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‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman (see profile)
Date:
2019
Group(s):
Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
Subject(s):
Historical musicology, Musicology, National identity, Opera, Translation
Item Type:
Article
Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment
Item Type:
Video
Tag(s):
rhythm and meter, Time and temporality
Cultural Diversity and the Musical Representation of California in Regional 1970s Television
Author(s):
Kendra Leonard (see profile)
Date:
2020
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Society for Music Theory (SMT)
Subject(s):
Musicology, Film music, Television, Animation, Race
Item Type:
Conference paper
Review of Analyzing Schubert by Suzannah Clark
Author(s):
Devin Chaloux (see profile)
Date:
2012
Group(s):
Society for Music Theory (SMT)
Item Type:
Book review
Tag(s):
Franz Schubert
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
History of opera, Musicology, Music theory
Item Type:
Article
Tag(s):
abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood (see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Pedagogy, Music theory
Item Type:
Article
Tag(s):
modular curricula, music theory pedagogy
Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak (see profile)
Date:
2016
Group(s):
American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music cognition, Embodied cognition, Music theory
Item Type:
Book review
Using Your "Research Pantry"
Author(s):
Kendra Leonard (see profile)
Date:
2020
Group(s):
American Musicological Society, Music Library Association, Society for Music Theory (SMT)
Subject(s):
Musicology, Digital humanities
Item Type:
Conference paper
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music theory, Music history
Item Type:
Book chapter
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music theory, Music history
Item Type:
Book chapter
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music history, Music theory
Item Type:
Book chapter
Enacting Musical Time: Chapter 1: Meaning
Author(s):
Mariusz Kozak (see profile)
Date:
2019
Group(s):
American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
Item Type:
Book chapter
Tag(s):
affordances, Edmund Husserl, Merleau-Pony
Oberlin's "Music by Ear" Program
Author(s):
Arnie Cox, Megan Kaes Long (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills, ear training, online teaching, music theory pedagogy
Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999
Author(s):
Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
Date:
2020
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Cinematography, Video (history and studio), Statistics
Item Type:
Article
Tag(s):
music video, 1990s, correlation
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory, Cinematography
Item Type:
Book chapter
Tag(s):
musical form, Rihanna, Calvin Harris, Emil Nava, music video
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher (see profile)
Date:
2019
Group(s):
American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
Subject(s):
Medieval music, Music theory, Music analysis, Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory, Counterpoint, Ars nova
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns (see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music, Music and philosophy, Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory, music and language, recursion
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns (see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition, Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl, heinrich schenker, music cognition and perception, Ray Jackendoff
Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali
Author(s):
Gavin Lee (see profile)
Date:
2015
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
Postcolonial Bifurcation: On John Sharpley's Emptiness
Author(s):
Gavin Lee (see profile)
Date:
2019
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou (see profile)
Date:
2019
Group(s):
Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
Subject(s):
Music and philosophy, Music notation, Music performance, Musicology, Composition
Item Type:
Conference paper
Tag(s):
assemblage, usership, Improvisation, comprovisation as sun-schediasmos
"The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Historical musicology, Music history
Item Type:
Article
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review

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