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CORE Search Results Start Search Over

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  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Contemporary music, Sound art, Music composition, Music performance, Video arts, Collaboration
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers and music, Contemporary music, Cultural studies, Music composition
    Item Type:
    Article

  • Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2020
    Group(s):
    Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Pedagogy, Music theory
    Item Type:
    Article
    Tag(s):
    modular curricula, music theory pedagogy

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music history, Music theory
    Item Type:
    Book chapter

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Cinematography, Video (history and studio), Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory, Popular Music Studies
    Item Type:
    Review

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music history, Musicology, Popular Music Studies
    Item Type:
    Review

  • Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

    Author(s):
    John Covach (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music education, Music history, Musicology, Music theory
    Item Type:
    Review

  • "(Per)Form in(g) Rock: A Response"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    African-American popular music, Music theory, Popular Music Studies
    Item Type:
    Article

  • "Introduction: The Rock (Academic) Circus"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2009
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musicology, Popular Music Studies
    Item Type:
    Book chapter

  • "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Item Type:
    Book chapter

  • “High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.

    Author(s):
    John Covach (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    American cultural studies, Music, Music education, Musicology
    Item Type:
    Book chapter

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    • Damián Keller 1X
    • Emily Rossin 1X
    • John Covach 29X
    • Kevin Weingarten 1X
    • Leandro Costalonga 1X
    • Marcello Messina 2X
    • Marco Scarassatti 1X
    • Mark Spicer 5X
    • Megan Lavengood 2X
    • Valério Fiel da Costa 1X
    • more>>
  • Group
    • American Musicological Society 9X
    • Game Studies 1X
    • Open Music Theory — Instructor Community 1X
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    • more>>
  • Subject
    • Aesthetics 1X
    • African-American popular music 1X
    • American cultural history 1X
    • American cultural studies 2X
    • Cinematography 2X
    • Collaboration 1X
    • Computers and music 1X
    • Contemporary music 2X
    • Cultural studies 1X
    • Dance 1X
    • Ludomusicology 1X
    • Music 2X
    • Music analysis 19X
    • Music composition 2X
    • Music education 3X
    • Music history 7X
    • Music performance 1X
    • Music theory 32X
    • Musicology 19X
    • Online education 1X
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    • Philosophy and the arts 2X
    • Popular Music Studies 31X
    • Sound art 1X
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