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  • Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room

    Author(s):
    Stephe Harrop (see profile)
    Date:
    2021
    Group(s):
    Ancient Greece & Rome, Classical Tradition
    Subject(s):
    Classical reception, Greek mythology, Greek tragedy, 20th-century film, Adaptation
    Item Type:
    Book chapter
    Tag(s):
    Classical Reception Studies, Classical receptions, film adaptation, Mythologies

  • Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s

    Author(s):
    Alicia Mihalic (see profile)
    Date:
    2021
    Group(s):
    Cultural Studies, Film Studies
    Subject(s):
    Fashion theory, Fashion studies, Film theory, Film studies, Cultural studies, 20th-century film
    Item Type:
    Book review
    Tag(s):
    Fashion History, 1960s

  • Los esclavos de 'Mansfield Park'

    Author(s):
    José Angel GARCÍA LANDA (see profile)
    Date:
    2020
    Group(s):
    American Literature
    Subject(s):
    Jane Austen, Slavery, Ideology, 20th-century film, Colonialism
    Item Type:
    Article
    Tag(s):
    Patricia Rozema, English Novel

  • Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1986
    Group(s):
    Film Studies
    Subject(s):
    Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
    Item Type:
    Article
    Tag(s):
    american cinema, CITIZEN KANE, orson welles

  • The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film, Film and history, Film and politics, 20th-century film, Cinema
    Item Type:
    Book chapter
    Tag(s):
    APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola

  • ADAPTATION as Adaptation

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
    Item Type:
    Book chapter
    Tag(s):
    american cinema, film adaptation

  • 1976: Movies and Cultural Contradictions

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
    Item Type:
    Book chapter
    Tag(s):
    american cinema, academy award

  • Learning to See: Art & Media in Weimar Germany | Fall 2018

    Author(s):
    Carl Gelderloos (see profile)
    Date:
    2018
    Group(s):
    Education and Pedagogy, German Literature and Culture, History of Art, LLC 19th- and Early-20th-Century German, MS Visual Culture
    Subject(s):
    20th-century film, History of photography, Aesthetic theory, German studies, Weimar culture, Photography, Cinema, Frankfurt school, Pedagogy
    Item Type:
    Syllabus
    Tag(s):
    Hauptarchiv

  • “Heathens! Bloody Heathens!”: Postcolonial Gothic in "The Wicker Man"

    Author(s):
    John Stephenson (see profile)
    Date:
    2007
    Subject(s):
    Horror films, Postcolonial studies, 20th-century film, Modern paganism, Gothic, Folklore, Scotland
    Item Type:
    Essay
    Tag(s):
    Folk horror

  • Musical Mimesis in Orphans of the Storm

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, MS Screen Arts and Culture
    Subject(s):
    Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
    Item Type:
    Article

  • Groucho, Harpo, and Narrative Theory

    Author(s):
    Lisa Zunshine (see profile)
    Date:
    2018
    Group(s):
    Interdisciplinary Approaches to Culture and Society, MS Visual Culture, TC Cognitive and Affect Studies, TC Popular Culture, TM Literary and Cultural Theory
    Subject(s):
    Narrative criticism, 20th-century film, Cognitive literary studies, Rhetorical theory, Comedy (genre), Interdisciplinary studies
    Item Type:
    Article
    Tag(s):
    Marx brothers, rhetorical narratology, Jim Phelan, cognition, Duck Soup

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    • José Angel GARCÍA LANDA 1X
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    • German Literature and Culture 1X
    • History of Art 1X
    • Interdisciplinary Approaches to Culture and Society 1X
    • LLC 19th- and Early-20th-Century German 1X
    • MS Screen Arts and Culture 1X
    • MS Visual Culture 2X
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    • 20th-century film 11X
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    • History of photography 1X
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    • Ideology 1X
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    • Narrative criticism 1X
    • Pedagogy 1X
    • Photography 1X
    • Postcolonial studies 1X
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