architectural history, Architectural design, Material culture, 17th-century British history
Item Type:
Essay
Tag(s):
Seventeenth-century, Country House, plasterwork, elizabethan, jacobean
Relational Landscapes: Teaching Chaco Canyon with Immersive Technology
Author(s):
Laura Smith (see profile)
Date:
2020
Group(s):
Global Digital Humanities Symposium
Subject(s):
Art history, Native American art, Visual culture
Item Type:
Course material or learning objects
Tag(s):
architecture history, Chaco Canyon, Immersive Technology, Primary sources, Rina Swentzell
2019 Whitney Biennial
Author(s):
Anne Swartz (see profile)
Date:
2019
Group(s):
Women in the Arts
Subject(s):
Contemporary art, Feminist art history, Feminism, Feminist criticism, Art history
Item Type:
Article
Between Two Worlds: Arab Americans in Detroit
Author(s):
Dora Apel (see profile)
Date:
2020
Group(s):
Cultural Studies, History of Art, Political Philosophy & Theory, Public Humanities
Subject(s):
Photography (history and studio), Immigration history, Art history, Photography
Item Type:
Catalog
Tag(s):
arab americans, detroit
The Perpetual Dilemma of a Pictograph Site
Author(s):
Alicia Colson FRGS (see profile)
Date:
2018
Group(s):
Archaeology, Indigenous Studies
Subject(s):
Art history, Senses in antiquity, Anthropology, Visual anthropology, Sound studies
Item Type:
Article
The arrangement of tablets on the photographic plates of Scripta Minoa II
Author(s):
Ben Newbound (see profile)
Date:
2020
Group(s):
Ancient Greece & Rome, Archaeology, Classical Philology and Linguistics, History of Art
Subject(s):
Art history, Folk art, Photography, History of archives, Aegean prehistoric archaeology
Item Type:
Essay
Tag(s):
Linear B, Linear A, Fertility cult, Mycenaean, Minoan
Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI
Author(s):
Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra
Date:
2019
Subject(s):
Musicology, Music, Composition, Art history, 20th century, 21st century, Painting
Item Type:
Abstract
Tag(s):
Instrumental Music
Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas
Author(s):
Raphael Grazziano (see profile)
Date:
2012
Group(s):
Architectural History and Theory, Contemporary Art, History of Art, Urban Studies
Subject(s):
Architectural history, Art history, Communism, Abstraction, Architectural design, Socialist realism
Item Type:
Monograph
Tag(s):
João Batista Vilanova Artigas, Olga Baeta, Rubens de Mendonça, Concretism
Asa Simon Mittman, "Mandeville's Jews, Colonialism, Certainty, and Art History," Postcolonising the Medieval Image
Author(s):
Asa Simon Mittman (see profile)
Date:
2017
Group(s):
Medieval Art, Medieval English Literature, Medieval Studies
Subject(s):
Art history, Medieval studies, Medieval literature, Medieval manuscripts, Medieval art, Orientalism, Manuscript studies
Item Type:
Book chapter
Susan Kim and Asa Simon Mittman, "Keeping History: Images, Texts, Ciphers, and the Franks Casket," with Susan Kim, in A Material History of Medieval and Early Modern Ciphers, ed. K Ellison and S Kim (New York: Routledge, 2017)
Author(s):
Susan Kim, Asa Simon Mittman (see profile)
Editor(s):
Katherine Ellison, Susan Kim
Date:
2017
Group(s):
Early Medieval, Medieval Art, Medieval Studies
Subject(s):
Art history, Medieval literature, History of art, Middle Ages, Anglo-Saxon studies, Early medieval history
Item Type:
Book chapter
Monsters and Monstrosity in Jewish History From the Middle Ages to Modernity
Author(s):
Miriamne Ara Krummel, Asa Simon Mittman (see profile)
Editor(s):
Iris Idelson-Shein, Christian Wiese
Date:
2019
Group(s):
Global & Transnational Studies, Monsters and Monstrosity
Subject(s):
Jewish-Christian relations, Jewish studies, Art history, Medieval Jewish history, Monstrosity, Anglo-Saxon studies
Item Type:
Essay
Tag(s):
monster theory
Asa Simon Mittman, "Touching the Past/Being Touched by the Past"
Author(s):
Asa Simon Mittman (see profile)
Editor(s):
Gerhard Jaritz, Ingrid Matschinegg
Date:
2019
Group(s):
Medieval Art, Medieval English Literature, Medieval Studies
Subject(s):
Medieval studies, Old English, Medieval manuscripts, Old English literature, Art history, Medieval literature
Item Type:
Essay
Tag(s):
manuscript
Sea Monsters, edited by Thea Tomaini and Asa Simon Mittman
Editor(s):
Asa Simon Mittman (see profile)
Date:
2017
Group(s):
Medieval Art, Medieval English Literature, Monsters and Monstrosity
Subject(s):
Monstrosity, Art history, Medieval art, Medieval studies, Ecocriticism, Postcolonialism, Oceans
Item Type:
Book
Tag(s):
whales, monster theory, orcas
Linear and cult art: addenda, corrigenda, concludenda
Author(s):
Ben Newbound (see profile)
Date:
2019
Group(s):
Ancient Greece & Rome, Archaeology, Classical Philology and Linguistics, History of Art
Subject(s):
Word and image studies, Philology, Art history, Religious art, Folk art, Photography
Item Type:
Other
Tag(s):
Linear A, Linear B, cypriot syllabaries
Drimmer, "The Hieroglyphs of Kingship: Itay's Egypt in Early Tudor England and the Manuscript as Monument," MAAR 59/60 (2014/15): 255-83
Author(s):
Sonja Drimmer (see profile)
Date:
2015
Subject(s):
Manuscript studies, Art history, Early modern history, Egyptology
Item Type:
Article
VII Residência Cisterciense S. Bento de Cástris
Author(s):
Luís Henriques (see profile)
Date:
2019
Subject(s):
History, Art history, Cultural heritage, 18th century, Food
Item Type:
Other
Tag(s):
food archaeology, Cistercian

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