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• "Un bacio"---ancora? Un altro "bacio"! Examples CORRECTED

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2022

  Subject(s):

  Musical analysis, Opera, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Verdi, Music analysis, Shakespeare

  
  

• "Un bacio"---ancora? Un altro "bacio"! CORRECTED

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2022

  Subject(s):

  Musical analysis, Opera, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Verdi, Music analysis, Shakespeare

  
  

• The Musicology Lab: Teamwork and the Musicological Toolbox

  Author(s):

  Ana Llorens, Álvaro Torrente

  Editor(s):

  Stefan Münnich (see profile) , David Rizo

  Date:

  2022

  Group(s):

  Music Encoding Initiative

  Subject(s):

  Digital humanities, Music, Musicology, Opera

  Item Type:

  Conference proceeding

  Tag(s):

  Music encoding, MusicXML, Teamwork

  
  

• The Death of Tamaki Miura: Performing Madama Butterfly during the Allied Occupation of Japan

  Author(s):

  Kunio Hara (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society – Global East Asian Music Research (Study Group)

  Subject(s):

  Death, Music, Japan, Opera

  Item Type:

  Article

  Tag(s):

  Japanese music, Performance, Radio

  
  

• Recognizing the Politics of Visual Imagery through Transplanted Traditions in Indian Television Soap Operas

  Author(s):

  KAIFIA ANCER LASKAR

  Editor(s):

  Jyotirmaya Patnaik (see profile)

  Date:

  2015

  Group(s):

  Communication Studies, Cultural Studies, Digital Humanists, Feminist Humanities, Television Studies

  Subject(s):

  Opera, Television, Politics and government, Journalism

  Item Type:

  Article

  Tag(s):

  Soap opera devotees, discursive practices, dominant discourse, mediated devotion, Politics, Visual studies

  
  

• Politique de la voix archivée

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2014

  Subject(s):

  Popular music, Music and philosophy, Opera, Voice

  Item Type:

  Article

  Tag(s):

  Contemporary music, Voice and opera

  
  

• ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Translation Studies

  Subject(s):

  Translating and interpreting, Opera, Mythology, Poetry

  Item Type:

  Review

  Tag(s):

  Richard Wagner, Translation

  
  

• Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2021

  Subject(s):

  Music, Musicology, Aesthetics, Philosophy, Religion, Sex, Opera, Kant, Immanuel, 1724-1804

  Item Type:

  Article

  Tag(s):

  Richard Wagner, redemption, Sexuality, Immanuel Kant

  
  

• The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2017

  Group(s):

  International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub

  Subject(s):

  Musicology, Editing, Opera, Theater, German drama

  Item Type:

  Review

  Tag(s):

  German theatre

  
  

• Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2013

  Group(s):

  International Musicological Society (IMS)

  Subject(s):

  Musicology, Feminism, Sex, Opera

  Item Type:

  Review

  Tag(s):

  Sexuality, Gender

  
  

• ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)

  Subject(s):

  Musicology, History, National characteristics, Nationalism, Opera, Translating and interpreting

  Item Type:

  Article

  Tag(s):

  Historical musicology, National identity, Translation

  
  

• The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

  Author(s):

  Mateus Yuri Passos (see profile)

  Date:

  2017

  Group(s):

  Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies

  Subject(s):

  Opera, History, Opera--Stage-setting and scenery, Performance art

  Item Type:

  Article

  Tag(s):

  Director's Theater, Opera recording, Regietheater, Richard Wagner, History of opera, Opera staging, Performance

  
  

• The Volta: A Galant Gesture of Culmination

  Author(s):

  Nathaniel Mitchell (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Opera, History, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci, History of opera

  
  

• Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Russia (Federation), Music, History, Opera, Metaphor, Poetics

  Item Type:

  Article

  Tag(s):

  Opera semiotics, synecdoche, Gogolian mask, 19th-century Russian literature, Russian musical history

  
  

• How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Opera, Russia (Federation), Music, History, Comparative literature

  Item Type:

  Article

  Tag(s):

  Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics, 19th-century Russian literature, Russian musical history

  
  

• Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Ethnomusicology, International Musicological Society (IMS)

  Subject(s):

  Cross-cultural studies, Opera, History, Opera--Stage-setting and scenery

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera, Comparative cultural studies, History of opera, Opera staging

  
  

• Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2016

  Subject(s):

  Opera, Semiotics, Cross-cultural studies, Mozart, Wolfgang Amadeus, 1756-1791

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, Musorgsky, Gogol, Dante Alighieri, Comparative cultural studies, Mozart

  
  

• Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2013

  Subject(s):

  Russia (Federation), Music, History, Opera, Semiotics

  Item Type:

  Book chapter

  Tag(s):

  Musorgsky, Khovanshchina, Boris Godunov, Russian musical history

  
  

• Aranykor és sex appeal: Mnémosyné leányai / The Golden Age and Sex Appeal: Mnemosyne's Daughters

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Subject(s):

  Comparative literature, Greek poetry, Latin poetry, Opera, Semiotics, Poetics, Cross-cultural studies

  Item Type:

  Book

  Tag(s):

  Semiotics of opera, Mythopoetics, Hungarian poetry, Greek and Latin poetry, Comparative cultural studies, Literary criticism

  
  

• "How to Talk about Opera at a Time of Crisis"

  Author(s):

  Samuel Dorf (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Opera

  Item Type:

  Article

  Tag(s):

  Public humanities, Trauma

  
  

• Zene, szó, dráma – színjátékok és szín(e)változások. A történelem szemantikája Puskin és Muszorgszkij művészi szkepszisében / Music, Word, Drama – Stagecraft and Transfigurations. The Semantics of History in the Artistic Skepticism of Pushkin and Musorgsky

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2006

  Subject(s):

  Opera, History, Musical analysis, Music and literature, Semiotics

  Item Type:

  Book

  Tag(s):

  Comparative studies, History of opera, Music analysis

  
  

• Recorded Concert Spirituals: A Guide for the Solo Vocalist

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans, Music, Voice, Opera, Sacred music

  Item Type:

  Book

  Tag(s):

  Negro spirituals, African American, Voice and opera

  
  

• Appendix 9 -Spirituals in Choral Music Anthologies

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Choral music--Instruction and study, Music, United States, Twentieth century, African Americans, Voice, Opera

  Item Type:

  Online publication

  Tag(s):

  Negro spirituals, Choral music, Choral studies, 20th-century American music, African American, Voice and opera

  
  

• Appendix 3 - Spirituals in Musical Anthologies

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Music, Composition (Music), Music libraries, Voice, Opera

  Item Type:

  Online publication

  Tag(s):

  African American music, Negro spirituals, African American culture, Music composition, Voice and opera

  
  

• Writing the City: The Cosmopolitan Realism of Offenbach's La Vie parisienne

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society

  Subject(s):

  France, Nineteenth century, Area studies, Music, Musicology, Opera

  Item Type:

  Article

  Tag(s):

  19th-century French studies, French music

  
  

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