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Annotated Bibliography of African American Carillon Music
Author(s):
Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music
Item Type:
Bibliography
Tag(s):
racial equity, Negro spirituals, gospel music, ragtime
International Bibliography of Carillon Music by Women, Transgender, and Nonbinary Composers
Author(s):
Emmet Lewis, Tiffany Ng (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, Music composition, 20th-century music, Western classical music, Women's history, Women writers
Item Type:
Bibliography
Tag(s):
women and gender, women composers, gender equality, gender equity
Luigi Dallapiccola - Fragmentos de uma vida em benefício de uma obra pianística
Author(s):
Júlia Azevedo (see profile)
Date:
2017
Group(s):
Music and Sound, Open Music
Subject(s):
Historical musicology, Music analysis
Item Type:
Essay
Tag(s):
Luigi Dallapiccola, piano, Twelve-tone composition
CFP: The Mediterranean: Migrant Sounds
Author(s):
Ferran Escriva-Llorca (see profile)
Date:
2019
Group(s):
Cultural Studies, Music and Sound, Open-source historical mapping, Open Music
Subject(s):
Cultural musicology, Ethnomusicology, Mediterranean studies, Migration studies, Musicology
Item Type:
Other
Mending Bells and Closing Belfries with Faust
Author(s):
Chris Chafe, John Granzow, Romain Michon, Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, Music composition, Music technology, Russian musical history, Research computing
Item Type:
Conference proceeding
“What does the data tell us?: Representation, Canon, and Music Encoding”
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Digital Humanists, Music Library Association, Open Music
Subject(s):
Performance, Digital musicology, History of archives, Open data, Digital humanities
Item Type:
Conference paper
Tag(s):
women composers, canon, Music encoding, Diversity
Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Library Association, Open Music
Subject(s):
Information literacy, Music pedagogy, Feminist pedagogy
Item Type:
Book chapter
Tag(s):
authentic assessment, open pedagogy
(MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas (see profile) , Elizabeth Sweeney
Date:
2018
Group(s):
Digital Humanists, Irish Literature and Culture, Music Librarians, Open Music
Subject(s):
Digital scholarship, Digital curation, Music, Irish music
Item Type:
Presentation
Tag(s):
Traditional music
Engaging in Small Data Rescue
Author(s):
Anna Kijas (see profile)
Date:
2018
Group(s):
Data Rescue, Digital Humanists, Music Librarians, Open Music
Subject(s):
Digital archives, Open data
Item Type:
Presentation
Tag(s):
data rescue
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Copyright, Digital humanities, Fair use, Music
Item Type:
Presentation
Tag(s):
altmuslib2018, MLAtechcamp, muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Music, Copyright, Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp, muslib2018, altmuslib2018
[Conversando con...] Jorge Villavicencio Grossmann
Author(s):
Stephen Thomson Moore (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
21st century, Contemporary music
Item Type:
Interview
Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas (see profile) , Elizabeth Sweeney
Date:
2017
Group(s):
Open Music
Subject(s):
Digital curation, Digital scholarship, Music
Item Type:
Presentation
Tag(s):
Irish music, Traditional music
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas (see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
11th to 14th century, Digital humanities, Medieval music, Musicology, Digital musicology
Item Type:
Presentation
Tag(s):
DH2016, workflow
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas (see profile)
Date:
2017
Group(s):
Digital Humanists, Open Music
Subject(s):
Digital humanities, Digital scholarship, Medieval music, Musicology, Digital musicology
Item Type:
Presentation
Tag(s):
DH2017, digital infrastructure

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