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Review: Consuming Painting: Food and the Feminine in Impressionist Paris
Author(s):
Carling Spinney
Editor(s):
Megan Macken
(see profile)
,
Terrie Wilson
Date:
2022
Group(s):
ARLIS/NA Reviews Editors
Subject(s):
Impressionism
,
Nineteenth-century art
,
Art criticism
,
Women's gender, and sexuality studies
Item Type:
Book review
Tag(s):
culinary studies
,
feminization
Art and the Working Class
Author(s):
Alexander Bogdanov
Translator(s):
Taylor R. Genovese
(see profile)
Date:
2022
Group(s):
Cultural Studies
,
Utopian Studies
Subject(s):
Art
,
Art criticism
,
Socialism
,
Marxism
,
Poetry writing
Item Type:
Book
Invitation for Catalogue Contribution: Eden and Everything After
Author(s):
Jean Marie Carey
(see profile)
Date:
2022
Group(s):
Animal Studies
,
Archaeology
,
Etruscan archaeology
,
German Literature and Culture
,
History of Art
Subject(s):
Art and environment
,
Art (studio)
,
Artist's books
,
Animal history
,
Art criticism
Item Type:
Other
Tag(s):
Extinction
,
CFP
,
Exhibition Catalogues
Abstract Illusionism: An Artist and a Lemming Walk into a Bar…
Author(s):
June Julian
(see profile)
Date:
2021
Group(s):
Art Education
Subject(s):
Abstraction
,
Aesthetics
,
Painting
,
Fine arts
,
Art criticism
,
Contemporary art
,
Art history
Item Type:
Essay
Tag(s):
Abstract Illusionism
,
June Julian
Straight Innocence
Author(s):
Vincent van Gerven Oei
(see profile)
Date:
2021
Subject(s):
Art criticism
,
Museum studies
Item Type:
Essay
Tag(s):
Bruce Nauman
,
Stedelijk Museum
The Abyss of Recipes: Cassell’s Cyclopaedia of Mechanics and William Kentridge’s Second-Hand Reading
Author(s):
Xinyi Wen
(see profile)
Date:
2021
Subject(s):
Art criticism
,
Book history
,
History of art
,
History of technology
,
Language
,
Theory
Item Type:
Blog Post
Tag(s):
encyclopedias
,
recipes
Kant with Michael Fried: Feeling, Absorption, and Interiority in the
Critique of Judgment
Author(s):
Magdalena Ostas
(see profile)
Date:
2014
Subject(s):
Aesthetic theory
,
Aesthetics
,
Immanuel Kant
,
Visual arts
,
Art criticism
Item Type:
Article
The "Tempo rallentato" (slackened time) by Nino Migliori
Author(s):
Stefano Verri
(see profile)
Date:
2020
Subject(s):
20th century
,
Art criticism
,
Art galleries
,
Conceptual
,
Photography
Item Type:
Essay
Tag(s):
Exhibitions
,
still life
Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki
Author(s):
Raphael Grazziano
(see profile)
Date:
2020
Group(s):
Architectural History and Theory
,
Contemporary Art
,
Film Studies
,
History of Art
,
Urban Studies
Subject(s):
Theories of architecture
,
Art criticism
,
Contemporary art
,
Avant garde cinema
,
Urbanism/urban planning
Item Type:
Article
Tag(s):
Critique of Architecture
,
urban design
,
Contemporary Architecture
Nuove acquisizioni sulla prima attività romana di Michelangelo Buonarroti connessa con l'Umanesimo dei Pomponiani
Author(s):
Flavia De Nicola
(see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies
,
The Renaissance Society of America
Subject(s):
Art criticism
,
Collecting/patronage studies
,
Humanism
,
Italian art
,
Renaissance art
,
Renaissance culture
Item Type:
Online publication
Tag(s):
History of Collecting
,
Michelangelo Buonarroti
,
Renaissance antiquarianism
Firelei Báez at the Mennello Museum of American Art
Author(s):
Jean Marie Carey
(see profile)
Date:
2019
Subject(s):
Contemporary art
,
Caribbean art
,
Diaspora studies
,
Museums
,
Art criticism
,
Installation
,
Painting
Item Type:
Review
Tag(s):
Florida
,
Collage
,
Firelei Báez
Introduction to Sculpting Doughboys: Memory, Gender, and Taste in America's World War I Memorials
Author(s):
Jennifer Wingate
(see profile)
Date:
2013
Subject(s):
War memorials
,
Masculinity studies
,
American art
,
Sculpture
,
Art criticism
,
Public art
Item Type:
Book
Tag(s):
World War One
,
women sculptors
,
monuments
The Social Evaluation of Art
Author(s):
Arnold Berleant
(see profile)
Date:
2005
Subject(s):
Culture
,
Aesthetics
,
Art
,
Art criticism
Item Type:
Book chapter
Tag(s):
social aesthetics
,
art pour l'art
,
aesthetic value
Stereo Lab: Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art
Author(s):
Jean Marie Carey
(see profile)
Date:
2018
Subject(s):
Art criticism
,
Museums
,
Art history
,
Contemporary art
,
20th century
,
Glass
,
Phenomenology
Item Type:
Review
Tag(s):
Venezuela
,
Exhibition Review
,
minimalism
Subtitling Communism: Beneath Anri Sala’s Intervista
Author(s):
Vincent van Gerven Oei
(see profile)
Date:
2018
Subject(s):
Art criticism
,
Albanian culture
,
Communism
Item Type:
Article
Tag(s):
Anri Sala
,
Edi Rama
Mernet Larsen: Getting Measured 1957-2017
Author(s):
Jean Marie Carey
(see profile)
Date:
2018
Group(s):
Feminist Humanities
Subject(s):
Art criticism
,
Painting
,
Museums
,
Contemporary art
,
20th century
,
Modernism
Item Type:
Review
Tag(s):
women artists
,
museum exhibitions
,
retrospective
,
mernet larsen
Review: Wendy White
Author(s):
Anne Swartz
(see profile)
Date:
2018
Subject(s):
Feminist art history
,
Contemporary art
,
Art criticism
Item Type:
Review
Pattern and Decoration: An Ideal Vision in American Art, 1975-1985
Author(s):
Temma Balducci
,
Michael Botwinick
,
Arthur C. Danto
,
John Perrault
,
Anne Swartz
Editor(s):
Anne Swartz
(see profile)
Date:
2007
Subject(s):
American art
,
Contemporary art
,
Modern art
,
Art history
,
Art criticism
Item Type:
Catalog
Tag(s):
Feminist Art
,
Feminist Art History
Arlene Raven's Legacy
Author(s):
Jerri Allyn
,
Mimi Gross
,
Leslie King-Hammond
,
Tom Knechtel
,
Suzanne Lacy
,
Sungmi Lee
,
Jean Pieniadz
,
Arlene Raven
,
Jenni Sorkin
,
Lowery Stokes-Sims
,
Anne Swartz
(see profile)
,
Terry Wolverton
Editor(s):
Johanna Burton
,
Anne Swartz
Date:
2008
Subject(s):
Feminist art history
,
Women's gender, and sexuality studies
,
Gender and queer studies
,
Art history
,
Art criticism
Item Type:
Article
Tag(s):
Arlene Raven
,
Nancy Grossman
,
Feminist Art
,
Art critic
,
American art
Star Wars and the Power of Costume
Author(s):
Jean Marie Carey
(see profile)
Date:
2017
Subject(s):
Film
,
Costume design
,
Museum practice
,
Museums
,
Art criticism
Item Type:
Review
Tag(s):
Museum of Fine Arts St. Petersburg
,
Exhibition
,
Smithsonian
Copyright, Copyleft, and Shakespeare After Shakespeare
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Creativity
,
Law
,
Art criticism
,
Adaptation
Item Type:
Article
Tag(s):
Global Shakespeare
,
Copyright
,
creative commons
,
Appropriation
,
fandom
Políticas de lo estético en la ilustración de ciencia ficción. El caso de “Think Blue, Count Two” de Cordwainer Smith
Author(s):
Silvia G. Kurlat-Ares
(see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century
,
GS Speculative Fiction
,
Interdisciplinary Approaches to Culture and Society
,
LLC 20th- and 21st-Century Latin American
,
MS Visual Culture
Subject(s):
20th century
,
Aesthetics
,
Art criticism
,
Latin American literature
,
Latin American studies
Item Type:
Article
Tag(s):
cultural history
,
Latin America
,
science fiction
,
visual art
Theology and the Secular
Author(s):
David Newheiser
(see profile)
Date:
2015
Subject(s):
Art criticism
,
Political philosophy
,
Secularization
,
Theology
Item Type:
Article
A Note on the Problem of Defining "Art"
Author(s):
Arnold Berleant
(see profile)
Date:
1964
Group(s):
Art's Impact on Society
,
History of Art
Subject(s):
Aesthetics
,
Art criticism
,
Philosophy
Item Type:
Article
Tag(s):
aesethetics
,
art
,
experience
,
experiencing art
,
philosophy of art
Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?
Author(s):
Jaleen Grove
(see profile)
Date:
2009
Group(s):
Art's Impact on Society
,
History of Art
Subject(s):
20th century
,
Art criticism
,
Commercial art
,
Illustration
,
United States of America
Item Type:
Article
Tag(s):
1960s
,
artists
,
art theory
,
illustration
,
New York City
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