Deposits – Humanities Commons

CORE Search Results Start Search Over

Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk (see profile)
Date:
2019
Group(s):
Digital Humanists, Performance Studies, Shakespeare
Subject(s):
Digital culture, Shakespearean institutions, Shakespeare performance
Item Type:
Article
Tag(s):
digital economy, motion capture, Royal Shakespeare Company
Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture
Author(s):
Christoph Lange (see profile)
Date:
2018
Group(s):
Anthropology, Performance Studies
Subject(s):
Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance
Item Type:
Book chapter
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance
Author(s):
Joshua Neumann (see profile)
Date:
2016
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Archival studies, Data visualization, Digital archives
Item Type:
Conference proceeding
Tag(s):
Audio analysis, Data generation
Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
Author(s):
Joshua Neumann (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Data visualization, History and philosophy of science and technology, Opera, Performance practice
Item Type:
Article
Tag(s):
Creative process, Data analysis
"Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
carnival theatre, Juan del Encina, teatro carnavalesco
De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
dramatic space, espacio dramático, Juan del Encina
Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
didascalias, Juan del Encina, Theatricality, égloga de Cristino y Febea
"A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2016
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance
Item Type:
Book chapter
Tag(s):
Auto del repelón, Juan del Encina, scenic violence
Palabra habitada: in principio erat Verbum
Author(s):
Alba Agraz Ortiz, Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
Hispanic Caribbean culture, Spanish literature
Item Type:
Book chapter
Tag(s):
geopoética, literatura española, literatura hispanoamericana, literatura hispánica, topografías literari
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Renaissance drama
Item Type:
Book chapter
Tag(s):
Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores
Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2015
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age Spanish Literature, Performance
Item Type:
Article
Tag(s):
clothing, Juan del Encina, Networked Performance, Rustic shepherd, égloga dramática
Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2016
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Spanish theatre, Teatro prelopesco
Item Type:
Article
Tag(s):
Courtly love, farsas y églogas, Lucas Fernández, parody
Imagines pietatis. Escenografía sacra en el primer teatro renacentista de Castilla y Portugal
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2018
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Golden Age theater, Iconography, Performance
Item Type:
Article
Tag(s):
passional spanish theatre, religious theatre
«A fuer de la palaciega». Atuendo y afeites en la «Égloga de Mingo, Gil y Pascuala» de Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
16th-century Spanish literature, Golden Age theater, Spanish theatre
Item Type:
Article
Tag(s):
clothing, cosmetics, Juan del Encina, Love dramatic eclogues, Theatricality
Good Night, Sleep Tight (Remix)
Author(s):
Joseph Dunne (see profile)
Date:
2018
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Information science, Performing arts, Virtual reality, Performance studies
Item Type:
Article
Tag(s):
Audience Participation, Immersive Theatre
Proceedings from DocPerform Editorial: Is the World After All Just a Dream?
Author(s):
Joseph Dunne (see profile) , Lyn Robinson
Date:
2018
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Performance studies, Archives, Documentation, Library and information science, Information behaviour, Performance
Item Type:
Article
Tag(s):
performance document, library and information
Hacerse el tonto: en el fracaso está la solución
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies, Theatre and politics
Item Type:
Book chapter
Tag(s):
aesthetics and politics, Time and temporality
Along an African Border: Angolan Refugees and Their Divination Baskets
Author(s):
Sonia Silva (see profile)
Date:
2014
Group(s):
Anthropology, History of Art, Indigenous Studies, Performance Studies, Religious Studies
Subject(s):
African studies, Cultural studies, History of religions, Phenomenology, Ritual studies
Item Type:
Book
Tag(s):
Divination, knowledge, objectification, Personification, Refugees
Vidas em Jogo: Cestas de Adivinhacao e Refugiados Angolanos na Zambia
Author(s):
Sonia Silva (see profile)
Date:
2004
Group(s):
Anthropology, Cultural Studies, Indigenous Studies, Performance Studies, Religious Studies
Subject(s):
African religions, African studies, History of art, Phenomenology, Ritual, Ritual studies
Item Type:
Book
Tag(s):
Divination, objectification, Personification, Refugees
Mobility and Immobility in the Life of an Amputee
Author(s):
Sonia Silva (see profile)
Date:
2015
Group(s):
Anthropology, Cultural Studies, Performance Studies
Subject(s):
Africa, Disability studies, Migration, Mobility studies, Representation
Item Type:
Book chapter
Tag(s):
displacement, mobility
Research Resources: The Beckett Collection, University of Reading
Author(s):
Joseph Dunne (see profile)
Date:
2016
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Samuel Beckett, Archives, Photo archives
Item Type:
Article
Tag(s):
University of Reading
Haitian Dance and Movement Bibliography
Author(s):
Nadine Mondestin (see profile)
Date:
2018
Group(s):
Dance, Haiti, Latin America and the Caribbean, Performance Studies
Subject(s):
Caribbean, Dance, Haiti, Movement, Vodou
Item Type:
Bibliography
Tag(s):
Martial Arts
Dancing with Knives: American Cold War Ideology in the Dances of West Side Story
Author(s):
Daniel Belgrad (see profile) , Zhu Ying
Date:
2016
Group(s):
Performance Studies, War Studies
Subject(s):
Affect, Choreography, Dance, Ideology, Performance and politics, War and society
Item Type:
Article
All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata
Author(s):
Reba Wissner (see profile)
Date:
2010
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Immigration studies, Musical theatre
Item Type:
Article

Viewing item 1 to 25 (of 67 items)

1 2 3 →

CORE Search Results Start Search Over

Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

Hamilton's Ghosts

Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

"Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina

De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina

Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea

"A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina

Palabra habitada: in principio erat Verbum

"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina

Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández

Imagines pietatis. Escenografía sacra en el primer teatro renacentista de Castilla y Portugal

«A fuer de la palaciega». Atuendo y afeites en la «Égloga de Mingo, Gil y Pascuala» de Encina

Good Night, Sleep Tight (Remix)

Proceedings from DocPerform Editorial: Is the World After All Just a Dream?

Hacerse el tonto: en el fracaso está la solución

Along an African Border: Angolan Refugees and Their Divination Baskets

Vidas em Jogo: Cestas de Adivinhacao e Refugiados Angolanos na Zambia

Mobility and Immobility in the Life of an Amputee

Research Resources: The Beckett Collection, University of Reading

Haitian Dance and Movement Bibliography

Dancing with Knives: American Cold War Ideology in the Dances of West Side Story

All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata

@