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The Genealogy of Gesture: From Kira Muratova to Renata Litvinova
Author(s):
Irina Schulzki
(see profile)
Date:
2021
Group(s):
Film-Philosophy
,
Film Studies
Subject(s):
Russia
,
Area studies
,
Women's studies
,
Motion pictures--Philosophy
Item Type:
Article
Tag(s):
gesture
,
film analysis
,
metalepsis
,
Women's cinema
,
monster theory
,
Film studies
,
Russian studies
,
Mediality
,
Film theory
Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2021
Group(s):
Archives
,
Arqueologia do sensível
,
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Archives--Study and teaching
,
Motion pictures
,
History
,
Motion pictures--Philosophy
,
Motion pictures and history
,
Imperialism
,
Postcolonialism
Item Type:
Article
Tag(s):
Lumière
,
Early cinemas
,
Decolonising Archives
,
Archival studies
,
Film studies
,
Film history
,
Film theory
,
Film and history
,
Colonialism
,
Decolonial theory
Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s
Author(s):
Alicia Mihalic
(see profile)
Date:
2021
Group(s):
Cultural Studies
,
Film Studies
Subject(s):
Fashion
,
Fashion--Study and teaching
,
Motion pictures--Philosophy
,
Culture--Study and teaching
,
Motion pictures
,
Twentieth century
Item Type:
Book review
Tag(s):
Fashion History
,
1960s
,
Fashion theory
,
Fashion studies
,
Film theory
,
Film studies
,
Cultural studies
,
20th-century film
The Camera Shot and the Gun Sight
Author(s):
Anne Eakin Moss
(see profile)
Date:
2019
Group(s):
Film-Philosophy
,
Film Studies
,
Soviet and Russian history and culture
Subject(s):
Motion pictures
,
History
,
Motion picture studios
,
Motion pictures--Political aspects
,
Motion pictures--Philosophy
,
Motion pictures, Soviet
,
California--Los Angeles--Hollywood
Item Type:
Article
Tag(s):
Film (history and studio)
,
Film and politics
,
Film theory
,
Soviet film
,
Studio-era Hollywood
Landscapes of Disappearance
Author(s):
Edwin Culp
(see profile)
Date:
2020
Group(s):
Film-Philosophy
,
Film Studies
,
Latin America and the Caribbean
Subject(s):
Motion pictures--Philosophy
,
Violence
Item Type:
Article
Tag(s):
Landscape art
,
Film theory
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Philosophy
,
California--Los Angeles--Hollywood
,
History
,
Twentieth century
Item Type:
Article
Tag(s):
american cinema
,
CITIZEN KANE
,
orson welles
,
Film
,
Film theory
,
Cinema
,
Hollywood cinema
,
Cinema history
,
Film history
,
20th-century film
Realist Film Theory and Flowers of Evil: Exploring the Philosophical Possibilities of Rotoscoped Animation
Author(s):
Jacqueline Ristola
(see profile)
Date:
2017
Subject(s):
Motion pictures--Philosophy
,
Rabbis
,
Judaism--Study and teaching
Item Type:
Article
Tag(s):
rotoscope
,
cel animation
,
Film theory
,
Animation
,
Rabbinic studies
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina
,
Irina Schulzki
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Mass media--Study and teaching
,
Human body--Political aspects
,
Motion pictures--Philosophy
,
Performance art
Item Type:
Article
Tag(s):
gesture
,
Giorgio Agamben
,
Sergei Eisenstei
,
political art
,
East European Studies
,
Film
,
Media studies
,
Body politics
,
Film theory
Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre
Author(s):
Jacqueline Ristola
(see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Motion pictures--Philosophy
Item Type:
Article
Tag(s):
animated documentary
,
Animation
,
Documentary
,
Film theory
Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"
Author(s):
Irina Schulzki
(see profile)
Date:
2015
Subject(s):
Cinematography
,
Motion pictures--Philosophy
Item Type:
Book chapter
Tag(s):
Film studies
,
phenomenology
,
subjectivity
,
Philosophy and Film
,
Postpostmodernism
,
Film theory
Teorias do Cinema (Facom-UFBA, 2017.2)
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Motion pictures--Philosophy
Item Type:
Syllabus
Tag(s):
Film studies
,
Film theory
O Mundo, o mundo: da alegoria da globalização à revelação do comum
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2013
Group(s):
Film Studies
Subject(s):
China
,
Twentieth century
,
Twenty-first century
,
Motion pictures--Philosophy
,
Globalization
Item Type:
Article
Tag(s):
allegory
,
Chinese cinema
,
Jia Zhangke
,
World cinema
,
China
,
modern (post-1911)
,
Film studies
,
Film theory
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Imperialism
,
Motion pictures--Political aspects
,
Motion pictures
,
History
,
Motion pictures--Philosophy
,
Postcolonialism
Item Type:
Article
Tag(s):
African film
,
commons
,
cosmopoetics
,
cosmopolitics
,
decolonization
,
Colonialism
,
Film and politics
,
Film history
,
Film theory
(Community) Video Art: DCTV’s Expanded Documentary Practice
Author(s):
Joel Anderson
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Motion pictures--Philosophy
,
Mass media--Study and teaching
Item Type:
Article
Tag(s):
Cinema
,
Film studies
,
Film theory
,
Media studies
Acercamientos feministas al cine español y latinoamericano: la mujer como producto y productora de imágenes
Author(s):
Kathryn Anne Everly
(see profile)
Date:
2016
Subject(s):
Feminist films
,
Motion pictures--Philosophy
,
Spanish language
Item Type:
Article
Tag(s):
Spanish film
,
feminist film theory
,
Film theory
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