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“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
musiclib2018
Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Sound studies, Anthropology of music, Lived religion, Material religion, Media studies, Voice, Linguistic anthropology
Item Type:
Monograph
Tag(s):
Atmospheres, Islam in South Asia, Mauritius
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet, French music, Music analysis, Musicology, Narrative theory
Item Type:
Thesis
Tag(s):
Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis
Cigar Box Fiddle 3: Assembled
Author(s):
Laurie Ringer (see profile)
Date:
2018
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture
Subject(s):
Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Popular culture, Folklore studies
Item Type:
Image
Tag(s):
Improvised instruments, folk life
Cigar Box Fiddle 2: Disassembled
Author(s):
Laurie Ringer (see profile)
Date:
2018
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture
Subject(s):
Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Folklore studies
Item Type:
Image
Tag(s):
Popular music, Improvised instruments, Folk life
Cigar Box Fiddle 1: Disassembled
Author(s):
Laurie Ringer (see profile)
Date:
2018
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture
Subject(s):
Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Folklore studies
Item Type:
Image
Tag(s):
Popular music, Improvised instruments, Folk life
FRBR e descrição de documentos musicais
Author(s):
Maria Clara Assunção (see profile)
Date:
2007
Group(s):
Archives, Music and Sound
Subject(s):
Music information retrieval
Item Type:
Article
Tag(s):
FRBR and Music, Music cataloguing
FRBR e título uniforme musical
Author(s):
Maria Clara Assunção (see profile)
Date:
2009
Group(s):
Archives, Music and Sound
Subject(s):
Music information retrieval
Item Type:
Article
Tag(s):
FRBR e Música
Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Voice, Sound studies, Affect, Islam, South Asia, Phenomenology
Item Type:
Article
Tag(s):
Mauritius, Atmospheres, Sonic religion, South Asian Islam
A Dream Deferred: Nina Simone and the Work of Mourning
Author(s):
Richard Elliott (see profile)
Date:
2013
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Popular Music Studies, Civil rights, History, Voice, Popular culture
Item Type:
Presentation
Tag(s):
Nina Simone, late voice, mourning, experience, age
“All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone
Author(s):
Richard Elliott (see profile)
Date:
2016
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular Music Studies, Age studies, Voice, Celebrity studies
Item Type:
Conference paper
Tag(s):
Nina Simone, Janis Ian, cover version, stardom
A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice
Author(s):
Richard Elliott (see profile)
Date:
2016
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Popular Music Studies, Cultural studies, Cultural studies of age, Voice
Item Type:
Conference paper
Tag(s):
pop culture, female voice, age, experience, Taylor Swift
“Time and Distance Are No Object”
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation
Item Type:
Article
Tag(s):
exotica, pop culture, nostalgia
The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614
Author(s):
Tess Knighton, Ascensión Mazuela-Anguita (see profile)
Date:
2016
Group(s):
Music and Sound, Religious Studies
Subject(s):
Music
Item Type:
Article
Tag(s):
music and ceremony, Teresa of Avila, urban musics
The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
19th century, Classical music, Feminism, Fine arts, Historiography, Musicology
Item Type:
Presentation
Tag(s):
#MeToo, James Levine
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson (see profile)
Date:
2014
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
Item Type:
Article
Tag(s):
musicology, los angeles, Patronage, Avant-garde
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, 20th-century American music, Contemporary music, Narrative and time
Item Type:
Article
Tag(s):
musicology, Harry Partch, Time and temporality, Queer Studies
“That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline
Author(s):
Jake Johnson (see profile)
Date:
2016
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies
Item Type:
Article
Tag(s):
aging, American music, american musical theater, regionalism
Calling out the nameless: CocoRosie's Posthuman sound world
Author(s):
Jake Johnson (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice
Item Type:
Article
Tag(s):
Popular music, posthumanism, Queer Studies, sound studies, voice
The Late Voice (Introduction)
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
Cultural Studies, Music and Sound, Philosophy
Subject(s):
Popular culture, Popular Music Studies, Time and eternity, Memory studies
Item Type:
Book section
Tag(s):
Time and temporality, age, gerontology, aesthetic experience, Song
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Speculative and Science Fiction
Subject(s):
Music, Science fiction films, Television, Television studies
Item Type:
Article
Ramala: An American "Indianist" Opera, Musicological Lecture Concert
Author(s):
Katie Graber (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Anthropology, Native American/First Nations, Opera
Item Type:
Performance
Tag(s):
Charles Wakefield Cadman, Da O Ma, Daoma, Francis La Flesche

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