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• A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama

  Author(s):

  Eduardo Paredes Ocampo (see profile)

  Date:

  2022

  Group(s):

  Early Modern Academies of the World, Early Modern Theater, Renaissance / Early Modern Studies, Spanish Golden Age Literature

  Subject(s):

  Spanish drama, Seventeenth century, Vega, Lope de, 1562-1635, Art, Baroque, Theater, Diseases, Performance art--Study and teaching

  Item Type:

  Book chapter

  Tag(s):

  17th-century Spanish theater, Lope de Vega, Baroque theatre, Disease, Performance studies

  
  

• The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC's 2017 Production

  Author(s):

  Eduardo Paredes Ocampo (see profile)

  Date:

  2019

  Group(s):

  Early Modern Academies of the World, Early Modern Theater, Renaissance / Early Modern Studies, Spanish Golden Age Literature

  Subject(s):

  Spanish drama, Seventeenth century, Performance art--Study and teaching, Renaissance, Reformation, Europe, Sixteenth century, Art, Baroque, Theater

  Item Type:

  Article

  Tag(s):

  17th-century Spanish theater, Performance studies, Calderon, Renaissance and reformation / early modern Europe, Baroque theatre

  
  

• Piazzetta Provenance Project CFA: Raubkunst at the Ringling: The Catalogue in Absentia

  Author(s):

  Jean Marie Carey (see profile)

  Date:

  2019

  Group(s):

  Der Blaue Reiter, Digital Humanists

  Subject(s):

  Art, Italian, Art, Baroque, Museums, Collectors and collecting, Jewish Holocaust (1939-1945), Art, History

  Item Type:

  Blog Post

  Tag(s):

  Provenance Research, CFA, CFP, Piazzetta, Italian art, Baroque art, Collecting, Holocaust, Art history

  
  

• Teatri di Verzura: Hedge Theatres in Baroque Lucca

  Author(s):

  Katrina Grant (see profile)

  Date:

  2007

  Group(s):

  Digital Art History

  Subject(s):

  Gardens, History, Art, Italy, Area studies, Art, Baroque, Theater, Landscapes

  Item Type:

  Book chapter

  Tag(s):

  theatre, Garden history, Art history, Italian studies, Baroque, Baroque theatre, Landscape

  
  

• Sources, Syncretism, and Significance in Calderón’s El divino Orfeo (c. 1634)

  Author(s):

  PJ Lennon (see profile)

  Date:

  2017

  Group(s):

  Early Modern Hispanism

  Subject(s):

  Art, Baroque, Theater, Sixteenth century, Seventeenth century

  Item Type:

  Article

  Tag(s):

  17th Century, Early modern Spanish literature, Calderón, Syncretism, Baroque theatre, Early modern theatre, Spanish theatre

  
  

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