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CORE Search Results Start Search Over

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  • ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2019
    Group(s):
    Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
    Subject(s):
    Historical musicology, Musicology, National identity, Opera, Translation
    Item Type:
    Article

  • Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment
    Item Type:
    Video
    Tag(s):
    rhythm and meter, Time and temporality

  • Cultural Diversity and the Musical Representation of California in Regional 1970s Television

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Film Studies, MS Screen Arts and Culture, Society for Music Theory (SMT)
    Subject(s):
    Musicology, Film music, Television, Animation, Race
    Item Type:
    Conference paper

  • Review of Analyzing Schubert by Suzannah Clark

    Author(s):
    Devin Chaloux (see profile)
    Date:
    2012
    Group(s):
    Society for Music Theory (SMT)
    Item Type:
    Book review
    Tag(s):
    Franz Schubert

  • The Volta: A Galant Gesture of Culmination

    Author(s):
    Nathaniel Mitchell (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    History of opera, Musicology, Music theory
    Item Type:
    Article
    Tag(s):
    abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci

  • Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2020
    Group(s):
    Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Pedagogy, Music theory
    Item Type:
    Article
    Tag(s):
    modular curricula, music theory pedagogy

  • Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2016
    Group(s):
    American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music cognition, Embodied cognition, Music theory
    Item Type:
    Book review

  • Using Your "Research Pantry"

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music Library Association, Society for Music Theory (SMT)
    Subject(s):
    Musicology, Digital humanities
    Item Type:
    Conference paper

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music history, Music theory
    Item Type:
    Book chapter

  • Enacting Musical Time: Chapter 1: Meaning

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
    Item Type:
    Book chapter
    Tag(s):
    affordances, Edmund Husserl, Merleau-Pony

  • Oberlin's "Music by Ear" Program

    Author(s):
    Arnie Cox, Megan Kaes Long (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music theory
    Item Type:
    Course material or learning objects
    Tag(s):
    aural skills, ear training, online teaching, music theory pedagogy

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Cinematography, Video (history and studio), Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

    Author(s):
    Ryan Taycher (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
    Subject(s):
    Medieval music, Music theory, Music analysis, Music history
    Item Type:
    Dissertation
    Tag(s):
    History of Music Theory, Counterpoint, Ars nova

  • Music, Language, and the Deceptive Charms of Recursive Grammars

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2014
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music, Music and philosophy, Music theory
    Item Type:
    Conference paper
    Tag(s):
    Generative Theory, music and language, recursion

  • The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2015
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music cognition, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Fred Lerdahl, heinrich schenker, music cognition and perception, Ray Jackendoff

  • Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali

    Author(s):
    Gavin Lee (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
    Item Type:
    Article

  • Postcolonial Bifurcation: On John Sharpley's Emptiness

    Author(s):
    Gavin Lee (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
    Item Type:
    Article

  • Repurposing 'com-provisation' (script/pre-print of conference paper)

    Author(s):
    Dimitris Papageorgiou (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music and philosophy, Music notation, Music performance, Musicology, Composition
    Item Type:
    Conference paper
    Tag(s):
    assemblage, usership, Improvisation, comprovisation as sun-schediasmos

  • "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Historical musicology, Music history
    Item Type:
    Article

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

    Author(s):
    John Covach (see profile)
    Date:
    1991
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

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  • Author
    • Arnie Cox 1X
    • Brad Osborn 11X
    • Devin Chaloux 1X
    • Dimitris Papageorgiou 1X
    • Emily Rossin 1X
    • Gavin Lee 2X
    • Jeremy Coleman 1X
    • John Covach 20X
    • Kendra Leonard 2X
    • Kevin Weingarten 1X
    • Lodewijk Muns 2X
    • Mariusz Kozak 3X
    • Megan Kaes Long 1X
    • Megan Lavengood 2X
    • Nathaniel Mitchell 1X
    • Richard Bass 1X
    • Ryan Taycher 1X
    • Sam Reenan 1X
    • more>>
  • Group
    • American Musicological Society 29X
    • Ethnomusicology 1X
    • Film Studies 1X
    • Game Studies 1X
    • Global & Transnational Studies 1X
    • Global Musical Modernisms 2X
    • Improvisation and Composition 1X
    • International Musicological Society (IMS) 1X
    • MS Screen Arts and Culture 1X
    • Medieval Studies 1X
    • Music History/Musicology Pedagogy Resource Hub 1X
    • Music Library Association 1X
    • Music and Sound 2X
    • Open Music Theory — Instructor Community 1X
    • SMT Analysis of World Music Interest Group 2X
    • SMT Dance and Movement Interest Group 3X
    • Society for Music Theory (SMT) 49X
    • Society for Music Theory – Jazz Interest Group 1X
    • Society for Music Theory – Popular Music Interest Group 9X
    • Society for Music Theory – Popular Music Interest Group (SMT PMIG) 12X
    • more>>
  • Subject
    • Aesthetics 5X
    • Affect 1X
    • Animation 1X
    • Cinematography 2X
    • Classical music 1X
    • Composition 1X
    • Deleuze 1X
    • Digital humanities 1X
    • Ecological humanities 1X
    • Embodied cognition 1X
    • Embodiment 1X
    • Film music 1X
    • Historical musicology 2X
    • History of opera 1X
    • Ludomusicology 1X
    • Medieval music 1X
    • Music 1X
    • Music analysis 8X
    • Music and philosophy 2X
    • Music cognition 2X
    • Music education 1X
    • Music history 20X
    • Music notation 1X
    • Music performance 1X
    • Music theory 37X
    • Musicology 23X
    • National identity 1X
    • Opera 1X
    • Pedagogy 2X
    • Phenomenography 1X
    • Phenomenology 1X
    • Philosophy and the arts 6X
    • Philosophy of time 1X
    • Popular Music Studies 7X
    • Race 1X
    • Statistics 1X
    • Television 1X
    • Temporality 1X
    • Textbooks 1X
    • Translation 1X
    • Video (history and studio) 1X
    • Video games 1X
    • Western classical music 1X
    • more>>
  • Item Type
    • Article 20X
    • Book chapter 12X
    • Book review 5X
    • Conference paper 4X
    • Course material or learning objects 1X
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    • Video 1X
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    • 2020 11X
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    • 2018 1X
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    • 2016 2X
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    • 2012 2X
    • 2011 1X
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    • Text 17X
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