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In re: ‘Experimental Music’
Author(s):
William Brooks (see profile)
Date:
2012
Subject(s):
20th-century American music, Composition, Pragmatism
Item Type:
Article
Tag(s):
experimental music, John Cage, Lejaren Hiller
In re: Experimental Analysis
Author(s):
William Brooks (see profile)
Date:
2015
Subject(s):
20th-century American music, Music analysis, Pragmatism
Item Type:
Article
Tag(s):
experimental music, John Cage
In Re: Experimental Education
Author(s):
William Brooks (see profile)
Date:
2015
Subject(s):
20th-century American music, Composition, Music composition, Music education, Pragmatism
Item Type:
Book chapter
Appendix 9 -Spirituals in Choral Music Anthologies
Author(s):
Randye Jones (see profile)
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Choral studies, 20th-century American music, African American, Voice and opera
Item Type:
Online publication
Tag(s):
Negro spirituals, Choral music
Appendix 7 - Composers Brief Biographies
Author(s):
Randye Jones (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Music Library Association
Subject(s):
Music history, African American culture, Historical musicology, Music performance, 20th-century American music
Item Type:
Online publication
Tag(s):
Negro spirituals, American composers, Vocal Music, concert spirituals, music recordings
First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' "The Sixth Finger" (1963)
Author(s):
Reba Wissner (see profile)
Date:
2019
Subject(s):
Science fiction, 20th-century American music, Television
Item Type:
Article
Tag(s):
The Outer Limits, Genius
Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States During the 1980s
Author(s):
John Brackett (see profile)
Date:
2019
Subject(s):
Musicology, Popular Music Studies, 20th-century American music, Satan
Item Type:
Article
Tag(s):
Popular music, satanism, American music, Moral panic
The Conservatoire Américain: a History
Author(s):
Kendra Leonard (see profile)
Date:
2007
Group(s):
American Musicological Society, Music Library Association, Society for Music Theory
Subject(s):
Musicology, 20th-century American music, Music theory
Item Type:
Book
Some Observations on American Music Today
Author(s):
Arnold Berleant (see profile)
Date:
1998
Subject(s):
Music, 20th-century American music
Item Type:
Article
Tag(s):
American music, musical trends, music appreciation, art music, musical culture
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, 20th-century American music, Contemporary music, Narrative and time
Item Type:
Article
Tag(s):
musicology, Harry Partch, Time and temporality, Queer Studies
“That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline
Author(s):
Jake Johnson (see profile)
Date:
2016
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies
Item Type:
Article
Tag(s):
aging, American music, american musical theater, regionalism
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
20th-century American music, American studies, Avant-garde, Contemporary music, Musicology
Item Type:
Article
Tag(s):
American music, los angeles, Patronage, women in music
Ramala: An American "Indianist" Opera, Musicological Lecture Concert
Author(s):
Katie Graber (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Anthropology, Native American/First Nations, Opera
Item Type:
Performance
Tag(s):
Charles Wakefield Cadman, Da O Ma, Daoma, Francis La Flesche
Ramala PowerPoint
Author(s):
Katie Graber (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Anthropology, Native American/First Nations, Opera
Item Type:
Performance
Tag(s):
Charles Wakefield Cadman, Da O Ma, Daoma, Francis La Flesche

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