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“Rough! Tough! Real Stuff!”: Music, Militarism, and Masculinity in American College Football
Author(s):
John Michael McCluskey (see profile)
Date:
2019
Group(s):
American Musicological Society, Ethnomusicology, Music and Sound
Subject(s):
Masculinity, Music, Sport, Violence
Item Type:
Article
Tag(s):
Band, Heavy Metal, rap
Religion publique et médiation religieuse chez les musulmans mauriciens
Author(s):
Patrick Eisenlohr (see profile)
Date:
2014
Group(s):
Anthropology, Music and Sound, Religious Studies
Subject(s):
Sound studies, Islam, Contemporary Islam, Religion in South Asia
Item Type:
Article
Tag(s):
Mauritius, sound reproduction, Transnational religion
'Aspects of British Experimental Music as a Separate Art-Music Culture'
Author(s):
Virginia Anderson (see profile)
Date:
2004
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century music, Aesthetics
Item Type:
Thesis
Luigi Dallapiccola - Fragmentos de uma vida em benefício de uma obra pianística
Author(s):
Júlia Azevedo (see profile)
Date:
2017
Group(s):
Music and Sound, Open Music
Subject(s):
Historical musicology, Music analysis
Item Type:
Essay
Tag(s):
Luigi Dallapiccola, piano, Twelve-tone composition
CFP: The Mediterranean: Migrant Sounds
Author(s):
Ferran Escriva-Llorca (see profile)
Date:
2019
Group(s):
Cultural Studies, Music and Sound, Open-source historical mapping, Open Music
Subject(s):
Cultural musicology, Ethnomusicology, Mediterranean studies, Migration studies, Musicology
Item Type:
Other
CFP II Historical Soundscapes Meeting - Évora 2019
Editor(s):
Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá
Date:
2019
Group(s):
Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies
Subject(s):
Musicology, Music, Musical instruments, Performance studies, Sacred music
Item Type:
Other
Tag(s):
Soundscapes, Instrumental Music, Secular music
Mending Bells and Closing Belfries with Faust
Author(s):
Chris Chafe, John Granzow, Romain Michon, Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, Music composition, Music technology, Russian musical history, Research computing
Item Type:
Conference proceeding
Religious language and media: Sound reproduction and transduction
Author(s):
Patrick Eisenlohr (see profile)
Date:
2019
Group(s):
Anthropology, Music and Sound, Religious Studies
Subject(s):
Religious studies, Religion, Sound recording technologies, Linguistic anthropology, Ritual studies
Item Type:
Book chapter
Tag(s):
language and religion, ritual language, religious language, transduction, sound reproduction
Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013)
Author(s):
Bernd Brabec de Mori (see profile)
Date:
2013
Group(s):
Anthropology, Ethnomusicology, Indigenous Studies, Medical Humanities, Music and Sound
Subject(s):
Anthropology, Ethnomusicology, Humor studies, Indigenous peoples, Peru, Ritual
Item Type:
Article
Tag(s):
Amazonia, animism, Shipibo-Konibo, Vocal Music
Music & Architecture: A Selected Bibliography
Author(s):
Tiffany Ng (see profile)
Date:
2019
Group(s):
Music and Sound
Subject(s):
20th-century music, Architecture, Campanology, Cultural geography, Music and Society, Musicology
Item Type:
Bibliography
Dante, Liszt, and the Alienated Agony of Hell
Author(s):
Tekla Babyak (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound, Religious Studies
Subject(s):
19th-century music, Dante, Medieval Italian literature, Musicology, Romanticism, Sacred music, Theology and the arts
Item Type:
Article
Tag(s):
Liszt, Program music, Symphony
The historical relationship of musical form and the moving image in the current context of the digitisation of media
Author(s):
John Davey (see profile)
Date:
2017
Group(s):
Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)
Subject(s):
Film, Intermedia, Media studies, Multimedia, Music, Music and Society, Poetics
Item Type:
Thesis
Tag(s):
audiovisual, Digital Technology, Media convergence
Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750
Author(s):
Erika Supria Honisch (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Sound studies, Musicology, Baroque, War and conflict
Item Type:
Syllabus
Systems and Other Minimalism in Britain
Author(s):
Virginia Anderson (see profile)
Date:
2013
Group(s):
Music and Sound
Subject(s):
Music history
Item Type:
Book chapter
Tag(s):
experimental music, minimalism, systems music
Christian Wolff in Interview
Author(s):
Virginia Anderson (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Music history
Item Type:
Conference paper
Tag(s):
experimental music, interviews, New York School
Michael Nyman, London, 23 March 1983
Author(s):
Virginia Anderson (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
British music, Film music, Music composition
Item Type:
Interview
Tag(s):
experimental music
Título Uniforme Musical: uma proposta fundamentada de Regras para a sua construção e aplicação
Author(s):
Maria Clara Assunção (see profile)
Date:
2009
Group(s):
Community Music, Music and Sound, Music in Évora studies, Paper Music
Subject(s):
Music information retrieval
Item Type:
Essay
Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908
Author(s):
Joao Silva (see profile)
Date:
2017
Group(s):
Historical Soundscape Studies, Music and Sound
Subject(s):
Cultural musicology, Critical geography, Modernity, Urbanism
Item Type:
Book chapter
Tag(s):
Lisbon, Soundscapes
From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music
Author(s):
kgoldschmitt (see profile)
Date:
2018
Group(s):
Ethnomusicology, Music and Sound
Subject(s):
Cosmopolitanism, Brazil
Item Type:
Book chapter
Tag(s):
music industry, São Paulo
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
muslib2018
“SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides
Author(s):
Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
Date:
2018
Group(s):
Music and Sound, Music Library Association
Subject(s):
Contemporary music, Information literacy, Music notation
Item Type:
Presentation
Tag(s):
musiclib2018
Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Sound studies, Anthropology of music, Lived religion, Material religion, Media studies, Voice, Linguistic anthropology
Item Type:
Monograph
Tag(s):
Atmospheres, Islam in South Asia, Mauritius
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet, French music, Music analysis, Musicology, Narrative theory
Item Type:
Thesis
Tag(s):
Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis
Cigar Box Fiddle 3: Assembled
Author(s):
Laurie Ringer (see profile)
Date:
2018
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture, GS Folklore, Myth, and Fairy Tale, Irish Literature and Culture, Music and Sound, TC Popular Culture
Subject(s):
Folk music, Compositional improvisation, Musical instruments, Appalachian studies, Popular culture studies, Popular culture, Folklore studies
Item Type:
Image
Tag(s):
Improvised instruments, folk life

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