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• Who's 'I' in Music?: Unmasking the Musical Persona

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music and literature, Music and philosophy, Musical analysis, Aesthetics, Musicology

  Item Type:

  Article

  Tag(s):

  aesthetics of music, persona, Ludwig van Beethoven, Stephen Davies, Peter Kivy, Music analysis

  
  

• Fiction, Truth, and Lies: The Nonassertion Theory, Quotation, and Music as Fiction

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2021

  Group(s):

  Analytic Philosophy

  Subject(s):

  Fiction, Aesthetics, Music and philosophy, Music and literature, Analysis (Philosophy)

  Item Type:

  Essay

  Tag(s):

  philosophy of art, fictionality, Mimesis, Analytical philosophy

  
  

• Politique de la voix archivée

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2014

  Subject(s):

  Popular music, Music and philosophy, Opera, Voice

  Item Type:

  Article

  Tag(s):

  Contemporary music, Voice and opera

  
  

• Metal is radical

  Author(s):

  David Burke (see profile)

  Date:

  2020

  Subject(s):

  Politics and culture, Culture--Philosophy, Heavy metal (Music)--Instruction and study, Music and philosophy, Subculture

  Item Type:

  Essay

  Tag(s):

  Cultural politics, Cultural theory, Metal Music Studies, Subcultures

  
  

• Music, Language, and the Deceptive Charms of Recursive Grammars

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2014

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music, Music and philosophy, Music theory

  Item Type:

  Conference paper

  Tag(s):

  Generative Theory, music and language, recursion

  
  

• Repurposing 'com-provisation' (script/pre-print of conference paper)

  Author(s):

  Dimitris Papageorgiou (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music and philosophy, Musical notation, Music--Performance, Musicology

  Item Type:

  Conference paper

  Tag(s):

  assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  
  

• British Experimental Music After Nyman, in

  Author(s):

  Virginia Anderson (see profile)

  Date:

  2014

  Subject(s):

  Music and philosophy

  Item Type:

  Book chapter

  Tag(s):

  experimental music, minimalism, postminimalism

  
  

• The Aesthetics of Music: An Anthology of Essays by Arnold Berleant

  Author(s):

  Arnold Berleant (see profile)

  Date:

  2018

  Subject(s):

  Music, Music and philosophy, Aesthetics

  Item Type:

  Other

  Tag(s):

  Arnold Berleant, musical experience, aesthetics of music

  
  

• Musical De-Composition

  Author(s):

  Arnold Berleant (see profile)

  Date:

  1994

  Subject(s):

  Music, Aesthetics, Music and philosophy

  Item Type:

  Book chapter

  Tag(s):

  musical composition, perceptual experience, aesthetics of music, Composition

  
  

• Further Ruminations on Music

  Author(s):

  Arnold Berleant (see profile)

  Date:

  2017

  Subject(s):

  Aesthetics, Music and philosophy, Music, Music--Performance, Perception

  Item Type:

  Article

  Tag(s):

  Music Aesthetics, aesthetic engagement, perceptual experience, Music performance, Performance

  
  

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