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• The Burns Antiphoner: From Manuscript to Interactive Resource

  Author(s):

  Anna Kijas (see profile)

  Date:

  2017

  Group(s):

  Digital Humanists, Medieval Studies, Music and Sound

  Subject(s):

  Digital humanities, Digital scholarship, Medieval music, Musicology

  Item Type:

  Presentation

  Tag(s):

  DH2017, digital infrastructure

  Permanent URL:

  http://dx.doi.org/10.17613/M6VB70

  
  

• Song Revisited: Poetry, Music, Meaning

  Author(s):

  Lawrence Kramer (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Music, Musical romanticism, Musicology, Voice and opera, Western classical music

  Item Type:

  Article

  Tag(s):

  lied, Song, voice, words and music

  Permanent URL:

  http://dx.doi.org/10.17613/M61204

  
  

• The Schubert Lied Revisited: Some Subjective Sources of Modernity

  Author(s):

  Lawrence Kramer (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Cultural musicology, Music, Musicology, Western classical music

  Item Type:

  Article

  Tag(s):

  lied, Modern, Schubert, Schubert. Lied, Song

  Permanent URL:

  http://dx.doi.org/10.17613/M64R1B

  
  

• Three views of the ‘musical work’. A study of conceptualisations in philosophical, bibliographical and editorial contexts within the domain of Music.

  Author(s):

  Monika Pietras (see profile)

  Date:

  2012

  Group(s):

  CityLIS, Library & Information Science, Music and Sound

  Subject(s):

  Information science, Library and information science

  Item Type:

  Dissertation

  Tag(s):

  #CityLis

  Permanent URL:

  http://dx.doi.org/10.17613/M6710N

  
  

• Two Pietàs: William-Adolphe Bouguereau & Lisa Streich

  Author(s):

  Christopher Swithinbank (see profile)

  Date:

  2014

  Group(s):

  History of Art, Music and Sound

  Subject(s):

  Art history, Music, Music composition, Theology

  Item Type:

  Article

  Tag(s):

  contemporary music, Lisa Streich, painting, William-Adolphe Bouguereau

  Permanent URL:

  http://dx.doi.org/10.17613/M6097W

  
  

• Into the Lion’s Den: Helmut Lachenmann at 75

  Author(s):

  Christopher Swithinbank (see profile)

  Date:

  2011

  Group(s):

  Music and Sound

  Subject(s):

  Music, Music composition, Music criticism

  Item Type:

  Article

  Tag(s):

  audience reception, Helmut Lachenmann

  Permanent URL:

  http://dx.doi.org/10.17613/M6409S

  
  

• Gloomy Divergence: Death/Doom Metal as Dark Leisure

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Cultural musicology, Metal Music Studies, Musicology, Popular Music Studies, Sociology of music

  Item Type:

  Essay

  Tag(s):

  dark leisure, doom metal, extreme metal, metal music studies, music worlds

  Permanent URL:

  http://dx.doi.org/10.17613/M61Q12

  
  

• 'Death – Pierce Me': A case study considering a Freudian repetition-compulsion view in depressive suicidal black metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Black Metal Theory, Metal Music Studies, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  black metal, black metal theory, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M65D5Q

  
  

• ‘Gateways of Bereavement’: a defence of sub-categorisation in metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, genre in music, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6967N

  
  

• ‘Golden Hatred’: anti-war sentiment and transgression in death doom metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Cultural musicology, Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  anti-war, doom metal, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6DW97

  
  

• ‘My Body, a Funeral’: dark leisure activity and death reflections in death/doom and gothic/doom metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Popular Music Studies, Sociology of music

  Item Type:

  Conference paper

  Tag(s):

  dark leisure, doom metal, extreme metal, metal music studies, music worlds

  Permanent URL:

  http://dx.doi.org/10.17613/M6JQ1Q

  
  

• ‘Quiet These Paintings Are’: the function of slowness in doom metal styles

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6PD5C

  
  

• ‘A Cruel Taste of Winter’: Gothic/doom metal as an act of Northernness

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies, music and place, Yorkshire

  Permanent URL:

  http://dx.doi.org/10.17613/M6XW9W

  
  

• ‘Humörets Bottenvåning’: Suicide in depressive suicidal black metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Black Metal Theory, Death, Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  black metal, black metal theory, extreme metal, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M62Q1C

  
  

• ‘The Raven and the Rose’: Tradition and Death/Doom Metal Music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies, sociology of music

  Permanent URL:

  http://dx.doi.org/10.17613/M66D51

  
  

• Symbolism and Text Painting in Tan Dun’s Marco Polo

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Musicology

  Item Type:

  Essay

  Tag(s):

  20th Century, 20th century opera, madrigal, Tan Dun

  Permanent URL:

  http://dx.doi.org/10.17613/M6FW9J

  
  

• Doom metal and ways of remembering in popular music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Oral history, Popular Music Studies

  Item Type:

  Essay

  Tag(s):

  doom metal, extreme metal, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6QD5P

  
  

• Hong Kong Metal Scene: An overview and related issues

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Other

  Tag(s):

  extreme metal, hong kong metal scene, metal music studies

  Permanent URL:

  http://dx.doi.org/10.17613/M6V37K

  
  

• Vocal accent and identity in Scandinavian metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Other

  Tag(s):

  doom metal, extreme metal, metal music studies, Scandinavia

  Permanent URL:

  http://dx.doi.org/10.17613/M6ZW96

  
  

• Dead is dead: Perspectives on the Meaning of Death in Depressive Suicidal Black Metal Music through Musical Representations

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Black Metal Theory, Death, Ethnomusicology, Metal Music Studies, Musicology, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  black metal, death studies, extreme metal, metal music studies, suicide

  Permanent URL:

  http://dx.doi.org/10.17613/M67D4Z

  
  

• Space

  Author(s):

  Andrew Eisenberg (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Sound art, Space

  Item Type:

  Book chapter

  Tag(s):

  sound, space and place

  Permanent URL:

  http://dx.doi.org/10.17613/M6WG9F

  
  

• Hip-Hop and Cultural Citizenship on Kenya's "Swahili Coast"

  Author(s):

  Andrew Eisenberg (see profile)

  Date:

  2012

  Group(s):

  Ethnomusicology, Music and Sound

  Subject(s):

  African studies, Hip Hop, Musicology

  Item Type:

  Article

  Tag(s):

  africa, citizenship, Swahili

  Permanent URL:

  http://dx.doi.org/10.17613/M6163N

  
  

• Qand-i Pārsī: An Introduction to Twenty Persian Texts on Indo-Persian Music

  Author(s):

  Mohsen Mohammadi (see profile)

  Date:

  2006

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Historical musicology, Indian culture, Musicology, Persian language

  Item Type:

  Article

  Tag(s):

  india, Indian Music, Iran, Persian Manuscripts, Persian Music

  Permanent URL:

  http://dx.doi.org/10.17613/M6ZP7C

  
  

• Persian Records by the Lindström Company: Triangle of Political Relationships, Local Agents and Recording Company

  Author(s):

  Mohsen Mohammadi (see profile)

  Date:

  2011

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Historical musicology, Musicology, Social history, World music

  Item Type:

  Book

  Tag(s):

  Germany, Iran, Iranian Music, Persian Music, Recording Industry

  Permanent URL:

  http://dx.doi.org/10.17613/M63D06

  
  

• Chef de Musique or Chef de Macaroni: The Twisted History of the European Military Music in Persia

  Author(s):

  Mohsen Mohammadi (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Cultural musicology, Ethnomusicology, Historical musicology, Music history, Musicology

  Item Type:

  Article

  Tag(s):

  Iran, Martial Music, Military Music, Modernization, persia

  Permanent URL:

  http://dx.doi.org/10.17613/M6BW53

  
  

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