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• Cigar Box Fiddle 3: Assembled

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2018

  Group(s):

  Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture

  Subject(s):

  Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Popular culture, Folklore studies

  Item Type:

  Image

  Tag(s):

  Improvised instruments, folk life

  
  

• Cigar Box Fiddle 2: Disassembled

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2018

  Group(s):

  Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture

  Subject(s):

  Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Folklore studies

  Item Type:

  Image

  Tag(s):

  Popular music, Improvised instruments, Folk life

  
  

• Cigar Box Fiddle 1: Disassembled

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2018

  Group(s):

  Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture

  Subject(s):

  Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Folklore studies

  Item Type:

  Image

  Tag(s):

  Popular music, Improvised instruments, Folk life

  
  

• FRBR e descrição de documentos musicais

  Author(s):

  Maria Clara Assunção (see profile)

  Date:

  2007

  Group(s):

  Archives, Music and Sound

  Subject(s):

  Music information retrieval

  Item Type:

  Article

  Tag(s):

  FRBR and Music, Music cataloguing

  
  

• FRBR e título uniforme musical

  Author(s):

  Maria Clara Assunção (see profile)

  Date:

  2009

  Group(s):

  Archives, Music and Sound

  Subject(s):

  Music information retrieval

  Item Type:

  Article

  Tag(s):

  FRBR e Música

  
  

• Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices

  Author(s):

  Patrick Eisenlohr (see profile)

  Date:

  2018

  Group(s):

  Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies

  Subject(s):

  Voice, Sound studies, Affect, Islam, South Asia, Phenomenology

  Item Type:

  Article

  Tag(s):

  Mauritius, Atmospheres, Sonic religion, South Asian Islam

  
  

• A Dream Deferred: Nina Simone and the Work of Mourning

  Author(s):

  Richard Elliott (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Civil rights, History, Voice, Popular culture

  Item Type:

  Presentation

  Tag(s):

  Nina Simone, late voice, mourning, experience, age

  
  

• “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular Music Studies, Age studies, Voice, Celebrity studies

  Item Type:

  Conference paper

  Tag(s):

  Nina Simone, Janis Ian, cover version, stardom

  
  

• A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Cultural studies, Cultural studies of age, Voice

  Item Type:

  Conference paper

  Tag(s):

  pop culture, female voice, age, experience, Taylor Swift

  
  

• “Time and Distance Are No Object”

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation

  Item Type:

  Article

  Tag(s):

  exotica, pop culture, nostalgia

  
  

• The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614

  Author(s):

  Tess Knighton, Ascensión Mazuela-Anguita (see profile)

  Date:

  2016

  Group(s):

  Music and Sound, Religious Studies

  Subject(s):

  Music

  Item Type:

  Article

  Tag(s):

  music and ceremony, Teresa of Avila, urban musics

  
  

• The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo

  Author(s):

  Linda Shaver-Gleason (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  19th century, Classical music, Feminism, Fine arts, Historiography, Musicology

  Item Type:

  Presentation

  Tag(s):

  #MeToo, James Levine

  
  

• PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE

  Author(s):

  Jake Johnson (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance

  Item Type:

  Article

  Tag(s):

  musicology, los angeles, Patronage, Avant-garde

  
  

• “Unstuck in time”: Harry Partch's Bilocated Life

  Author(s):

  Jake Johnson (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, 20th-century American music, Contemporary music, Narrative and time

  Item Type:

  Article

  Tag(s):

  musicology, Harry Partch, Time and temporality, Queer Studies

  
  

• “That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline

  Author(s):

  Jake Johnson (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  aging, American music, american musical theater, regionalism

  
  

• Calling out the nameless: CocoRosie's Posthuman sound world

  Author(s):

  Jake Johnson (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice

  Item Type:

  Article

  Tag(s):

  Popular music, posthumanism, Queer Studies, sound studies, voice

  
  

• The Late Voice (Introduction)

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Music and Sound, Philosophy

  Subject(s):

  Popular culture, Popular Music Studies, Time and eternity, Memory studies

  Item Type:

  Book section

  Tag(s):

  Time and temporality, age, gerontology, aesthetic experience, Song

  
  

• I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Film Studies, Music and Sound

  Subject(s):

  Film, Film music, Sound studies, Television, Television studies

  Item Type:

  Article

  
  

• For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future

  Author(s):

  Reba Wissner (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound, Speculative and Science Fiction

  Subject(s):

  Music, Science fiction films, Television, Television studies

  Item Type:

  Article

  
  

• Ramala: An American "Indianist" Opera, Musicological Lecture Concert

  Author(s):

  Katie Graber (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century American music, Anthropology, Native American/First Nations, Opera

  Item Type:

  Performance

  Tag(s):

  Charles Wakefield Cadman, Da O Ma, Daoma, Francis La Flesche

  
  

• Ramala PowerPoint

  Author(s):

  Katie Graber (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century American music, Anthropology, Native American/First Nations, Opera

  Item Type:

  Performance

  Tag(s):

  Charles Wakefield Cadman, Da O Ma, Daoma, Francis La Flesche

  
  

• The Sound of Nonsense

  Author(s):

  Richard Elliott (see profile)

  Date:

  2018

  Group(s):

  Cultural Studies, Music and Sound, Sound Poetry

  Subject(s):

  Literature, Music, Sound poetry, Sound studies

  Item Type:

  Book section

  Tag(s):

  nonsense, nonsense poetry, pop culture, Popular music

  
  

• nonsensemix

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Comedy (genre), Music, Sound poetry, Sound studies

  Item Type:

  Sound recording-non musical

  Tag(s):

  comedy, nonsense, nonsense poetry, pop music, sound poetry

  
  

• The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation

  Author(s):

  Eamonn Bell (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Thesis

  
  

• The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music analysis

  Item Type:

  Other

  
  

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