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‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Global & Transnational Studies
,
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
,
Society for Music Theory (SMT)
Subject(s):
Historical musicology
,
Musicology
,
National identity
,
Opera
,
Translation
Item Type:
Article
Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Musicology
,
Phenomenography
,
Temporality
,
Affect
,
Embodiment
Item Type:
Video
Tag(s):
rhythm and meter
,
Time and temporality
Cultural Diversity and the Musical Representation of California in Regional 1970s Television
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
Film music
,
Television
,
Animation
,
Race
Item Type:
Conference paper
Review of Analyzing Schubert by Suzannah Clark
Author(s):
Devin Chaloux
(see profile)
Date:
2012
Group(s):
Society for Music Theory (SMT)
Item Type:
Book review
Tag(s):
Franz Schubert
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
History of opera
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
abnegation
,
chromaticism
,
clausula
,
Cleofide
,
galant
,
Hasse
,
Koch
,
Pergolesi
,
schema
,
Vinci
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood
(see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community
,
Society for Music Theory (SMT)
,
Society for Music Theory – Jazz Interest Group
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Pedagogy
,
Music theory
Item Type:
Article
Tag(s):
modular curricula
,
music theory pedagogy
Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak
(see profile)
Date:
2016
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Embodied cognition
,
Music theory
Item Type:
Book review
Using Your "Research Pantry"
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music Library Association
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
Digital humanities
Item Type:
Conference paper
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music history
,
Music theory
Item Type:
Book chapter
Enacting Musical Time: Chapter 1: Meaning
Author(s):
Mariusz Kozak
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Music analysis
,
Phenomenology
,
Philosophy of time
,
Ecological humanities
Item Type:
Book chapter
Tag(s):
affordances
,
Edmund Husserl
,
Merleau-Pony
Oberlin's "Music by Ear" Program
Author(s):
Arnie Cox
,
Megan Kaes Long
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills
,
ear training
,
online teaching
,
music theory pedagogy
Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999
Author(s):
Brad Osborn
(see profile)
,
Emily Rossin
,
Kevin Weingarten
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Cinematography
,
Video (history and studio)
,
Statistics
Item Type:
Article
Tag(s):
music video
,
1990s
,
correlation
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Cinematography
Item Type:
Book chapter
Tag(s):
musical form
,
Rihanna
,
Calvin Harris
,
Emil Nava
,
music video
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Medieval Studies
,
Society for Music Theory (SMT)
Subject(s):
Medieval music
,
Music theory
,
Music analysis
,
Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory
,
Counterpoint
,
Ars nova
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Music and philosophy
,
Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory
,
music and language
,
recursion
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali
Author(s):
Gavin Lee
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Global Musical Modernisms
,
SMT Analysis of World Music Interest Group
,
Society for Music Theory (SMT)
Item Type:
Article
Postcolonial Bifurcation: On John Sharpley's Emptiness
Author(s):
Gavin Lee
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Global Musical Modernisms
,
SMT Analysis of World Music Interest Group
,
Society for Music Theory (SMT)
Item Type:
Article
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou
(see profile)
Date:
2019
Group(s):
Ethnomusicology
,
Improvisation and Composition
,
Music and Sound
,
Society for Music Theory (SMT)
Subject(s):
Music and philosophy
,
Music notation
,
Music performance
,
Musicology
,
Composition
Item Type:
Conference paper
Tag(s):
assemblage
,
usership
,
Improvisation
,
comprovisation as sun-schediasmos
"The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music analysis
,
Historical musicology
,
Music history
Item Type:
Article
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular Music Studies
,
Musicology
,
Ludomusicology
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach
(see profile)
Date:
1991
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Aesthetics
,
Music history
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach
(see profile)
Date:
1995
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics
,
Music history
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
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