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A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, Polyphony
Item Type:
Article
Tag(s):
Carmelites, Évora, plainchant, Soundscapes
A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, 18th century, Polyphony, Sacred music, Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato, Évora Cathedral
A presença do pífaro na paisagem sonora da Guerra da Restauração: as campanhas no termo de Évora em 1663
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
17th-century music, 17th century, Music, Musicology, Organology
Item Type:
Abstract
Tag(s):
Instrumental Music, Évora, Flute, Pife
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
processions, Soundscapes, Plainchant
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet

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