Deposits – Humanities Commons

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The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns (see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory, Music cognition
Item Type:
Book chapter
Tag(s):
music cognition and perception, heinrich schenker, Ray Jackendoff, Fred Lerdahl
Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali
Author(s):
Gavin Lee (see profile)
Date:
2015
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
Postcolonial Bifurcation: On John Sharpley's Emptiness
Author(s):
Gavin Lee (see profile)
Date:
2019
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou (see profile)
Date:
2019
Group(s):
Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
Subject(s):
Music and philosophy, Music notation, Music performance, Musicology, Composition
Item Type:
Conference paper
Tag(s):
assemblage, usership, Improvisation, comprovisation as sun-schediasmos
"The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Historical musicology, Music history
Item Type:
Article
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music history, Musicology, Music theory, Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history, Musicology, Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education, Music history, Musicology, Music theory
Item Type:
Review
“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Article
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach (see profile)
Date:
1994
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Book chapter
“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.
Author(s):
John Covach (see profile)
Date:
2000
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.
Author(s):
John Covach (see profile)
Date:
2002
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.
Author(s):
John Covach (see profile)
Date:
2003
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Classical music, Music history, Musicology, Music theory
Item Type:
Article
"The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.
Author(s):
John Covach (see profile)
Date:
2018
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Music theory, Western classical music
Item Type:
Article
Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music
Author(s):
Richard Bass, Sam Reenan (see profile)
Date:
2016
Group(s):
Society for Music Theory (SMT)
Item Type:
Article
Tag(s):
chromaticism, harmony, Neo-Riemannian Theory
Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music
Author(s):
Brad Osborn (see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular Music Studies
Item Type:
Dissertation
Review of Kevin Holm-Hudson: Music Theory Remixed
Author(s):
Brad Osborn (see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
Subject(s):
Pedagogy, Music theory, Textbooks
Item Type:
Review

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