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Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room
Author(s):
Stephe Harrop (see profile)
Date:
2021
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Classical reception, Greek mythology, Greek tragedy, 20th-century film, Adaptation
Item Type:
Book chapter
Tag(s):
Classical Reception Studies, Classical receptions, film adaptation, Mythologies
Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s
Author(s):
Alicia Mihalic (see profile)
Date:
2021
Group(s):
Cultural Studies, Film Studies
Subject(s):
Fashion theory, Fashion studies, Film theory, Film studies, Cultural studies, 20th-century film
Item Type:
Book review
Tag(s):
Fashion History, 1960s
Los esclavos de 'Mansfield Park'
Author(s):
José Angel GARCÍA LANDA (see profile)
Date:
2020
Group(s):
American Literature
Subject(s):
Jane Austen, Slavery, Ideology, 20th-century film, Colonialism
Item Type:
Article
Tag(s):
Patricia Rozema, English Novel
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and history, Film and politics, 20th-century film, Cinema
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema, film adaptation
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film
Item Type:
Book chapter
Tag(s):
american cinema, academy award
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos (see profile)
Date:
2018
Group(s):
Education and Pedagogy, German Literature and Culture, History of Art, LLC 19th- and Early-20th-Century German, MS Visual Culture
Subject(s):
20th-century film, History of photography, Aesthetic theory, German studies, Weimar culture, Photography, Cinema, Frankfurt school, Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
“Heathens! Bloody Heathens!”: Postcolonial Gothic in "The Wicker Man"
Author(s):
John Stephenson (see profile)
Date:
2007
Subject(s):
Horror films, Postcolonial studies, 20th-century film, Modern paganism, Gothic, Folklore, Scotland
Item Type:
Essay
Tag(s):
Folk horror
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine (see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society, MS Visual Culture, TC Cognitive and Affect Studies, TC Popular Culture, TM Literary and Cultural Theory
Subject(s):
Narrative criticism, 20th-century film, Cognitive literary studies, Rhetorical theory, Comedy (genre), Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers, rhetorical narratology, Jim Phelan, cognition, Duck Soup

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