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Título Uniforme Musical: uma proposta fundamentada de Regras para a sua construção e aplicação
Author(s):
Maria Clara Assunção (see profile)
Date:
2009
Group(s):
Community Music, Music and Sound, Music in Évora studies, Paper Music
Subject(s):
Music information retrieval
Item Type:
Essay
Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Sacred music, 18th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral, Stile Concertato
Um olhar sobre os manuscritos do fundo musical da Sé de Évora: questões inerentes ao trabalho de estudo dos manuscritos
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Sacred music
Item Type:
Abstract
Tag(s):
Evora's Cathedral
Os Miserere no fundo musical da Sé de Évora – questões estruturais iniciais
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Sacred music, 19th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral
A presença da flauta na música sacra do catálogo de José Augusto Alegria
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musical instruments, Music
Item Type:
Abstract
Tag(s):
Evora's Cathedral, José Augusto Alegria
Una introducción al lenguaje retórico de Carlos Francisco d'Assis Moreira: el caso del Miserere del Archivo de la Se de Évora
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music and literature, Historical musicology, Sacred music, 19th century
Item Type:
Abstract
Tag(s):
rethoric, miserere, Evora's Cathedral
Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Évora Cathedral, Litanies, Novenas, Antiphon
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet
O Officium Defunctorum de Morago na Sé Catedral de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Music, Musicology, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Lobo, Cardoso e Pedro de Cristo na Sé de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Musicology, Music, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Do Manuscrito ao Concerto: O património musical monástico-conventual
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Cultural heritage, Sacred music, 17th century
Item Type:
Abstract
Tag(s):
monastery, Musical Instrument, Manuscripts
A nova capela-mor setecentista da Catedral de Évora: Uma abordagem ao seu impacto na atividade musical de Pedro Vaz Rego e Ignácio António Celestino
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century, Sacred music
Item Type:
Article
Tag(s):
Évora Cathedral, Composer, Soundscapes
A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
Discalced Carmelites, Soundscapes, Évora, plainchant
The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Palestrina, motet, Paraphrase Mass, Parody mass
A música sacra na Sé de Évora no início do século XVIII: Uma abordagem inicial aos repertórios, espaços e intervenientes
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century, Polyphony, Sacred music, Architecture
Item Type:
Abstract
Tag(s):
Évora Cathedral
A flauta em Évora nos séculos XVI e XVII: Ocorrências nos contextos sacros
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Organology, Sacred music, 17th century
Item Type:
Conference paper
Tag(s):
Évora Cathedral, Musical Instrument
Continuidade da prática de polifonia na Catedral de Évora no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music, 18th century, Polyphony
Item Type:
Conference paper
Tag(s):
Évora Cathedral
As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music
Item Type:
Conference paper
Tag(s):
Cister, Évora
Compositores activos ao serviço da capela da Sé de Évora no final do séc. XVIII: repertórios e enquadramento litúrgico.
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music
Item Type:
Conference paper
Tag(s):
Stile Concertato, psalms, Évora Cathedral
Os salmos concertados dos mestres de capela da Sé de Évora no século XVIII
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music, 18th century
Item Type:
Conference paper
Tag(s):
Stile Concertato, Psalms, Évora's Cathedral
As missas de Joaquim José da Rocha Espanca enquanto expressão da devoção feminina no espaço espiritual de S. Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music
Item Type:
Conference paper
Tag(s):
Cister, Evora
Manoel de Moraes Pedroso e o "Compendio Musico": apontamentos de voz e corpo enquanto elementos de performance musical
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century
Item Type:
Conference paper
Tag(s):
Musical theory
As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology
Item Type:
Abstract
Tag(s):
Cistercian, Evora, S. Bento de Cástris, Tenebrae, abstract
Apresentação PowerPoint - As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
18th century, Historical musicology, Music analysis
Item Type:
Presentation
Tag(s):
18th Century, Cistercian, sacred music, Évora
A voz e o corpo performativo no "Compendio Musico" de Manoel de Moraes Pedroso
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
18th century, Music theory
Item Type:
Abstract
Tag(s):
musical theory, 18th century

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