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Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Adaptation, Intercultural performance, Translation, Sinophone literature, Chinese studies, Shakespeare, Film, Appropriation
Item Type:
Book chapter
Tag(s):
theatre
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics
Author(s):
Sujata Iyengar (see profile)
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Feminism, Intermediality, Appropriation, Citizenship
Item Type:
Book chapter
Tag(s):
Maya Angelou, Claudia Rankine, Phyllis Wheatley, Othello, Womanism
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
The Ethics of Appropriation: ‘Misusing’ the Found Document in Suitcase of Love and Shame and A Film Unfinished
Author(s):
Jaimie Baron (see profile)
Date:
2015
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Archives, Ethics, Appropriation
Item Type:
Book chapter
(In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films
Author(s):
Jaimie Baron (see profile)
Date:
2014
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Book chapter
Tag(s):
experimental video, remix, humor
Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament
Author(s):
Jaimie Baron (see profile)
Date:
2011
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Article
Tag(s):
Natalie Bookchin, Siegrfried Kracauer, archival footage, experimental film, video art
The Co-optation of Sensibility and the Subversion of Beauty
Author(s):
Arnold Berleant (see profile)
Date:
2015
Subject(s):
Aesthetics, Environmental aesthetics, Appropriation, Urban sociology
Item Type:
Article
Tag(s):
sensibility, aesthetic engagement, aesthetic experience, co-optation

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