Deposits – Humanities Commons

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Review: Consuming Painting: Food and the Feminine in Impressionist Paris
Author(s):
Carling Spinney
Editor(s):
Megan Macken (see profile) , Terrie Wilson
Date:
2022
Group(s):
ARLIS/NA Reviews Editors
Subject(s):
Impressionism, Nineteenth-century art, Art criticism, Women's gender, and sexuality studies
Item Type:
Book review
Tag(s):
culinary studies, feminization
Art and the Working Class
Author(s):
Alexander Bogdanov
Translator(s):
Taylor R. Genovese (see profile)
Date:
2022
Group(s):
Cultural Studies, Utopian Studies
Subject(s):
Art, Art criticism, Socialism, Marxism, Poetry writing
Item Type:
Book
Invitation for Catalogue Contribution: Eden and Everything After
Author(s):
Jean Marie Carey (see profile)
Date:
2022
Group(s):
Animal Studies, Archaeology, Etruscan archaeology, German Literature and Culture, History of Art
Subject(s):
Art and environment, Art (studio), Artist's books, Animal history, Art criticism
Item Type:
Other
Tag(s):
Extinction, CFP, Exhibition Catalogues
Abstract Illusionism: An Artist and a Lemming Walk into a Bar…
Author(s):
June Julian (see profile)
Date:
2021
Group(s):
Art Education
Subject(s):
Abstraction, Aesthetics, Painting, Fine arts, Art criticism, Contemporary art, Art history
Item Type:
Essay
Tag(s):
Abstract Illusionism, June Julian
Straight Innocence
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2021
Subject(s):
Art criticism, Museum studies
Item Type:
Essay
Tag(s):
Bruce Nauman, Stedelijk Museum
The Abyss of Recipes: Cassell’s Cyclopaedia of Mechanics and William Kentridge’s Second-Hand Reading
Author(s):
Xinyi Wen (see profile)
Date:
2021
Subject(s):
Art criticism, Book history, History of art, History of technology, Language, Theory
Item Type:
Blog Post
Tag(s):
encyclopedias, recipes
Kant with Michael Fried: Feeling, Absorption, and Interiority in the Critique of Judgment
Author(s):
Magdalena Ostas (see profile)
Date:
2014
Subject(s):
Aesthetic theory, Aesthetics, Immanuel Kant, Visual arts, Art criticism
Item Type:
Article
The "Tempo rallentato" (slackened time) by Nino Migliori
Author(s):
Stefano Verri (see profile)
Date:
2020
Subject(s):
20th century, Art criticism, Art galleries, Conceptual, Photography
Item Type:
Essay
Tag(s):
Exhibitions, still life
Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki
Author(s):
Raphael Grazziano (see profile)
Date:
2020
Group(s):
Architectural History and Theory, Contemporary Art, Film Studies, History of Art, Urban Studies
Subject(s):
Theories of architecture, Art criticism, Contemporary art, Avant garde cinema, Urbanism/urban planning
Item Type:
Article
Tag(s):
Critique of Architecture, urban design, Contemporary Architecture
Nuove acquisizioni sulla prima attività romana di Michelangelo Buonarroti connessa con l'Umanesimo dei Pomponiani
Author(s):
Flavia De Nicola (see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies, The Renaissance Society of America
Subject(s):
Art criticism, Collecting/patronage studies, Humanism, Italian art, Renaissance art, Renaissance culture
Item Type:
Online publication
Tag(s):
History of Collecting, Michelangelo Buonarroti, Renaissance antiquarianism
Firelei Báez at the Mennello Museum of American Art
Author(s):
Jean Marie Carey (see profile)
Date:
2019
Subject(s):
Contemporary art, Caribbean art, Diaspora studies, Museums, Art criticism, Installation, Painting
Item Type:
Review
Tag(s):
Florida, Collage, Firelei Báez
Introduction to Sculpting Doughboys: Memory, Gender, and Taste in America's World War I Memorials
Author(s):
Jennifer Wingate (see profile)
Date:
2013
Subject(s):
War memorials, Masculinity studies, American art, Sculpture, Art criticism, Public art
Item Type:
Book
Tag(s):
World War One, women sculptors, monuments
The Social Evaluation of Art
Author(s):
Arnold Berleant (see profile)
Date:
2005
Subject(s):
Culture, Aesthetics, Art, Art criticism
Item Type:
Book chapter
Tag(s):
social aesthetics, art pour l'art, aesthetic value
Stereo Lab: Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Subject(s):
Art criticism, Museums, Art history, Contemporary art, 20th century, Glass, Phenomenology
Item Type:
Review
Tag(s):
Venezuela, Exhibition Review, minimalism
Subtitling Communism: Beneath Anri Sala’s Intervista
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2018
Subject(s):
Art criticism, Albanian culture, Communism
Item Type:
Article
Tag(s):
Anri Sala, Edi Rama
Mernet Larsen: Getting Measured 1957-2017
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Feminist Humanities
Subject(s):
Art criticism, Painting, Museums, Contemporary art, 20th century, Modernism
Item Type:
Review
Tag(s):
women artists, museum exhibitions, retrospective, mernet larsen
Review: Wendy White
Author(s):
Anne Swartz (see profile)
Date:
2018
Subject(s):
Feminist art history, Contemporary art, Art criticism
Item Type:
Review
Pattern and Decoration: An Ideal Vision in American Art, 1975-1985
Author(s):
Temma Balducci, Michael Botwinick, Arthur C. Danto, John Perrault, Anne Swartz
Editor(s):
Anne Swartz (see profile)
Date:
2007
Subject(s):
American art, Contemporary art, Modern art, Art history, Art criticism
Item Type:
Catalog
Tag(s):
Feminist Art, Feminist Art History
Arlene Raven's Legacy
Author(s):
Jerri Allyn, Mimi Gross, Leslie King-Hammond, Tom Knechtel, Suzanne Lacy, Sungmi Lee, Jean Pieniadz, Arlene Raven, Jenni Sorkin, Lowery Stokes-Sims, Anne Swartz (see profile) , Terry Wolverton
Editor(s):
Johanna Burton, Anne Swartz
Date:
2008
Subject(s):
Feminist art history, Women's gender, and sexuality studies, Gender and queer studies, Art history, Art criticism
Item Type:
Article
Tag(s):
Arlene Raven, Nancy Grossman, Feminist Art, Art critic, American art
Star Wars and the Power of Costume
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Subject(s):
Film, Costume design, Museum practice, Museums, Art criticism
Item Type:
Review
Tag(s):
Museum of Fine Arts St. Petersburg, Exhibition, Smithsonian
Copyright, Copyleft, and Shakespeare After Shakespeare
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Subject(s):
Shakespeare, Creativity, Law, Art criticism, Adaptation
Item Type:
Article
Tag(s):
Global Shakespeare, Copyright, creative commons, Appropriation, fandom
Políticas de lo estético en la ilustración de ciencia ficción. El caso de “Think Blue, Count Two” de Cordwainer Smith
Author(s):
Silvia G. Kurlat-Ares (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century Latin American, MS Visual Culture
Subject(s):
20th century, Aesthetics, Art criticism, Latin American literature, Latin American studies
Item Type:
Article
Tag(s):
cultural history, Latin America, science fiction, visual art
Theology and the Secular
Author(s):
David Newheiser (see profile)
Date:
2015
Subject(s):
Art criticism, Political philosophy, Secularization, Theology
Item Type:
Article
A Note on the Problem of Defining "Art"
Author(s):
Arnold Berleant (see profile)
Date:
1964
Group(s):
Art's Impact on Society, History of Art
Subject(s):
Aesthetics, Art criticism, Philosophy
Item Type:
Article
Tag(s):
aesethetics, art, experience, experiencing art, philosophy of art
Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?
Author(s):
Jaleen Grove (see profile)
Date:
2009
Group(s):
Art's Impact on Society, History of Art
Subject(s):
20th century, Art criticism, Commercial art, Illustration, United States of America
Item Type:
Article
Tag(s):
1960s, artists, art theory, illustration, New York City

Viewing item 1 to 25 (of 52 items)

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CORE Search Results Start Search Over

Review: Consuming Painting: Food and the Feminine in Impressionist Paris

Art and the Working Class

Invitation for Catalogue Contribution: Eden and Everything After

Abstract Illusionism: An Artist and a Lemming Walk into a Bar…

Straight Innocence

The Abyss of Recipes: Cassell’s Cyclopaedia of Mechanics and William Kentridge’s Second-Hand Reading

Kant with Michael Fried: Feeling, Absorption, and Interiority in the Critique of Judgment

The "Tempo rallentato" (slackened time) by Nino Migliori

Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki

Nuove acquisizioni sulla prima attività romana di Michelangelo Buonarroti connessa con l'Umanesimo dei Pomponiani

Firelei Báez at the Mennello Museum of American Art

Introduction to Sculpting Doughboys: Memory, Gender, and Taste in America's World War I Memorials

The Social Evaluation of Art

Stereo Lab: Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art

Subtitling Communism: Beneath Anri Sala’s Intervista

Mernet Larsen: Getting Measured 1957-2017

Review: Wendy White

Pattern and Decoration: An Ideal Vision in American Art, 1975-1985

Arlene Raven's Legacy

Star Wars and the Power of Costume

Copyright, Copyleft, and Shakespeare After Shakespeare

Políticas de lo estético en la ilustración de ciencia ficción. El caso de “Think Blue, Count Two” de Cordwainer Smith

Theology and the Secular

A Note on the Problem of Defining "Art"

Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?

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