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"'Reggatta de Blanc': Analyzing Style in the Music of the Police."
Author(s):
Mark Spicer (see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Popular Music Studies
Item Type:
Book chapter
"Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."
Author(s):
Mark Spicer (see profile)
Date:
2008
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular Music Studies
Item Type:
Book chapter
"(Ac)cumulative Form in Pop-Rock Music."
Author(s):
Mark Spicer (see profile)
Date:
2004
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Popular Music Studies
Item Type:
Article
Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music
Author(s):
Brad Osborn (see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular Music Studies
Item Type:
Dissertation
Musical Style Affects the Strength of Harmonic Expectancy.
Author(s):
Bryn Hughes (see profile) , Dominique T. Vuvan
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music, Music cognition, Popular Music Studies
Item Type:
Article
Tag(s):
rock harmony
Deceptive love and denied endings: tropes in the music of Billy Joel
Author(s):
Sean Atkinson (see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Popular Music Studies
Item Type:
Article
Tag(s):
Billy Joel, Topics, Deceptive Motion
Analyzing the Parameters of Flow in Rap Music
Author(s):
Robert Komaniecki (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Hip-hop studies, Popular Music Studies
Item Type:
Dissertation
Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch
Author(s):
Sara Bowden (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
interactive media, Ludomusicology
Item Type:
Thesis
What Makes It Sound ’80s?
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory, Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Popular Music Studies, Musicology, Organology, Electronic dance music
Item Type:
Article
Tag(s):
synthesizers, yamaha dx7, timbre, 1980s, spectrograms
Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime
Author(s):
William O'Hara (see profile)
Date:
2018
Group(s):
Society for Music Theory, Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Music analysis, Popular Music Studies, Media studies, Internet/web-based media
Item Type:
Article
Review of Kevin Holm-Hudson: Music Theory Remixed
Author(s):
Brad Osborn (see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Pedagogy, Music theory, Textbooks
Item Type:
Review
HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Book chapter
Tag(s):
iceland, music video, Popular music, rock harmony, björk
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES
Author(s):
Brad Osborn (see profile)
Date:
2010
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
rhythm and meter, Rhythm, meter, math rock, radiohead
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn (see profile)
Date:
2012
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Deleuze, Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze, sigur ros, rock music
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
Author(s):
Brad Osborn (see profile)
Date:
2011
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead, art rock, post-rock
Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
Author(s):
Brad Osborn (see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
maximally even, Rhythm, rhythm and meter, Meter, radiohead
Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead
ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
Author(s):
Brad Osborn (see profile)
Date:
2017
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
harmony and voice-leading, rock harmony, Popular music, radiohead
Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era
Author(s):
Brad Osborn (see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Book review
Tag(s):
chords, harmony and voice-leading, rock harmony, rock music, schema theory
A New Approach to the Analysis of Timbre
Author(s):
Megan Lavengood (see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Musicology, Music technology, Music theory, Popular Music Studies
Item Type:
Dissertation
Tag(s):
1980s, fm synthesis, synthesizers, timbre, yamaha dx7

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