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Review of Barbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900
Author(s):
Alicia Mihalic (see profile)
Date:
2020
Group(s):
British History, Cultural Studies, History of Art, Museums
Subject(s):
Material culture, Social history, Cultural history, Women in the 18th century, Women's history, 18th century, 19th century
Item Type:
Book review
Tag(s):
History of Dress
Encoding Working Lives: Linking Labor, Office, and Religion in 18th-century Manuscript Collections
Author(s):
Katherine Faull, Diane Jakacki (see profile) , Justin Schaumberger
Date:
2020
Group(s):
DH2020
Subject(s):
Digital humanities research and methodology, Cultural studies, 18th-century British history, 18th century, Digital humanities
Item Type:
Conference paper
Tag(s):
moravian, industrial revolution, data modeling, text encoding and markup language creation
The Chameleon in the Kitchen: The Plural Identities of the Manuscript ‘Cookery Book’
Author(s):
Helga Müllneritsch (see profile)
Date:
2019
Group(s):
Arts and Humanities Funding, German Literature and Culture
Subject(s):
Material culture, Manuscript cookery book, Manuscript recipe book, Book history, 18th century, History of the book, Austria
Item Type:
Book chapter
Tag(s):
eighteenth-century studies, manuscript recipe books, early modern women
A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music and Sound, Music in Évora studies
Subject(s):
Musicology, Music, 18th century, Sacred music
Item Type:
Book chapter
Tag(s):
soundscapes, Évora Cathedral, Mabinogi
A Novena para a Festa de S. Joseph de Pedro Vaz Rego e a atividade musical na Catedral de Évora na primeira metade do século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music and Sound, Music in Évora studies
Subject(s):
Musicology, Music, 18th century, 18th-century music, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, Évora, Devotional Music
Relações entre a Catedral de Évora e a Colegiada de Santo Antão no final do século XVIII: o caso do cantor José da Costa
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
18th century, Musicology, Music, Cultural musicology, Sacred music
Item Type:
Article
Tag(s):
Singer, Colegiate Church, Évora
VII Residência Cisterciense S. Bento de Cástris
Author(s):
Luís Henriques (see profile)
Date:
2019
Subject(s):
History, Art history, Cultural heritage, 18th century, Food
Item Type:
Other
Tag(s):
food archaeology, Cistercian
A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, 18th century, Polyphony, Sacred music, Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato, Évora Cathedral
Alguns aspetos de transformação musical na Catedral de Évora (Portugal) no Barroco: A produção musical de Pedro Vaz Rego nas primeiras décadas do século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 18th century, Sacred music
Item Type:
Article
Tag(s):
Évora Cathedral
Música a Norte: Barroco Católico e Protestante
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Polyphony, 18th century, Sacred music
Item Type:
Other
Tag(s):
Évora Cathedral, Concert, programme, Grupo Vocal Olisipo
Bastards and Foundlings: Illegitimacy in Eighteenth-Century England
Author(s):
Lisa Zunshine (see profile)
Date:
2019
Group(s):
GS Prose Fiction, Interdisciplinary Approaches to Culture and Society, LLC Late-18th-Century English, LLC Restoration and Early-18th-Century English, TM Literary Criticism
Subject(s):
English literature, 18th century, History and literature, Gender, Cultural history
Item Type:
Book
Tag(s):
foundlings in literature, Richardson, Austen, Fielding, Burney
Introduction to the Historical Soundscape of Flores Island
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 17th century, 18th century, Sacred music
Item Type:
Blog Post
Tag(s):
plainchant, Soundscapes
Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Sacred music, 18th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral, Stile Concertato
Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Évora Cathedral, Litanies, Novenas, Antiphon
A nova capela-mor setecentista da Catedral de Évora: Uma abordagem ao seu impacto na atividade musical de Pedro Vaz Rego e Ignácio António Celestino
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century, Sacred music
Item Type:
Article
Tag(s):
Évora Cathedral, Composer, Soundscapes
A música no Convento de S. Domingos de Elvas: A leitura possível à luz da organização litúrgico-musical da Ordem dos Pregadores no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Dominican music, Musicology, 18th century, Sacred music
Item Type:
Conference proceeding
Tag(s):
plainchant, organ
The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Palestrina, motet, Paraphrase Mass, Parody mass
Excavating and Renovating Ancient Texts: seventeenth- and eighteenth-century editions of Bernard of Cluny’s Consuetudines and early-modern monastic scholarship
Author(s):
Marc Philip Saurette (see profile)
Date:
2005
Subject(s):
17th century, 18th century, Monasticism
Item Type:
Book chapter
Tag(s):
11th century, Abbey of Cluny, Bernard of Cluny, custom, Customaries
O livro de coro MM 382 do Arquivo Capitular da Sé de Angra: uma análise litúrgico-musical
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, 18th century
Item Type:
Conference proceeding
Tag(s):
Plainchant, Choirbook, Augustinians, Angra do Heroísmo
Livros de Coro da Igreja Matriz de Santa Cruz Praia da Vitória: Inventário Preliminar
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, 18th century
Item Type:
Catalog
Tag(s):
Choirbook, Plainchant, Azores, Inventory
A música sacra na Sé de Évora no início do século XVIII: Uma abordagem inicial aos repertórios, espaços e intervenientes
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century, Polyphony, Sacred music, Architecture
Item Type:
Abstract
Tag(s):
Évora Cathedral
Continuidade da prática de polifonia na Catedral de Évora no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music, 18th century, Polyphony
Item Type:
Conference paper
Tag(s):
Évora Cathedral
An uncomfortable, yet wonderful journey. Antonio Vallisneri and his exploration of the Northern Apennines
Author(s):
Francesco Luzzini (see profile)
Date:
2014
Group(s):
Environmental Humanities, GeoHumanities, Science Studies and the History of Science
Subject(s):
Travel narratives, History of science, 18th century, Natural history, Early modern Italy
Item Type:
Book chapter
Tag(s):
Earth Sciences History, Antonio Vallisneri, Field Research, Natural Philosophy, Apennines
Os salmos concertados dos mestres de capela da Sé de Évora no século XVIII
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music, 18th century
Item Type:
Conference paper
Tag(s):
Stile Concertato, Psalms, Évora's Cathedral
Manoel de Moraes Pedroso e o "Compendio Musico": apontamentos de voz e corpo enquanto elementos de performance musical
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century
Item Type:
Conference paper
Tag(s):
Musical theory

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