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Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler
Author(s):
Joseph Dunne-Howrie (see profile)
Date:
2021
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Theater--Political aspects, Democracy--Philosophy
Item Type:
Article
Tag(s):
theatre, Brexit, infosphere, Theatre and politics, Digital culture, Politics of digital surveillance, Democratic theory
Greek Tragedy, Agonistic Space, and Contemporary Performance
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Theater, History, Theater--Political aspects, Theater and society, Drama, Greek drama, Latin drama, Greek drama (Tragedy)
Item Type:
Article
Tag(s):
chorus, agonism, Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space
Trans-Participation in the Infosphere
Author(s):
Joseph Dunne (see profile)
Date:
2019
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Theater, History, Theater--Political aspects, Library science, Information science
Item Type:
Conference paper
Tag(s):
infosphere, Immersive Theatre, Audience Participation, Theatre and history, Theatre and politics, Library and information science, Digital culture
Václav Havel
Author(s):
Andrew G. Christensen (see profile)
Date:
2007
Subject(s):
Czech literature, Czechoslovakia, History, Theater, History, Modern, Political science, Theater--Political aspects
Item Type:
Other
Tag(s):
Václav Havel, Theatre of the Absurd, czechoslovakia, czech, dissident, History of Czechoslovakia, Modern theatre, Political thought, Theatre and politics
Hacerse el tonto: en el fracaso está la solución
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance art--Study and teaching, Theater--Political aspects
Item Type:
Book chapter
Tag(s):
aesthetics and politics, Time and temporality, Performance studies, Theatre and politics
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, William, 1564-1616, Theater, History, Theater--Political aspects, British literature, Sixteenth century, Seventeenth century, European drama--Renaissance, Drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance, Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE
Author(s):
George Prokhorov (see profile)
Date:
2017
Group(s):
CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature
Subject(s):
Theater--Political aspects, Renaissance, Spain, Russia, History, Travel writing
Item Type:
Article
Tag(s):
Early modern drama, adaptation, Travel Writing, Russia, lope de vega, Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation
Grounded, Heracles and the Gorgon's Gaze
Author(s):
Stephe Harrop (see profile)
Date:
2015
Group(s):
Ancient Greece & Rome, Classical Tradition, Performance Studies
Subject(s):
Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Mythology, Greek, Playwriting, Theater--Political aspects
Item Type:
Article
Tag(s):
Classical reception, Greek and Roman drama, Greek mythology, Theatre and politics
Our Carnal Hearts (interview with Rachel Mars)
Author(s):
Roberta Mock (see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
Theater--Political aspects
Item Type:
Blog Post
Tag(s):
Resistance, theatre, women in performance, Gender studies, Performance, Theatre and politics
Training in a Cold Climate: Edited Transcript of Roundtable Discussion with Catherine Alexander, Alison Andrews, Tom Cornford, Matt Hargrave, Struan Leslie, Kylie Walsh
Author(s):
Tom Cornford (see profile)
Date:
2014
Subject(s):
Art--Study and teaching, Theater--Political aspects
Item Type:
Article
Tag(s):
Art education, Theatre and politics
Peter Boenisch and Thomas Ostermeier The Theatre of Thomas Ostermeier Abingdon: Routledge, 2016, 262 p. £32.99. ISBN: 978-1-138-91447-6.Peter M. Boenisch Directing Scenes and Senses: the Thinking of Regie Manchester: Manchester University Press, 2015. 256 p. £65. ISBN: 978-0-7190-9719-5.
Author(s):
Tom Cornford (see profile)
Date:
2017
Subject(s):
Theater, German drama, Theater--Political aspects, Theater--Philosophy
Item Type:
Review
Tag(s):
German theatre, Theatre and politics, Theatre theory
Polyneices’ Body and His Monument: Class, Social Status, and Funerary Commemoration in Sophocles’ Antigone
Author(s):
David Roselli (see profile)
Date:
2006
Subject(s):
Theater, Sixteenth century, Seventeenth century, Art, Greek, Greece, History, Marxian school of sociology, Theater--Political aspects
Item Type:
Article
Tag(s):
Ancient theatre, Greek art, greek history, Marxism, Classical theatre, Greek history, Marxist sociology, Theatre and politics
Vegetable-Hawking Mom and Fortunate Son: Euripides, Tragic Style, and Reception
Author(s):
David Roselli (see profile)
Date:
2005
Subject(s):
Aesthetics, Greece, History, Ancient, Greek drama, Theater--Political aspects
Item Type:
Article
Tag(s):
Greek drama, greek history, performance, Ancient Athenian Politics, Ancient Greek history, Greek theatre, Theatre and politics

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