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One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford
(see profile)
Date:
2019
Group(s):
Society for Music Theory
,
Society for Music Theory – Jazz Interest Group
Subject(s):
Critical race and ethnic studies
,
Embodied cognition
,
Jazz studies
,
Music analysis
,
Music theory
Item Type:
Dissertation
Tag(s):
AACM
,
Analysis
,
experimental music
,
Improvisation
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition
Author(s):
David Mosher
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz studies
,
Music
,
Music cognition
,
Music theory
,
Pedagogy
Item Type:
Dissertation
Tag(s):
jazz aural skills
,
jazz ear-training
,
music cognition and perception
,
music theory pedagogy
,
statistical learning
Ladders of Thirds and Tonal Jazz Melody
Author(s):
Stefan Caris Love
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
Item Type:
Article
Tag(s):
African American music
,
harmony and voice-leading
,
Improvisation
,
Melody
Chord-Scale Networks in the Music and Improvisations of Wayne Shorter
Author(s):
Garrett Michaelsen
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
Item Type:
Article
Tag(s):
Improvisation
,
Transformational theory
,
Wayne Shorter
Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More?
Author(s):
Garrett Michaelsen
(see profile)
Date:
2016
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
,
Pedagogy
Item Type:
Article
Tag(s):
Improvisation
Groove Topics in Improvised Jazz
Author(s):
Garrett Michaelsen
(see profile)
Date:
2013
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
Item Type:
Book chapter
Tag(s):
Groove
,
Improvisation
,
Topic Theory
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