Deposits – Humanities Commons

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Verso una teoria delle pratiche prefigurative
Author(s):
Valeria Graziano (see profile)
Date:
2021
Group(s):
Anarchism, Cultural Studies, Performance Studies
Item Type:
Book chapter
When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes
Author(s):
Valeria Graziano (see profile) , Marcell Mars, Tomislav Medak
Date:
2021
Group(s):
Cultural Studies, Feminist Humanities, Performance Studies
Subject(s):
Ethics of care, Piracy
Item Type:
Article
Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites
Author(s):
Armin Selbitschka (see profile)
Date:
2018
Group(s):
Anthropology, Archaeology, Chinese history, culture and language, Chinese Religions, Performance Studies
Subject(s):
Food studies, Food history, Archaeology, Archaeology of religions, Chinese archaeology, Food, History, Ritual
Item Type:
Abstract
Tag(s):
food archaeology, Chinese Philosophy
Walking at Midnight: Women and Danger on Delhi’s Streets
Author(s):
Swati Arora (see profile)
Date:
2019
Group(s):
Feminist Humanities, GeoHumanities, Performance Studies, Postcolonial Studies, Urban Studies
Subject(s):
Urban studies, Gender studies, South Asia, Postcolonialism, Feminist geography
Item Type:
Article
Tag(s):
walking, public space, urban space
Walk in India and South Africa: notes towards a decolonial and transnational feminist politics
Author(s):
Swati Arora (see profile)
Date:
2020
Group(s):
Feminist Humanities, GeoHumanities, Performance Studies, Postcolonial Studies, Urban Studies
Subject(s):
Urban studies, Human geography, Performance and politics, Feminist geography, Space and place
Item Type:
Article
Tag(s):
walking, delhi, south africa, urban commons
Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler
Author(s):
Joseph Dunne-Howrie (see profile)
Date:
2021
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Theatre and politics, Digital culture, Politics of digital surveillance, Democratic theory
Item Type:
Article
Tag(s):
theatre, Brexit, infosphere
Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?
Author(s):
Mariusz Kozak (see profile)
Date:
2021
Group(s):
American Musicological Society, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Dance and technology, Phenomenology, Temporality, Musicology
Item Type:
Article
Tag(s):
minimalism
Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate
Author(s):
Robin Rolfhamre (see profile)
Date:
2021
Group(s):
Education and Pedagogy, Performance Studies
Subject(s):
Higher education, Music education, Music performance, Ethics, Rhetoric, Teaching and learning
Item Type:
Book chapter
Tag(s):
musical instrument, mandate
Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders
Author(s):
Yaron Meron (see profile)
Date:
2020
Group(s):
Performance Studies
Subject(s):
Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology
Item Type:
Article
Tag(s):
design research, creative practice
Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”
Author(s):
Hugo Barreiro, Pablo Suárez (see profile)
Date:
2019
Group(s):
Ethnomusicology, Paper Music, Performance Studies
Subject(s):
Ethnomusicology, Humor studies, Performance
Item Type:
Article
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez (see profile)
Date:
2018
Group(s):
Ethnomusicology, Performance Studies
Subject(s):
Music analysis, Performance studies
Item Type:
Article
El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical
Author(s):
Hugo Barreiro, Pablo Suárez (see profile)
Date:
2018
Group(s):
Ethnomusicology, Paper Music, Performance Studies
Subject(s):
Humor studies, Intertextuality, Music, Performance
Item Type:
Article
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre (see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
Item Type:
Dissertation
Tag(s):
popular music, Seventeenth-century, lute
Recreation at stake
Author(s):
Valeria Graziano (see profile)
Date:
2019
Group(s):
Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
Subject(s):
Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism
Item Type:
Book chapter
Tag(s):
recreation, creative industries, Audre Lorde, playground, antiwork politics
Escuchar lo justo
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies, Representation
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
Crisis Acting in The Destroyed Room
Author(s):
Joseph Dunne (see profile)
Date:
2019
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Social media, Sociology of terrorism, Internet
Item Type:
Article
Tag(s):
#citylis, #theatre, #terrorism, #conspiracytheory
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling (see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies, Performance studies, Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé, critical whiteness studies
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory
Subject(s):
Music theory, Musicology, Embodied cognition, Phenomenology
Item Type:
Book
The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh
Author(s):
Mozumdar Arifa Ahmed
Editor(s):
Alim Al Ayub Ahmed (see profile)
Date:
2012
Group(s):
Archives, Asian Business Review, Open Educational Resources, Performance Studies
Item Type:
Article
Be a Little Careful: Women, Violence and Performance in India
Author(s):
Swati Arora (see profile)
Date:
2019
Group(s):
Feminist Humanities, Gender Studies, Performance Studies, Women in the Arts
Subject(s):
Feminist critique, Performance and politics, South Asia, Space and place, Theater history
Item Type:
Article
Tag(s):
delhi, Theatre Studies, Violence against women
Trans-Participation in the Infosphere
Author(s):
Joseph Dunne (see profile)
Date:
2019
Group(s):
CityLIS, Digital Humanists, Library & Information Science, Performance Studies
Subject(s):
Theatre and history, Theatre and politics, Library and information science, Digital culture
Item Type:
Conference paper
Tag(s):
infosphere, Immersive Theatre, Audience Participation
CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”
Author(s):
Thiemo Breyer, Christoph Lange (see profile) , Lars Reuke, Johannes Schick, Mario Schmidt
Date:
2019
Group(s):
a.r.t.e.s. Research Lab, Anthropology, Feminist Humanities, Performance Studies
Subject(s):
Posthumanism, Transhumanism, Anthropology, History and philosophy of science and technology, STS, Animals, Subjectivity
Item Type:
Other
Tag(s):
cybernetics, cyborgs, Human-nonhuman assemblage, Human-Animal Studies
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk (see profile)
Date:
2019
Group(s):
Digital Humanists, Performance Studies, Shakespeare
Subject(s):
Digital culture, Shakespearean institutions, Shakespeare performance
Item Type:
Article
Tag(s):
digital economy, motion capture, Royal Shakespeare Company
Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture
Author(s):
Christoph Lange (see profile)
Date:
2018
Group(s):
Anthropology, Performance Studies
Subject(s):
Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance
Item Type:
Book chapter
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article

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CORE Search Results Start Search Over

Verso una teoria delle pratiche prefigurative

When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes

Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites

Walking at Midnight: Women and Danger on Delhi’s Streets

Walk in India and South Africa: notes towards a decolonial and transnational feminist politics

Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler

Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate

Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”

Algunas consideraciones analíticas sobre el performance musical

El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical

The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

Recreation at stake

Escuchar lo justo

Crisis Acting in The Destroyed Room

Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

Enacting Musical Time: The Bodily Experience of New Music

The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh

Be a Little Careful: Women, Violence and Performance in India

Trans-Participation in the Infosphere

CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”

Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

Hamilton's Ghosts

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