Deposits – Humanities Commons

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Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”
Author(s):
Hugo Barreiro, Pablo Suárez (see profile)
Date:
2019
Group(s):
Ethnomusicology, Paper Music, Performance Studies
Subject(s):
Ethnomusicology, Humor studies, Performance
Item Type:
Article
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez (see profile)
Date:
2018
Group(s):
Ethnomusicology, Performance Studies
Subject(s):
Music analysis, Performance studies
Item Type:
Article
El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical
Author(s):
Hugo Barreiro, Pablo Suárez (see profile)
Date:
2018
Group(s):
Ethnomusicology, Paper Music, Performance Studies
Subject(s):
Humor studies, Intertextuality, Music, Performance
Item Type:
Article
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre (see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
Item Type:
Dissertation
Tag(s):
popular music, Seventeenth-century, lute
Recreation at stake
Author(s):
Valeria Graziano (see profile)
Date:
2019
Group(s):
Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
Subject(s):
Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism
Item Type:
Book chapter
Tag(s):
recreation, creative industries, Audre Lorde, playground, antiwork politics
Escuchar lo justo
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies, Representation
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
Crisis Acting in The Destroyed Room
Author(s):
Joseph Dunne (see profile)
Date:
2019
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Social media, Sociology of terrorism, Internet
Item Type:
Article
Tag(s):
#citylis, #theatre, #terrorism, #conspiracytheory
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling (see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies, Performance studies, Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé, critical whiteness studies
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory
Subject(s):
Music theory, Musicology, Embodied cognition, Phenomenology
Item Type:
Book
The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh
Author(s):
Mozumdar Arifa Ahmed
Editor(s):
Alim Al Ayub Ahmed (see profile)
Date:
2012
Group(s):
Archives, Asian Business Review, Open Educational Resources, Performance Studies
Item Type:
Article
Be a Little Careful: Women, Violence and Performance in India
Author(s):
Swati Arora (see profile)
Date:
2019
Group(s):
Feminist Humanities, Gender Studies, Performance Studies, Women in the Arts
Subject(s):
Feminist critique, Performance and politics, South Asia, Space and place, Theater history
Item Type:
Article
Tag(s):
delhi, Theatre Studies, Violence against women
Trans-Participation in the Infosphere
Author(s):
Joseph Dunne (see profile)
Date:
2019
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Theatre and history, Theatre and politics, Library and information science, Digital culture
Item Type:
Conference paper
Tag(s):
infosphere, Immersive Theatre, Audience Participation
CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”
Author(s):
Thiemo Breyer, Christoph Lange (see profile) , Lars Reuke, Johannes Schick, Mario Schmidt
Date:
2019
Group(s):
a.r.t.e.s. Research Lab, Anthropology, Feminist Humanities, Performance Studies
Subject(s):
Posthumanism, Transhumanism, Anthropology, History and philosophy of science and technology, STS, Animals, Subjectivity
Item Type:
Other
Tag(s):
cybernetics, cyborgs, Human-nonhuman assemblage, Human-Animal Studies
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk (see profile)
Date:
2019
Group(s):
Digital Humanists, Performance Studies, Shakespeare
Subject(s):
Digital culture, Shakespearean institutions, Shakespeare performance
Item Type:
Article
Tag(s):
digital economy, motion capture, Royal Shakespeare Company
Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture
Author(s):
Christoph Lange (see profile)
Date:
2018
Group(s):
Anthropology, Performance Studies
Subject(s):
Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance
Item Type:
Book chapter
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance
Author(s):
Joshua Neumann (see profile)
Date:
2016
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Archival studies, Data visualization, Digital archives
Item Type:
Conference proceeding
Tag(s):
Audio analysis, Data generation
Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
Author(s):
Joshua Neumann (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Data visualization, History and philosophy of science and technology, Opera, Performance practice
Item Type:
Article
Tag(s):
Creative process, Data analysis
"Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
carnival theatre, Juan del Encina, teatro carnavalesco
De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
dramatic space, espacio dramático, Juan del Encina
Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
didascalias, Juan del Encina, Theatricality, égloga de Cristino y Febea
"A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2016
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
Auto del repelón, Juan del Encina, scenic violence
Palabra habitada: in principio erat Verbum
Author(s):
Alba Agraz Ortiz, Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
Hispanic Caribbean culture, Spanish literature
Item Type:
Book chapter
Tag(s):
geopoética, literatura española, literatura hispanoamericana, literatura hispánica, topografías literari
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Renaissance drama
Item Type:
Book chapter
Tag(s):
Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores
Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Performance
Item Type:
Article
Tag(s):
clothing, Juan del Encina, Networked Performance, Rustic shepherd, égloga dramática

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CORE Search Results Start Search Over

Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”

Algunas consideraciones analíticas sobre el performance musical

El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical

The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

Recreation at stake

Escuchar lo justo

Crisis Acting in The Destroyed Room

Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

Enacting Musical Time: The Bodily Experience of New Music

The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh

Be a Little Careful: Women, Violence and Performance in India

Trans-Participation in the Infosphere

CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”

Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

Hamilton's Ghosts

Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

"Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina

De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina

Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea

"A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina

Palabra habitada: in principio erat Verbum

"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina

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