Deposits – Humanities Commons

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"Global mediation: Performing Shakespeare in the age of networked and digital cultures," The Arden Research Handbook of Shakespeare and Contemporary Performance, ed. Peter Kirwan and Kathryn Prince (London: Bloomsbury, 2021), pp. 132-150
Author(s):
Alexa Alice Joubin (see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
Subject(s):
Shakespeare, Adaptation, Digital media, Remediation, Globalization, Race, Feminism, Digital humanities, Sexuality
Item Type:
Book chapter
Tag(s):
pandemic
Philomena and Ireland’s Mother-and-baby Homes
Author(s):
Malin Lidström Brock (see profile)
Date:
2015
Group(s):
English Literature, Film Studies, Irish Literature and Culture
Subject(s):
Adaptation, Biography, Film and society, Irish culture, Irish history
Item Type:
Book chapter
Tag(s):
Biopics, Irish-american identity, Irish mother-and-baby homes, Martin Sixsmith, Stephen Frears
"Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability." Adaptation, October 2020: 1-19
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Adaptation, Neoliberalism, Shakespeare, Critical race and ethnic studies, Global Shakespeare, Humanism
Item Type:
Article
Tag(s):
film adaptation, vocal disorder, parody
"Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
Subject(s):
Shakespeare, Globalization, Race, Queer and gender studies, Adaptation, Global Shakespeare, Censorship, Translation, Feminism, Reception studies
Item Type:
Book chapter
Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Adaptation, Sinophone literature, Globalization, Film, Global Shakespeare, Translation
Item Type:
Book chapter
Tag(s):
Hong Kong, Richard III, Hamlet
Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, The Renaissance Society of America
Subject(s):
Globalization, Shakespeare, Sinophone literature, Intercultural performance, Adaptation, Translation, Global Shakespeare, Theatre history
Item Type:
Book chapter
Tag(s):
Cultural appropriation
Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin (see profile)
Date:
2011
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Adaptation, Intercultural performance, Translation, Sinophone literature, Chinese studies, Shakespeare, Film, Appropriation
Item Type:
Book chapter
Tag(s):
theatre
Preface, The Shakespearean International Yearbook Volume 18
Author(s):
Tom Bishop, Alexa Alice Joubin (see profile)
Date:
2021
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
Subject(s):
Global Shakespeare, Soviet film, Translation, Adaptation, Censorship, Globalization, Shakespeare, Film studies
Item Type:
Book chapter
Tag(s):
intercultural theatre
Shakespeare’s Henry VI plays: a story of two dynasties or social commentary on a nation? Discuss with reference to Shakespeare’s texts and the BBC’s television productions from 1983 and 2016.
Author(s):
Andrea Smith (see profile)
Date:
2018
Subject(s):
Adaptation, British history, Shakespeare, Shakespeare in adaptation, Television
Item Type:
Dissertation
Tag(s):
bbc
"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
Item Type:
Book chapter
Tag(s):
affect theory, Cultural appropriation
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Chinese studies, Adaptation, Memory, Globalization
Item Type:
Article
Tag(s):
Tang Xianzu, commemoration, Sino-british relations
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear, digital archive, Beijing opera, Peter Brook
Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2019
Subject(s):
Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare
Item Type:
Article
Tag(s):
bbc, Henry IV, Queer Performance, Royal Shakespeare Company
Moon-Crossed: a play in play with All's Well That Ends Well
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Adaptation, Shakespeare in adaptation, Drama, Theater
Item Type:
Fictional work
Tag(s):
parody
Jane Austen 2.00
Editor(s):
Sousa Alcinda Pinheiro, Ana Daniela Coelho (see profile) , Pires Maria José
Date:
2019
Subject(s):
Jane Austen, Literature and digital media, English literature, Adaptation
Item Type:
Catalog
“‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film studies, Jane Austen, Television studies
Item Type:
Book chapter
‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Jane Austen, Screenwriting
Item Type:
Article
Tag(s):
Andrew Davies
Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies
Author(s):
Ana Daniela Coelho (see profile)
Date:
2016
Subject(s):
Adaptation, Jane Austen, Zombie films
Item Type:
Conference proceeding
“Watching Austen, Reading Ourselves”
Author(s):
Ana Daniela Coelho (see profile)
Date:
2017
Subject(s):
Adaptation, Film, Jane Austen, Television studies
Item Type:
Book chapter
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
Cape Fear: Remaking a film score
Author(s):
Jonathan Godsall (see profile)
Date:
2013
Subject(s):
Adaptation, Film music, Intertextuality, Musicology
Item Type:
Article
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Drama, Greek and Roman drama, Theater, Adaptation
Item Type:
Review
Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya
Author(s):
Antonio Loriguillo-López (see profile)
Date:
2014
Subject(s):
Adaptation, Japanese cinema and visual culture, Manga
Item Type:
Article

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