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A paisagem sonora de Angra no século XVII: Uma perspectiva a partir da actividade das suas instituições religiosas
Author(s):
Luís Henriques
(see profile)
Date:
2017
Group(s):
Music in the Azores studies
Subject(s):
Musicology
,
Music
,
17th century
,
Sacred music
Item Type:
Article
Tag(s):
Soundscapes
,
Angra do Heroísmo
,
Azores
Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Music
,
Musicology
,
17th century
,
Sacred music
,
Polyphony
Item Type:
Article
Tag(s):
soundscapes
,
Angra Cathedral
,
Angra do Heroísmo
,
Choirbook
A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Historical Soundscape Studies
,
Music in Évora studies
Subject(s):
Musicology
,
Music
,
17th-century music
,
17th century
,
Polyphony
Item Type:
Article
Tag(s):
Carmelites
,
Évora
,
plainchant
,
Soundscapes
Visita Paisagem Sonora Histórica
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Music
,
Historical musicology
,
Musicology
,
16th century
,
17th century
,
Sacred music
,
Polyphony
Item Type:
Other
Tag(s):
Soundscapes
,
Évora
,
tour
Algumas notas sobre o motete memento homo de Diogo Dias Melgaz
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Music
,
17th century
,
Polyphony
,
Sacred music
Item Type:
Magazine section
Tag(s):
motet
,
Évora Cathedral
,
Évora
A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Music
,
17th-century music
,
17th century
,
18th century
,
Polyphony
,
Sacred music
,
Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato
,
Évora Cathedral
A presença do pífaro na paisagem sonora da Guerra da Restauração: as campanhas no termo de Évora em 1663
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
17th-century music
,
17th century
,
Music
,
Musicology
,
Organology
Item Type:
Abstract
Tag(s):
Instrumental Music
,
Évora
,
Flute
,
Pife
A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
17th century
,
16th century
,
Sacred music
,
Musicology
,
Music
,
Polyphony
Item Type:
Article
Tag(s):
Soundscapes
,
Plainchant
,
Azores
Introduction to the Historical Soundscape of Flores Island
Author(s):
Luís Henriques
(see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Musicology
,
Music
,
17th century
,
18th century
,
Sacred music
Item Type:
Blog Post
Tag(s):
plainchant
,
Soundscapes
Met intelligentie en kracht, maar ook met vallen en opstaan. Zuid-Nederlandse drukkers aan de basis van het zeventiende-eeuwse krantenbedrijf in Wenen
Author(s):
Steven Van Impe
(see profile)
Date:
2016
Group(s):
History of the Low Countries
Subject(s):
Book history
,
History of the book
,
Austria
,
Hungary
,
17th century
Item Type:
Article
Tag(s):
Newspaper history
,
Vienna
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music
,
Musicology
,
17th-century music
,
17th century
,
Sacred music
,
Polyphony
Item Type:
Article
Tag(s):
processions
,
Soundscapes
,
Plainchant
Francisco Martins: Confitebor tibi Domine; Dixit Dominus
Author(s):
Luís Henriques
(see profile)
Date:
2018
Subject(s):
Musicology
,
Music
,
Polyphony
,
17th century
Item Type:
Other
Tag(s):
sheet music
,
Music Edition
,
psalm
Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay
Author(s):
George Prokhorov
(see profile)
,
Sergey Saveliev
Date:
2018
Group(s):
CLCS European Regions
,
GS Travel Writing
,
Interdisciplinary Approaches to Culture and Society
,
LLC Russian and Eurasian
,
Narrative theory and Narratology
Subject(s):
Travel narratives
,
International relations
,
Anglo-Russian literary relations
,
Nonfiction prose
,
17th century
,
Narrative
,
Adaptation
,
Diplomatic history
Item Type:
Article
Tag(s):
travelogue
Duarte Lobo: Uma nota biográfica
Author(s):
Luís Henriques
(see profile)
Date:
2013
Subject(s):
Music
,
Musicology
,
17th century
,
Biography
,
Polyphony
,
Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music
,
Musicology
,
17th-century music
,
17th century
,
Polyphony
,
Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral
,
motet
O Officium Defunctorum de Morago na Sé Catedral de Évora
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century
,
Music
,
Musicology
,
Polyphony
Item Type:
Review
Tag(s):
concert
,
Évora Cathedral
Lobo, Cardoso e Pedro de Cristo na Sé de Évora
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century
,
Musicology
,
Music
,
Polyphony
Item Type:
Review
Tag(s):
concert
,
Évora Cathedral
Do Manuscrito ao Concerto: O património musical monástico-conventual
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Music
,
Cultural heritage
,
Sacred music
,
17th century
Item Type:
Abstract
Tag(s):
monastery
,
Musical Instrument
,
Manuscripts
Testamento do Padre Ignácio Coelho, vigário da Matriz de Nossa Senhora da Conceição, Santa Cruz das Flores, 1642
Editor(s):
Luís Henriques
(see profile)
Date:
2018
Subject(s):
Documentation
,
17th century
Item Type:
Other
Tag(s):
Will
,
azores
A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Polyphony
,
17th century
Item Type:
Article
Tag(s):
Discalced Carmelites
,
Soundscapes
,
Évora
,
plainchant
Igreja de Santo Antão (Évora)
Editor(s):
Luís Henriques
(see profile)
Date:
2018
Subject(s):
Art history
,
17th century
Item Type:
Course material or learning objects
Tag(s):
Évora
,
church
,
Sacred art
,
Collegiate
Excavating and Renovating Ancient Texts: seventeenth- and eighteenth-century editions of Bernard of Cluny’s Consuetudines and early-modern monastic scholarship
Author(s):
Marc Philip Saurette
(see profile)
Date:
2005
Subject(s):
17th century
,
18th century
,
Monasticism
Item Type:
Book chapter
Tag(s):
11th century
,
Abbey of Cluny
,
Bernard of Cluny
,
custom
,
Customaries
A flauta em Évora nos séculos XVI e XVII: Ocorrências nos contextos sacros
Author(s):
Luís Henriques
(see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology
,
Organology
,
Sacred music
,
17th century
Item Type:
Conference paper
Tag(s):
Évora Cathedral
,
Musical Instrument
O motete Ecce mulier Chananea de Manuel Cardoso
Author(s):
Luís Henriques
(see profile)
Date:
2018
Subject(s):
Musicology
,
Polyphony
,
17th century
Item Type:
Article
Tag(s):
motet
,
lent
,
Instrumental Music
The Vesuvian Eruption of 1631: an Early Modern History (Review)
Author(s):
Francesco Luzzini
(see profile)
Date:
2018
Group(s):
Environmental Humanities
,
GeoHumanities
,
Science Studies and the History of Science
Subject(s):
History of science
,
Sociology of religion
,
Science and popular culture
,
17th century
Item Type:
Review
Tag(s):
Earth Sciences History
,
Science and Religion
,
Science and Politics
,
early modern Italy
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