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• Visualizing Harmony Using Chordal Glyphs and Color Mapping

  Author(s):

  Justin Lind

  Editor(s):

  Stefan Münnich (see profile) , David Rizo

  Date:

  2022

  Group(s):

  Music Encoding Initiative

  Subject(s):

  Digital humanities, Music, Musical notation

  Item Type:

  Conference proceeding

  Tag(s):

  color, glyph design, harmony, visualization, Music notation

  
  

• Musica Ficta Lesson Plan

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2021

  Subject(s):

  Music, Early works, Musicology, History, Music theory, Books, Musical notation

  Item Type:

  Course material or learning objects

  Tag(s):

  musica ficta, Early music, Historical musicology, History of the book, Music notation

  
  

• Audible Picasso

  Author(s):

  June Julian (see profile)

  Date:

  2020

  Subject(s):

  Sound art, Musical notation, Performance art, Art, Modern, Twenty-first century

  Item Type:

  Sound recording-non musical

  Tag(s):

  Picasso, Minotaur, Sound/sound art, Music notation, Contemporary art

  
  

• Audible Picasso

  Author(s):

  June Julian (see profile)

  Date:

  2020

  Subject(s):

  Composition (Music), Musical notation, Music--Performance, Art, Modern, Twenty-first century, Sound art

  Item Type:

  Article

  Tag(s):

  Picasso, Minotaur, Music composition, Music notation, Music performance, Contemporary art, Sound/sound art

  
  

• MIDI 2.0: Promises and Challenges

  Author(s):

  Paul D. Lehrman

  Editor(s):

  Elsa De Luca (see profile) , Julia Flanders

  Date:

  2020

  Group(s):

  Music Encoding Initiative

  Subject(s):

  Music, Digital humanities, Musical notation, XML (Document markup language)

  Item Type:

  Conference proceeding

  Tag(s):

  mei, Music encoding, midi, smf, Music notation, XML

  
  

• Repurposing 'com-provisation' (script/pre-print of conference paper)

  Author(s):

  Dimitris Papageorgiou (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music and philosophy, Musical notation, Music--Performance, Musicology

  Item Type:

  Conference paper

  Tag(s):

  assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  
  

• “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks

  Author(s):

  Tom Bickley (see profile) , Ann Rhodes, Chris Schiff

  Date:

  2018

  Group(s):

  Music and Sound, Music Library Association

  Subject(s):

  Popular music, Information literacy, Musical notation

  Item Type:

  Presentation

  Tag(s):

  muslib2018, Contemporary music, Music notation

  
  

• “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks

  Author(s):

  Tom Bickley (see profile) , Ann Rhodes, Chris Schiff

  Date:

  2018

  Group(s):

  Music and Sound, Music Library Association

  Subject(s):

  Popular music, Information literacy, Musical notation

  Item Type:

  Presentation

  Tag(s):

  muslib2018, Contemporary music, Music notation

  
  

• “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides

  Author(s):

  Tom Bickley (see profile) , Ann Rhodes, Chris Schiff

  Date:

  2018

  Group(s):

  Music and Sound, Music Library Association

  Subject(s):

  Popular music, Information literacy, Musical notation

  Item Type:

  Presentation

  Tag(s):

  musiclib2018, Contemporary music, Music notation

  
  

• “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks

  Author(s):

  Tom Bickley (see profile) , Anne Rhodes, Chris Schiff

  Date:

  2018

  Group(s):

  Music Library Association

  Subject(s):

  Popular music, Information literacy, Musical notation

  Item Type:

  Presentation

  Tag(s):

  muslib2018, Contemporary music, Music notation

  
  

• Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

  Author(s):

  Jason Stoessel (see profile)

  Date:

  2010

  Subject(s):

  Music, Middle Ages, Renaissance, Musical notation

  Item Type:

  Article

  Tag(s):

  Medieval music, Renaissance music, Music notation

  
  

• Symbolic Innovation: The Notation of Jacob de Senleches

  Author(s):

  Jason Stoessel (see profile)

  Date:

  1999

  Subject(s):

  Twelfth century, Thirteenth century, Fourteenth century, Music, Middle Ages, History, Musical notation

  Item Type:

  Article

  Tag(s):

  Ars subtilior, Editing early music, Jacob de Senleches, Music Paleography, 11th to 14th century, Medieval music, Music history, Notation

  
  

• The Use of Notational Formats at the Keyboard

  Author(s):

  Bob Judd (see profile)

  Date:

  1989

  Group(s):

  Music and Sound

  Subject(s):

  Sixteenth century, Seventeenth century, Keyboard instruments, Musical notation

  Item Type:

  Dissertation

  Tag(s):

  Merulo, 16th century, 17th century, Notation

  
  

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