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A paisagem sonora de Angra no século XVII: Uma perspectiva a partir da actividade das suas instituições religiosas
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 17th century, Sacred music
Item Type:
Article
Tag(s):
Soundscapes, Angra do Heroísmo, Azores
Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Music, Musicology, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook
A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, Polyphony
Item Type:
Article
Tag(s):
Carmelites, Évora, plainchant, Soundscapes
Visita Paisagem Sonora Histórica
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Music, Historical musicology, Musicology, 16th century, 17th century, Sacred music, Polyphony
Item Type:
Other
Tag(s):
Soundscapes, Évora, tour
Algumas notas sobre o motete memento homo de Diogo Dias Melgaz
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th century, Polyphony, Sacred music
Item Type:
Magazine section
Tag(s):
motet, Évora Cathedral, Évora
A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, 18th century, Polyphony, Sacred music, Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato, Évora Cathedral
A presença do pífaro na paisagem sonora da Guerra da Restauração: as campanhas no termo de Évora em 1663
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
17th-century music, 17th century, Music, Musicology, Organology
Item Type:
Abstract
Tag(s):
Instrumental Music, Évora, Flute, Pife
A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
17th century, 16th century, Sacred music, Musicology, Music, Polyphony
Item Type:
Article
Tag(s):
Soundscapes, Plainchant, Azores
Introduction to the Historical Soundscape of Flores Island
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 17th century, 18th century, Sacred music
Item Type:
Blog Post
Tag(s):
plainchant, Soundscapes
Met intelligentie en kracht, maar ook met vallen en opstaan. Zuid-Nederlandse drukkers aan de basis van het zeventiende-eeuwse krantenbedrijf in Wenen
Author(s):
Steven Van Impe (see profile)
Date:
2016
Group(s):
History of the Low Countries
Subject(s):
Book history, History of the book, Austria, Hungary, 17th century
Item Type:
Article
Tag(s):
Newspaper history, Vienna
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
processions, Soundscapes, Plainchant
Francisco Martins: Confitebor tibi Domine; Dixit Dominus
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, Music, Polyphony, 17th century
Item Type:
Other
Tag(s):
sheet music, Music Edition, psalm
Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay
Author(s):
George Prokhorov (see profile) , Sergey Saveliev
Date:
2018
Group(s):
CLCS European Regions, GS Travel Writing, Interdisciplinary Approaches to Culture and Society, LLC Russian and Eurasian, Narrative theory and Narratology
Subject(s):
Travel narratives, International relations, Anglo-Russian literary relations, Nonfiction prose, 17th century, Narrative, Adaptation, Diplomatic history
Item Type:
Article
Tag(s):
travelogue
Duarte Lobo: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2013
Subject(s):
Music, Musicology, 17th century, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet
O Officium Defunctorum de Morago na Sé Catedral de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Music, Musicology, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Lobo, Cardoso e Pedro de Cristo na Sé de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Musicology, Music, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Do Manuscrito ao Concerto: O património musical monástico-conventual
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Cultural heritage, Sacred music, 17th century
Item Type:
Abstract
Tag(s):
monastery, Musical Instrument, Manuscripts
Testamento do Padre Ignácio Coelho, vigário da Matriz de Nossa Senhora da Conceição, Santa Cruz das Flores, 1642
Editor(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Documentation, 17th century
Item Type:
Other
Tag(s):
Will, azores
A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
Discalced Carmelites, Soundscapes, Évora, plainchant
Igreja de Santo Antão (Évora)
Editor(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Art history, 17th century
Item Type:
Course material or learning objects
Tag(s):
Évora, church, Sacred art, Collegiate
Excavating and Renovating Ancient Texts: seventeenth- and eighteenth-century editions of Bernard of Cluny’s Consuetudines and early-modern monastic scholarship
Author(s):
Marc Philip Saurette (see profile)
Date:
2005
Subject(s):
17th century, 18th century, Monasticism
Item Type:
Book chapter
Tag(s):
11th century, Abbey of Cluny, Bernard of Cluny, custom, Customaries
A flauta em Évora nos séculos XVI e XVII: Ocorrências nos contextos sacros
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Organology, Sacred music, 17th century
Item Type:
Conference paper
Tag(s):
Évora Cathedral, Musical Instrument
O motete Ecce mulier Chananea de Manuel Cardoso
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
motet, lent, Instrumental Music
The Vesuvian Eruption of 1631: an Early Modern History (Review)
Author(s):
Francesco Luzzini (see profile)
Date:
2018
Group(s):
Environmental Humanities, GeoHumanities, Science Studies and the History of Science
Subject(s):
History of science, Sociology of religion, Science and popular culture, 17th century
Item Type:
Review
Tag(s):
Earth Sciences History, Science and Religion, Science and Politics, early modern Italy

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