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“What does the data tell us?: Representation, Canon, and Music Encoding”
Author(s):
Anna Kijas
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Digital Humanists
,
Music Library Association
,
Open Music
Subject(s):
Performance
,
Digital musicology
,
History of archives
,
Open data
,
Digital humanities
Item Type:
Conference paper
Tag(s):
women composers
,
canon
,
Music encoding
,
Diversity
Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia
Author(s):
Kathleen DeLaurenti
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music Library Association
,
Open Music
Subject(s):
Information literacy
,
Music pedagogy
,
Feminist pedagogy
Item Type:
Book chapter
Tag(s):
authentic assessment
,
open pedagogy
(MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas
(see profile)
,
Elizabeth Sweeney
Date:
2018
Group(s):
Digital Humanists
,
Irish Literature and Culture
,
Music Librarians
,
Open Music
Subject(s):
Digital scholarship
,
Digital curation
,
Music
,
Irish music
Item Type:
Presentation
Tag(s):
Traditional music
Engaging in Small Data Rescue
Author(s):
Anna Kijas
(see profile)
Date:
2018
Group(s):
Data Rescue
,
Digital Humanists
,
Music Librarians
,
Open Music
Subject(s):
Digital archives
,
Open data
Item Type:
Presentation
Tag(s):
data rescue
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music Librarians
,
Open Music
Subject(s):
Copyright
,
Digital humanities
,
Fair use
,
Music
Item Type:
Presentation
Tag(s):
altmuslib2018
,
MLAtechcamp
,
muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music Librarians
,
Open Music
Subject(s):
Music
,
Copyright
,
Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp
,
muslib2018
,
altmuslib2018
[Conversando con...] Jorge Villavicencio Grossmann
Author(s):
Stephen Thomson Moore
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
,
Open Music
Subject(s):
21st century
,
Contemporary music
Item Type:
Interview
Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas
(see profile)
,
Elizabeth Sweeney
Date:
2017
Group(s):
Open Music
Subject(s):
Digital curation
,
Digital scholarship
,
Music
Item Type:
Presentation
Tag(s):
Irish music
,
Traditional music
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas
(see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
11th to 14th century
,
Digital humanities
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2016
,
workflow
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas
(see profile)
Date:
2017
Group(s):
Digital Humanists
,
Open Music
Subject(s):
Digital humanities
,
Digital scholarship
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2017
,
digital infrastructure
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