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Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room
Author(s):
Stephe Harrop
(see profile)
Date:
2021
Group(s):
Ancient Greece & Rome
,
Classical Tradition
Subject(s):
Classical reception
,
Greek mythology
,
Greek tragedy
,
20th-century film
,
Adaptation
Item Type:
Book chapter
Tag(s):
Classical Reception Studies
,
Classical receptions
,
film adaptation
,
Mythologies
Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s
Author(s):
Alicia Mihalic
(see profile)
Date:
2021
Group(s):
Cultural Studies
,
Film Studies
Subject(s):
Fashion theory
,
Fashion studies
,
Film theory
,
Film studies
,
Cultural studies
,
20th-century film
Item Type:
Book review
Tag(s):
Fashion History
,
1960s
Los esclavos de 'Mansfield Park'
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2020
Group(s):
American Literature
Subject(s):
Jane Austen
,
Slavery
,
Ideology
,
20th-century film
,
Colonialism
Item Type:
Article
Tag(s):
Patricia Rozema
,
English Novel
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film
,
Film theory
,
Cinema
,
Hollywood cinema
,
Cinema history
,
Film history
,
20th-century film
Item Type:
Article
Tag(s):
american cinema
,
CITIZEN KANE
,
orson welles
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film and history
,
Film and politics
,
20th-century film
,
Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW
,
Cinema Art Criticism
,
american cinema
,
francis coppola
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film arts
,
Film criticism
,
Cinema
,
Adaptation
,
20th-century film
,
Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema
,
film adaptation
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history
,
Film and politics
,
Film and society
,
Cinema
,
Hollywood cinema
,
Film history
,
20th-century film
Item Type:
Book chapter
Tag(s):
american cinema
,
academy award
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos
(see profile)
Date:
2018
Group(s):
Education and Pedagogy
,
German Literature and Culture
,
History of Art
,
LLC 19th- and Early-20th-Century German
,
MS Visual Culture
Subject(s):
20th-century film
,
History of photography
,
Aesthetic theory
,
German studies
,
Weimar culture
,
Photography
,
Cinema
,
Frankfurt school
,
Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
“Heathens! Bloody Heathens!”: Postcolonial Gothic in "The Wicker Man"
Author(s):
John Stephenson
(see profile)
Date:
2007
Subject(s):
Horror films
,
Postcolonial studies
,
20th-century film
,
Modern paganism
,
Gothic
,
Folklore
,
Scotland
Item Type:
Essay
Tag(s):
Folk horror
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
MS Screen Arts and Culture
Subject(s):
Musicology
,
20th-century film
,
American cultural studies
,
Film music
,
Music theory
,
Film
Item Type:
Article
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine
(see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society
,
MS Visual Culture
,
TC Cognitive and Affect Studies
,
TC Popular Culture
,
TM Literary and Cultural Theory
Subject(s):
Narrative criticism
,
20th-century film
,
Cognitive literary studies
,
Rhetorical theory
,
Comedy (genre)
,
Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers
,
rhetorical narratology
,
Jim Phelan
,
cognition
,
Duck Soup
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