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Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)
Author(s):
Tekla Babyak
(see profile)
Date:
2022
Group(s):
American Musicological Society
,
Education and Pedagogy
,
German Literature and Culture
,
LLC 19th- and Early-20th-Century German
,
Society for Music Theory (SMT)
Subject(s):
Music
,
Gender identity
,
Critical pedagogy
,
Romanticism in music
,
Nineteenth century
,
Germans--Music
,
Women composers
,
Musical analysis
,
Chamber music
,
Music--Instruction and study
Item Type:
Course material or learning objects
Tag(s):
Music
,
Critical Pedagogy
,
women composers
,
gender history
,
Music Aesthetics
,
German studies
,
nineteenth century
,
gender equity
,
Romanticism
,
19th century german
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