Deposits – Humanities Commons

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Moon-Crossed: a play in play with All's Well That Ends Well
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Adaptation, Shakespeare in adaptation, Drama, Theater
Item Type:
Fictional work
Tag(s):
parody
Jane Austen 2.00
Editor(s):
Sousa Alcinda Pinheiro, Ana Daniela Coelho (see profile) , Pires Maria José
Date:
2019
Subject(s):
Jane Austen, Literature and digital media, English literature, Adaptation
Item Type:
Catalog
“‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film studies, Jane Austen, Television studies
Item Type:
Book chapter
‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Jane Austen, Screenwriting
Item Type:
Article
Tag(s):
Andrew Davies
Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies
Author(s):
Ana Daniela Coelho (see profile)
Date:
2016
Subject(s):
Adaptation, Jane Austen, Zombie films
Item Type:
Conference proceeding
“Watching Austen, Reading Ourselves”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film, Jane Austen, Television studies
Item Type:
Book chapter
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
Cape Fear: Remaking a film score
Author(s):
Jonathan Godsall (see profile)
Date:
2013
Subject(s):
Adaptation, Film music, Intertextuality, Musicology
Item Type:
Article
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Drama, Greek and Roman drama, Theater, Adaptation
Item Type:
Review
Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya
Author(s):
Antonio Loriguillo-López (see profile)
Date:
2014
Subject(s):
Adaptation, Japanese cinema and visual culture, Manga
Item Type:
Article
Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay
Author(s):
George Prokhorov (see profile) , Sergey Saveliev
Date:
2018
Group(s):
CLCS European Regions, GS Travel Writing, Interdisciplinary Approaches to Culture and Society, LLC Russian and Eurasian, Narrative theory and Narratology
Subject(s):
Travel narratives, International relations, Anglo-Russian literary relations, Nonfiction prose, 17th century, Narrative, Adaptation, Diplomatic history
Item Type:
Article
Tag(s):
travelogue
Creature, Monster, Nameless, Created: Frankenstein transformed in role playing games
Author(s):
Jon Garrad (see profile)
Date:
2018
Group(s):
Gothicists
Subject(s):
Gothic literature, Game studies, History of games and play, Adaptation, Analog game studies
Item Type:
Conference paper
Tag(s):
White Wolf, Ravenloft, Dungeons and Dragons, Frankenstein
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
The Findern Codex and the Blog In the Middle: Understanding Middle English Vernacular Manuscripts through the Lens of Social Media in the Twenty-First Century
Author(s):
Kate Koppy (see profile)
Date:
2017
Group(s):
Humanities Commons Summer Camp, Medieval Studies
Subject(s):
Adaptation, Manuscript studies, Middle English, Women writers, Codicology
Item Type:
Book chapter
Tag(s):
Findern, paelography, miscellany
"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies
Item Type:
Article
Tag(s):
Africanism, political theatre
Criminal Appropriations of Shakespeare in Jasper Fforde's Something Rotten
Author(s):
Patricia Taylor (see profile)
Date:
2010
Subject(s):
Adaptation, Shakespeare, Shakespeare in adaptation, Speculative fiction
Item Type:
Article
Tag(s):
Jasper Fforde
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE
Author(s):
George Prokhorov (see profile)
Date:
2017
Group(s):
CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature
Subject(s):
Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation
Item Type:
Article
Tag(s):
Early modern drama, adaptation, Travel Writing, Russia, lope de vega
Physical Performance and the Languages of Translation
Author(s):
Stephe Harrop (see profile)
Date:
2010
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation
Item Type:
Book chapter
‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis
Author(s):
Stephe Harrop (see profile)
Date:
2014
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare
Item Type:
Article
Copyright, Copyleft, and Shakespeare After Shakespeare
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Subject(s):
Shakespeare, Creativity, Law, Art criticism, Adaptation
Item Type:
Article
Tag(s):
Global Shakespeare, Copyright, creative commons, Appropriation, fandom
Beds, Handkerchiefs, and Moving Objects in Othello
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Subject(s):
Shakespeare, Adaptation, Film, New materialism
Item Type:
Article
The Shakespeare User
Author(s):
Valerie Fazel, Louise Geddes (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, Global Shakespeares, LLC Shakespeare
Subject(s):
Adaptation, Digital humanities, Shakespeare
Item Type:
Book
Tag(s):
adaptation, digital humanities, Shakespeare
Cut-up
Author(s):
Janneke Adema (see profile)
Date:
2017
Group(s):
Cultural Studies, Digital Books, Digital Humanists, Textual Scholarship
Subject(s):
Adaptation, Art history, Authorship studies, Media studies, Textual criticism
Item Type:
Book chapter
Tag(s):
posthumanism, Remix, cut-up, commonplacing, vidding

Viewing item 1 to 25 (of 42 items)

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CORE Search Results Start Search Over

Moon-Crossed: a play in play with All's Well That Ends Well

Jane Austen 2.00

“‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”

‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)

Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies

“Watching Austen, Reading Ourselves”

"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

ADAPTATION as Adaptation

Cape Fear: Remaking a film score

"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12

The Shakespeare Theatre Company ’s Oresteia

Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya

Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay

Creature, Monster, Nameless, Created: Frankenstein transformed in role playing games

"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

The Findern Codex and the Blog In the Middle: Understanding Middle English Vernacular Manuscripts through the Lens of Social Media in the Twenty-First Century

"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

Criminal Appropriations of Shakespeare in Jasper Fforde's Something Rotten

FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

Physical Performance and the Languages of Translation

‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis

Copyright, Copyleft, and Shakespeare After Shakespeare

Beds, Handkerchiefs, and Moving Objects in Othello

The Shakespeare User

Cut-up

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