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CORE Search Results Start Search Over

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  • Ekphrastic Temporality

    Author(s):
    Shaj Mathew (see profile)
    Date:
    2021
    Subject(s):
    Civilization, Modern, Persian literature, Foreign films, Literature
    Item Type:
    Article
    Tag(s):
    Modernity, Temporality, world cinema, World literature

  • Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'

    Author(s):
    Doris Hambuch (see profile)
    Date:
    2019
    Group(s):
    MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture
    Subject(s):
    Motion pictures, Feminism, Foreign films, Women's studies
    Item Type:
    Article
    Tag(s):
    Film, Cinema, world cinema

  • The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes
    Item Type:
    Article
    Tag(s):
    Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  • Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2007
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Japan, Foreign films
    Item Type:
    Article
    Tag(s):
    Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  • IDENTIFICATION OF A WOMAN

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2012
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Art, American, Foreign films
    Item Type:
    Review
    Tag(s):
    Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  • EROS and Civilization: Sexuality and the Contemporary International Art Cinema

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2008
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Sex, Foreign films
    Item Type:
    Article
    Tag(s):
    Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  • EL TOPO and the Midnight Movie Craze

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Surrealism, Motion pictures, Art, American, Foreign films
    Item Type:
    Article
    Tag(s):
    Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  • BICYCLE THIEVES: A Re-reading

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, History, Motion pictures and history, Foreign films
    Item Type:
    Article
    Tag(s):
    neorealism, Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  • The Architectonics of Alienation: Antonioni's Edifice Complex

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Film criticism, Motion pictures, Italian, Foreign films, Architecture, History
    Item Type:
    Article
    Tag(s):
    film modernism, Film, Italian cinema, world cinema, Film history, Cinema

  • The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

    Author(s):
    Doris Hambuch (see profile)
    Date:
    2016
    Group(s):
    MS Screen Arts and Culture, MS Visual Culture
    Subject(s):
    Motion pictures--Social aspects, Film criticism, Foreign films, Motion pictures
    Item Type:
    Article
    Tag(s):
    film discourse, Arab cinema, polyglossia, Film and society, world cinema, Polyphony, Film, Film studies

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