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• 'Before she ends up in a brothel': Public Femininity and the First Actresses in England and the Low Countries

  Author(s):

  Martine van Elk (see profile)

  Date:

  2017

  Group(s):

  Feminist Humanities, Performance Studies

  Subject(s):

  Dutch culture, Dutch literature, Early modern theatre, English literature, Women's history

  Item Type:

  Article

  Tag(s):

  Actresses, drama

  Permanent URL:

  http://dx.doi.org/10.17613/M6GN2S

  
  

• Sophokles’ Oedipus Rex und die Krise des europäischen Geistes [1687–1788]

  Author(s):

  Michael Lurie (see profile)

  Date:

  2004

  Group(s):

  Performance Studies

  Subject(s):

  Classical theatre, Classics, Dramatic theory, Intellectual history

  Item Type:

  Book chapter

  Tag(s):

  18th Century, Greek and Roman intellectual history, Greek tragedy, Intellectual history of Greek tragedy, Sophocles

  Permanent URL:

  http://dx.doi.org/10.17613/M62R23

  
  

• 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive

  Author(s):

  Victoria Addis (see profile)

  Date:

  2016

  Group(s):

  British History, Performance Studies

  Subject(s):

  Ballet, British literature, Primitivism

  Item Type:

  Article

  Tag(s):

  #Forster, #Freud, #Stravinsky, modernism

  Permanent URL:

  http://dx.doi.org/10.17613/M6MT7N

  
  

• The Work of Tragic Productions: Towards a New History of Drama as Labor Culture

  Author(s):

  David Roselli (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Performance Studies

  Subject(s):

  Ancient Greek history, Greek theatre, Labor history, Marxist sociology, Poetics

  Item Type:

  Article

  Tag(s):

  Greek drama, greek history, labor, literature, Theater

  Permanent URL:

  http://dx.doi.org/10.17613/M6TX18

  
  

• Social Class

  Author(s):

  David Roselli (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Performance Studies

  Subject(s):

  Classical Greek culture, Comedy arts, Marxist sociology, Performance and politics, Theatre and society

  Item Type:

  Book chapter

  Tag(s):

  Ancient theatre, audience, Greek drama, greek history, social history

  Permanent URL:

  http://dx.doi.org/10.17613/M6ZQ36

  
  

• The Theater of Euripides

  Author(s):

  David Roselli (see profile)

  Date:

  2017

  Group(s):

  Ancient Greece & Rome, Performance Studies, Philosophy

  Subject(s):

  Aesthetics, Ancient Greek history, Greek theatre, Marxist sociology, Theatre history

  Item Type:

  Book chapter

  Tag(s):

  ancient, Greek drama, Marxism, performance, Theatre history

  Permanent URL:

  http://dx.doi.org/10.17613/M63D6G

  
  

• Playthings in Early Modernity: Party Games, Word Games, Mind Games

  Author(s):

  Antonella Fenech Kroke, Andreas Fischer, Joyce Goggin, Chriscinda Henry, Jessen Kelly, Sergius Kodera, Allison Levy, Patrick O\'Banion, Jessica Otis, Serina Patterson, Patricia Rocco, Elke Rogersdotter, Nhora Serrano, Emily Winerock, Kelli Wood, Manfred Zollinger

  Editor(s):

  Allison Levy (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Digital Art History, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Early modern studies, Material culture, Performance studies, Renaissance studies, Visual culture

  Item Type:

  Book

  Tag(s):

  early modern, ludic culture, play, games, material culture

  Permanent URL:

  http://dx.doi.org/10.17613/M65D7G

  
  

• 'The Editing of Emma Rice', Backpages

  Author(s):

  Tom Cornford (see profile)

  Date:

  2017

  Group(s):

  Performance Studies

  Subject(s):

  Shakespeare, Theatre and society, Theatrical production

  Item Type:

  Article

  Tag(s):

  theatre directing

  Permanent URL:

  http://dx.doi.org/10.17613/M65093

  
  

• Medici Women: Portraits of Power, Love, and Betrayal

  Author(s):

  Allison Levy (see profile)

  Date:

  2007

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, Visual culture, Women's history, Women's studies

  Item Type:

  Book review

  Tag(s):

  portraiture, women, Medici family, early modern Italy, Florence

  Permanent URL:

  http://dx.doi.org/10.17613/M6SQ3N

  
  

• "Imposing Pictures: Widow Portraiture as Memorial Strategy in Early Modern Florence"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Early modern studies, Masculinity, Sixteenth-century art, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  masculinity, mourning, portraiture, widowhood, widows

  Permanent URL:

  http://dx.doi.org/10.17613/M6XD45

  
  

• "Good Grief: Widow Portraiture and Masculine Anxiety in Early Modern England"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, Masculinity, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  masculinity, portraiture, widowhood, widows, early modern England

  Permanent URL:

  http://dx.doi.org/10.17613/M62396

  
  

• "Augustine's Concessions and Other Failures: Mourning and Masculinity in Fifteenth-Century Tuscany"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Early modern studies, Fifteenth-century art, Masculinity, Visual culture, Women's studies

  Item Type:

  Book chapter

  Tag(s):

  masculinity, portraiture, widowhood, widows, Florence

  Permanent URL:

  http://dx.doi.org/10.17613/M65X00

  
  

• "Cosimo's Black Widow"

  Author(s):

  Allison Levy (see profile)

  Date:

  2006

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, Sixteenth-century art, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  masculinity, portraiture, Visual Culture, widowhood, widows

  Permanent URL:

  http://dx.doi.org/10.17613/M69M38

  
  

• "Effaced: Failing Widows"

  Author(s):

  Allison Levy (see profile)

  Date:

  2008

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, Medieval studies, Visual culture, Women's studies

  Item Type:

  Book chapter

  Tag(s):

  portraiture, widowhood, widows, florence, mourning

  Permanent URL:

  http://dx.doi.org/10.17613/M6FD4T

  
  

• "Last Rites: Mourning Identities (?)"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, Medieval history, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  early modern Europe, Patronage, portraiture, widowhood, widows

  Permanent URL:

  http://dx.doi.org/10.17613/M6K39V

  
  

• "Framing Widows: Mourning, Gender, and Portraiture in Early Modern Florence"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Art history, Early modern studies, European history, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  widowhood, widows, portraiture, early modern Europe, patronage

  Permanent URL:

  http://dx.doi.org/10.17613/M6PX0N

  
  

• "Widow's Peek: Looking at Ritual and Representation"

  Author(s):

  Allison Levy (see profile)

  Date:

  2003

  Group(s):

  Cultural Studies, Feminist Humanities, History of Art, Late Medieval History, Performance Studies

  Subject(s):

  Early modern studies, European history, Medieval history, Visual culture, Women's history

  Item Type:

  Book chapter

  Tag(s):

  early modern studies, european history, widows, patronage, widowhood

  Permanent URL:

  http://dx.doi.org/10.17613/M6TM2J

  
  

• Regenerating the Live: The Archive as the Genesis of a Performance Practice

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2015

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Archives, Performance and politics, Performance studies

  Item Type:

  Thesis

  Tag(s):

  archives, documentation, Site specific theatre, historical re-enactment

  Permanent URL:

  http://dx.doi.org/10.17613/M6QM2M

  
  

• Sesso nel Rinascimento

  Author(s):

  Karina Feliciano Attar, Paolo Fasoli, Will Fisher, Erin Griffey, Chriscinda Henry, Catherine Hess, Ann Rosalind Jones, Sergius Kodera, Timothy McCall, Robert Mills, Rachel Poulsen, Daniella Rossi, Patricia Simons, Jutta Sperling, Allie Terry, Diane Wolfthal, Rebecca Zorach

  Editor(s):

  Allison Levy (see profile)

  Date:

  2009

  Group(s):

  Cultural Studies, Digital Art History, History of Art, Performance Studies, TC Women’s and Gender Studies

  Subject(s):

  Early modern studies, History of sexuality, Italian studies, Performance studies, Visual culture

  Item Type:

  Book

  Tag(s):

  15th Century, 16th Century, early modern studies, sexuality, Visual Culture

  Permanent URL:

  http://dx.doi.org/10.17613/M6707Z

  
  

• "Strange Bedfellows," Introduction to Sex Acts in Early Modern Italy: Practice, Performance, Perversion and Punishment

  Author(s):

  Allison Levy (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Digital Art History, History of Art, Performance Studies, TC Women’s and Gender Studies

  Subject(s):

  Early modern studies, Gender studies, History of sexuality, Performance studies, Visual culture

  Item Type:

  Book chapter

  Tag(s):

  15th Century, 16th Century, history of sexuality, Material culture, Visual Culture

  Permanent URL:

  http://dx.doi.org/10.17613/M6GH2D

  
  

• RECONFIGURING THINK TANKS AS A DISCURSIVE, SOCIAL MODEL IN CONTEMPORARY ART | Artist-in-Residencies as places of continuity, mutuality, free thinking and independent research

  Author(s):

  Andrea Pagnes (see profile)

  Date:

  2017

  Group(s):

  Education and Pedagogy, Performance Studies

  Subject(s):

  Academic freedom, Contemporary art, International education, Open educational resources, Studio arts

  Item Type:

  Article

  Tag(s):

  Contemporary Art, discourse analysis, intercultural competency

  Permanent URL:

  http://dx.doi.org/10.17613/M6TK9V

  
  

• China Doll: A Conversation with Marjorie Chan

  Author(s):

  Antje Budde, Jacqueline Taucar (see profile)

  Date:

  2011

  Group(s):

  Performance Studies

  Subject(s):

  Canadian studies, Ethnology, Intercultural communication, Modern theatre, Playwriting

  Item Type:

  Interview

  Tag(s):

  A Doll's House (Adaptation), chinese diaspora, Henrik Ibsen, intercultural theatre, performativity

  Permanent URL:

  http://dx.doi.org/10.17613/M68S76

  
  

• (Per)Forming Ourselves and Others in Toronto’s Multicultural Caravan Festival

  Author(s):

  Jacqueline Taucar (see profile)

  Date:

  2009

  Group(s):

  Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies

  Subject(s):

  Canadian studies, Ethnic studies, Multicultural education, Performance, Theatre and society

  Item Type:

  Article

  Tag(s):

  audience reception, cross-cultural relations, ethnocultural festivals, multiculturalism, representations

  Permanent URL:

  http://dx.doi.org/10.17613/M6DG93

  
  

• Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival

  Author(s):

  Jacqueline Taucar (see profile)

  Date:

  2012

  Group(s):

  Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies

  Subject(s):

  Carnival, Costume design, Gender studies, Performance studies, Postcolonialism

  Item Type:

  Article

  Tag(s):

  Womens History Month

  Permanent URL:

  http://dx.doi.org/10.17613/M6J92Z

  
  

• Playing (with) Gestic Dolls in Mabou Mines DollHouse

  Author(s):

  Jacqueline Taucar (see profile)

  Date:

  2011

  Group(s):

  Feminist Humanities, Performance Studies

  Subject(s):

  Adaptation, American theatre, Feminist theology, Performance studies, Theatre and society

  Item Type:

  Article

  Tag(s):

  feminist theatre, Womens History Month

  Permanent URL:

  http://dx.doi.org/10.17613/M6P04V

  
  

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