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  • Verso una teoria delle pratiche prefigurative

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2021
    Group(s):
    Anarchism, Cultural Studies, Performance Studies
    Item Type:
    Book chapter

  • When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes

    Author(s):
    Valeria Graziano (see profile) , Marcell Mars, Tomislav Medak
    Date:
    2021
    Group(s):
    Cultural Studies, Feminist Humanities, Performance Studies
    Subject(s):
    Ethics of care, Piracy
    Item Type:
    Article

  • Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites

    Author(s):
    Armin Selbitschka (see profile)
    Date:
    2018
    Group(s):
    Anthropology, Archaeology, Chinese history, culture and language, Chinese Religions, Performance Studies
    Subject(s):
    Food studies, Food history, Archaeology, Archaeology of religions, Chinese archaeology, Food, History, Ritual
    Item Type:
    Abstract
    Tag(s):
    food archaeology, Chinese Philosophy

  • Walking at Midnight: Women and Danger on Delhi’s Streets

    Author(s):
    Swati Arora (see profile)
    Date:
    2019
    Group(s):
    Feminist Humanities, GeoHumanities, Performance Studies, Postcolonial Studies, Urban Studies
    Subject(s):
    Urban studies, Gender studies, South Asia, Postcolonialism, Feminist geography
    Item Type:
    Article
    Tag(s):
    walking, public space, urban space

  • Walk in India and South Africa: notes towards a decolonial and transnational feminist politics

    Author(s):
    Swati Arora (see profile)
    Date:
    2020
    Group(s):
    Feminist Humanities, GeoHumanities, Performance Studies, Postcolonial Studies, Urban Studies
    Subject(s):
    Urban studies, Human geography, Performance and politics, Feminist geography, Space and place
    Item Type:
    Article
    Tag(s):
    walking, delhi, south africa, urban commons

  • Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler

    Author(s):
    Joseph Dunne-Howrie (see profile)
    Date:
    2021
    Group(s):
    CityLIS, Digital Humanists, Library & Information Science, Performance Studies
    Subject(s):
    Theatre and politics, Digital culture, Politics of digital surveillance, Democratic theory
    Item Type:
    Article
    Tag(s):
    theatre, Brexit, infosphere

  • Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2021
    Group(s):
    American Musicological Society, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Dance and technology, Phenomenology, Temporality, Musicology
    Item Type:
    Article
    Tag(s):
    minimalism

  • Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2021
    Group(s):
    Education and Pedagogy, Performance Studies
    Subject(s):
    Higher education, Music education, Music performance, Ethics, Rhetoric, Teaching and learning
    Item Type:
    Book chapter
    Tag(s):
    musical instrument, mandate

  • Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

    Author(s):
    Yaron Meron (see profile)
    Date:
    2020
    Group(s):
    Performance Studies
    Subject(s):
    Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology
    Item Type:
    Article
    Tag(s):
    design research, creative practice

  • Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”

    Author(s):
    Hugo Barreiro, Pablo Suárez (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Paper Music, Performance Studies
    Subject(s):
    Ethnomusicology, Humor studies, Performance
    Item Type:
    Article

  • Algunas consideraciones analíticas sobre el performance musical

    Author(s):
    Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Ethnomusicology, Performance Studies
    Subject(s):
    Music analysis, Performance studies
    Item Type:
    Article

  • El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical

    Author(s):
    Hugo Barreiro, Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Ethnomusicology, Paper Music, Performance Studies
    Subject(s):
    Humor studies, Intertextuality, Music, Performance
    Item Type:
    Article

  • The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2014
    Group(s):
    Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
    Subject(s):
    Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
    Item Type:
    Dissertation
    Tag(s):
    popular music, Seventeenth-century, lute

  • Recreation at stake

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2019
    Group(s):
    Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
    Subject(s):
    Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism
    Item Type:
    Book chapter
    Tag(s):
    recreation, creative industries, Audre Lorde, playground, antiwork politics

  • Escuchar lo justo

    Author(s):
    Edwin Culp (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    Performance studies, Representation
    Item Type:
    Book chapter
    Tag(s):
    interdisciplinary ethics

  • Crisis Acting in The Destroyed Room

    Author(s):
    Joseph Dunne (see profile)
    Date:
    2019
    Group(s):
    CityLIS, Digital Humanists, Library & Information Science, Performance Studies
    Subject(s):
    Social media, Sociology of terrorism, Internet
    Item Type:
    Article
    Tag(s):
    #citylis, #theatre, #terrorism, #conspiracytheory

  • Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

    Author(s):
    Willamae Boling (see profile)
    Date:
    2015
    Group(s):
    Performance Studies
    Subject(s):
    Critical race studies, Performance studies, Popular culture studies
    Item Type:
    Thesis
    Tag(s):
    Beyoncé, critical whiteness studies

  • Enacting Musical Time: The Bodily Experience of New Music

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music and Sound, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory
    Subject(s):
    Music theory, Musicology, Embodied cognition, Phenomenology
    Item Type:
    Book

  • The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh

    Author(s):
    Mozumdar Arifa Ahmed
    Editor(s):
    Alim Al Ayub Ahmed (see profile)
    Date:
    2012
    Group(s):
    Archives, Asian Business Review, Open Educational Resources, Performance Studies
    Item Type:
    Article

  • Be a Little Careful: Women, Violence and Performance in India

    Author(s):
    Swati Arora (see profile)
    Date:
    2019
    Group(s):
    Feminist Humanities, Gender Studies, Performance Studies, Women in the Arts
    Subject(s):
    Feminist critique, Performance and politics, South Asia, Space and place, Theater history
    Item Type:
    Article
    Tag(s):
    delhi, Theatre Studies, Violence against women

  • Trans-Participation in the Infosphere

    Author(s):
    Joseph Dunne (see profile)
    Date:
    2019
    Group(s):
    CityLIS, Digital Humanists, Library & Information Science, Performance Studies
    Subject(s):
    Theatre and history, Theatre and politics, Library and information science, Digital culture
    Item Type:
    Conference paper
    Tag(s):
    infosphere, Immersive Theatre, Audience Participation

  • CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”

    Author(s):
    Thiemo Breyer, Christoph Lange (see profile) , Lars Reuke, Johannes Schick, Mario Schmidt
    Date:
    2019
    Group(s):
    a.r.t.e.s. Research Lab, Anthropology, Feminist Humanities, Performance Studies
    Subject(s):
    Posthumanism, Transhumanism, Anthropology, History and philosophy of science and technology, STS, Animals, Subjectivity
    Item Type:
    Other
    Tag(s):
    cybernetics, cyborgs, Human-nonhuman assemblage, Human-Animal Studies

  • Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

    Author(s):
    Amy Borsuk (see profile)
    Date:
    2019
    Group(s):
    Digital Humanists, Performance Studies, Shakespeare
    Subject(s):
    Digital culture, Shakespearean institutions, Shakespeare performance
    Item Type:
    Article
    Tag(s):
    digital economy, motion capture, Royal Shakespeare Company

  • Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

    Author(s):
    Christoph Lange (see profile)
    Date:
    2018
    Group(s):
    Anthropology, Performance Studies
    Subject(s):
    Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance
    Item Type:
    Book chapter

  • Hamilton's Ghosts

    Author(s):
    pmgentry (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Performance Studies
    Subject(s):
    Music, Musical theatre, Historiography
    Item Type:
    Article

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