CORE Search Results Start Search Over

• Review of Rethinking Theatrical Documents in Shakespeare’s England edited by T. Stern (Bloomsbury 2020) and Loss and the Literary Culture of Shakespeare’s Time edited by R. Knutson, D. McInnis, and M. Steggle (Palgrave 2020)

  Author(s):

  HC Admin

  Date:

  2021

  Subject(s):

  European drama--Renaissance, Shakespeare, William, 1564-1616, English drama, Sixteenth century, Seventeenth century, Theater, History

  Item Type:

  Book review

  Tag(s):

  William Shakespeare

  
  

• Race Thinking in Margaret Cavendish's Drama

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2021

  Group(s):

  2020 MLA Convention, CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Women authors, Sixteenth century, Seventeenth century, European drama--Renaissance, Intersectionality (Sociology), Arendt, Hannah, 1906-1975, Newcastle, Margaret Cavendish, Duchess of, 1624?-1674

  Item Type:

  Article

  Tag(s):

  Women dramatists, Race Thinking, social class, meritocracy, contaminatio, Early modern women writers, Renaissance drama, Intersectionality, Hannah Arendt, Margaret Cavendish

  
  

• Jean de la Taille, The Famine

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2020

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies

  Subject(s):

  Theater, History, European drama--Renaissance, Drama

  Item Type:

  Translation

  Tag(s):

  Tragedy, renaissance humanism, Theater history, Renaissance drama, French theatre

  
  

• David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644

  Author(s):

  David Amelang (see profile)

  Date:

  2018

  Group(s):

  Early Modern History, Early Modern Theater, Shakespeare, Spanish Golden Age Literature, The Renaissance Society of America

  Subject(s):

  Theater, History, England--London, Architecture, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Theatre history, London, Architectural history, Renaissance drama, Golden Age theater

  
  

• David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134

  Author(s):

  David Amelang (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, Spanish Golden Age Literature

  Subject(s):

  Shakespeare, William, 1564-1616, Vega, Lope de, 1562-1635, Sex in literature, Race in literature, Theater, History, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Shakespeare, Lope de Vega, Gender and race in literature, Theatre history, Renaissance drama

  
  

• Jean de la Taille, Saul in his Madness (Saül le furieux)

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2020

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies

  Subject(s):

  European drama--Renaissance

  Item Type:

  Translation

  Tag(s):

  Tragedy, renaissance humanism, La Taille, French theatre, Renaissance drama, Dramatic theory

  
  

• Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley

  Author(s):

  Ellen Spolsky (see profile)

  Date:

  2018

  Group(s):

  TC Cognitive and Affect Studies, TM Literary Criticism

  Subject(s):

  Cognitive science--Philosophy, Literary form--Study and teaching, Italian literature, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  predictive processing hypothesis, Archetypes, andrew marvell, Tasso, Pastoral, Philosophy of cognitive science, Genre studies, Renaissance drama

  
  

• Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare

  Author(s):

  HC Admin

  Date:

  2016

  Subject(s):

  English literature, European drama--Renaissance

  Item Type:

  Book review

  Tag(s):

  William Shakespeare

  
  

• The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’

  Author(s):

  HC Admin

  Date:

  2016

  Group(s):

  Early Modern Theater

  Subject(s):

  Theater, History, European drama--Renaissance

  Item Type:

  Article

  
  

• A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596

  Author(s):

  HC Admin

  Date:

  2016

  Subject(s):

  Theater, History, European drama--Renaissance, Shakespeare, William, 1564-1616

  Item Type:

  Article

  
  

• Super Troupers; or, Supplemented Playing before 1594

  Author(s):

  HC Admin

  Date:

  2017

  Subject(s):

  European drama--Renaissance, Theater, History

  Item Type:

  Article

  
  

• Théodore de Bèze, Abraham Sacrificing

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2018

  Group(s):

  Early Modern Theater

  Subject(s):

  Drama, Bible and literature, European drama--Renaissance, Reformation, French literature, Theater

  Item Type:

  Translation

  Tag(s):

  Dramatic literature, Renaissance drama, Dramatic genre

  
  

• "A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2017

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  Spanish literature, Sixteenth century, European drama--Renaissance

  Item Type:

  Book chapter

  Tag(s):

  Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores, 16th-century Spanish literature, Performance, Renaissance drama

  
  

• "Bruised with Adversity": Reading Race in The Comedy of Errors

  Author(s):

  pakhimie (see profile)

  Date:

  2016

  Group(s):

  LLC 16th-Century English, LLC 17th-Century English, LLC Shakespeare, TC Race and Ethnicity Studies

  Subject(s):

  Shakespeare, William, 1564-1616, Race, European drama--Renaissance, Sixteenth century, Seventeenth century, Violence

  Item Type:

  Book chapter

  Tag(s):

  Comedy of Errors, Bruise, Slave, servant, Shakespeare, Renaissance drama, Early Modern, Critical race studies

  
  

• "To Bark With Judgement": Playing Baboon in Early Modern London

  Author(s):

  Holly Dugan (see profile)

  Date:

  2013

  Subject(s):

  Animals--Study and teaching, Critical theory, Performance art--Study and teaching, Sixteenth century, Seventeenth century, European drama--Renaissance, Culture

  Item Type:

  Article

  Tag(s):

  Critical animal studies, Early modern performance studies, Renaissance drama, Early modern culture, Gender and sexualities

  
  

• "Jacobean Witchcraft and Feminine Power"

  Author(s):

  Stephanie Spoto (see profile)

  Date:

  2010

  Subject(s):

  British literature, Sixteenth century, Seventeenth century, English literature, English drama, 1603-1625, European drama--Renaissance, Shakespeare, William, 1564-1616, Witchcraft

  Item Type:

  Article

  Tag(s):

  Macbeth, The Tempest, Early modern British literature, Jacobean drama, Renaissance drama, Shakespeare

  
  

• Hubert’s Encounters with the Succession in Shakespeare’s King John

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2018

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature

  Subject(s):

  Shakespeare, William, 1564-1616, Theater, History, Theater--Political aspects, British literature, Sixteenth century, Seventeenth century, European drama--Renaissance, Drama

  Item Type:

  Article

  Tag(s):

  King John, Shakespeare in performance, Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama

  
  

• Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method

  Author(s):

  Bradley Irish (see profile)

  Date:

  2013

  Group(s):

  LLC 16th-Century English, LLC Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Richard II, Source Study, Thomas of Woodstock, Shakespeare, Renaissance drama

  
  

• Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama

  Author(s):

  Bradley Irish (see profile)

  Date:

  2009

  Group(s):

  LLC 16th-Century English, LLC Shakespeare

  Subject(s):

  European drama--Renaissance, Revenge tragedies, Shakespeare, William, 1564-1616, English drama, Sixteenth century, Seventeenth century

  Item Type:

  Article

  Tag(s):

  revenge, kyd, Renaissance drama, Shakespeare and early modern drama, Shakespeare

  
  

• “He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

  Author(s):

  Penelope Geng (see profile)

  Date:

  2011

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography

  Subject(s):

  European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Renaissance drama, Stoicism

  
  

• Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock

  Author(s):

  Emma Smith (see profile)

  Date:

  2010

  Subject(s):

  European drama--Renaissance, Drama, Sixteenth century, Seventeenth century, Theater and society

  Item Type:

  Book chapter

  Tag(s):

  ben jonson, Alfred Hitchcock, Renaissance drama, Early modern drama, Theatre and society

  
  

• Mirth that Fills the Veins with Blood

  Author(s):

  Emma Smith (see profile)

  Date:

  2014

  Subject(s):

  Theater, History, European drama--Renaissance

  Item Type:

  Review

  Tag(s):

  The Duchess of Malfi, The Knight of the Burning Pestle, Blackfriars, Theatre history, Renaissance drama

  
  

• Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Theater, Sixteenth century, Seventeenth century, Globalization, European drama--Renaissance, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare, Adaptation, Early modern theatre, Renaissance drama

  
  

• Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene

  Author(s):

  Eric Dunnum (see profile)

  Date:

  2015

  Group(s):

  EMDC: The Early Modern Digital Collaboratory, Performance Studies

  Subject(s):

  Sixteenth century, Seventeenth century, Renaissance, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  ben jonson, early modern England, masque, Renaissance drama, 16th century, 17th century, Early Modern

  
  

• Looking for Goneril and Regan

  Author(s):

  Cristina León Alfar (see profile)

  Date:

  2003

  Group(s):

  CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare, TC Women’s and Gender Studies, TM Literary and Cultural Theory

  Subject(s):

  Seventeenth century, English literature, Feminist theory, European drama--Renaissance, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  17th Century, drama, Evil, Power, women and gender, 17th century, Renaissance drama, Shakespeare

  
  

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