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A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Music
,
17th-century music
,
17th century
,
18th century
,
Polyphony
,
Sacred music
,
Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato
,
Évora Cathedral
A presença do pífaro na paisagem sonora da Guerra da Restauração: as campanhas no termo de Évora em 1663
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
17th-century music
,
17th century
,
Music
,
Musicology
,
Organology
Item Type:
Abstract
Tag(s):
Instrumental Music
,
Évora
,
Flute
,
Pife
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music
,
Musicology
,
17th-century music
,
17th century
,
Sacred music
,
Polyphony
Item Type:
Article
Tag(s):
processions
,
Soundscapes
,
Plainchant
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music
,
Musicology
,
17th-century music
,
17th century
,
Polyphony
,
Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral
,
motet
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