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One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford (see profile)
Date:
2019
Group(s):
Society for Music Theory, Society for Music Theory – Jazz Interest Group
Subject(s):
Critical race and ethnic studies, Embodied cognition, Jazz studies, Music analysis, Music theory
Item Type:
Dissertation
Tag(s):
AACM, Analysis, experimental music, Improvisation
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory
Subject(s):
Music theory, Musicology, Embodied cognition, Phenomenology
Item Type:
Book
Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime
Author(s):
William O'Hara (see profile)
Date:
2018
Group(s):
Society for Music Theory, Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Music analysis, Popular Music Studies, Media studies, Internet/web-based media
Item Type:
Article
Inscring medieval pedagogy: musica ficta in its texts
Author(s):
Clóvis de André (see profile)
Date:
2005
Group(s):
American Musicological Society, Society for Music Theory
Item Type:
Dissertation
Review of Kevin Holm-Hudson: Music Theory Remixed
Author(s):
Brad Osborn (see profile)
Date:
2019
Group(s):
Society for Music Theory
Subject(s):
Pedagogy, Music theory, Textbooks
Item Type:
Review
review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Musicology, Music theory
Item Type:
Review
Introduction to Research Materials in Music Theory
Author(s):
William O'Hara (see profile)
Editor(s):
Mallory Jallas
Date:
2019
Group(s):
Society for Music Theory
Subject(s):
Music theory, Musicology, Research methods
Item Type:
Course material or learning objects
Laura Rossi’s War Musics
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Musicology, Cultural musicology, Film music
Item Type:
Book chapter
The Conservatoire Américain: a History
Author(s):
Kendra Leonard (see profile)
Date:
2007
Group(s):
American Musicological Society, Music Library Association, Society for Music Theory
Subject(s):
Musicology, 20th-century American music, Music theory
Item Type:
Book
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film music, Music theory
Item Type:
Review
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421
Author(s):
William O'Hara (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Mozart, Musicology, Music theory
Item Type:
Article
Tag(s):
chamber music
Review of Steven Rings, Tonality and Transformation
Author(s):
William O'Hara (see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory, Phenomenology
Item Type:
Book review
Tag(s):
tonality, Transformational theory
HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Book chapter
Tag(s):
iceland, music video, Popular music, rock harmony, björk
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES
Author(s):
Brad Osborn (see profile)
Date:
2010
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
rhythm and meter, Rhythm, meter, math rock, radiohead
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn (see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory, Deleuze, Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze, sigur ros, rock music
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
Author(s):
Brad Osborn (see profile)
Date:
2011
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead, art rock, post-rock
Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
Author(s):
Brad Osborn (see profile)
Date:
2014
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
maximally even, Rhythm, rhythm and meter, Meter, radiohead
Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead
ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
Author(s):
Brad Osborn (see profile)
Date:
2017
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
harmony and voice-leading, rock harmony, Popular music, radiohead

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