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“The right to narrate”: Gazans contest popular geopolitics with film
Author(s):
Hania A.M. Nashef (see profile)
Date:
2021
Group(s):
MS Visual Culture, Postcolonial Studies, TC Popular Culture
Subject(s):
Palestine studies, Film, Narrative identity, Conflict, Colonialism
Item Type:
Article
Tag(s):
Gaza Strip, Rashid Mashawari, Nasser Brothers, Popular geopolitics, Susan Youssef
“The Dark Mirror of Our Lives”: Richard Wright, 12 Million Black Voices, and Auto/biography
Author(s):
Joseph R. Millichap (see profile)
Date:
2021
Group(s):
LLC 20th- and 21st-Century American, LLC Southern United States, MS Visual Culture
Subject(s):
African American cultural studies
Item Type:
Article
Tag(s):
Richard Wright
Mujeres en papel y tinta: identificación, automodelaje y remodelaje en el archivo colonial
Author(s):
Rocío Quispe-Agnoli (see profile)
Date:
2018
Group(s):
Archives, LLC Colonial Latin American, MS Visual Culture
Subject(s):
Colonial Latin American literature, Colonial Latin American studies, Colonial Latin American literature and culture, Latin American visual culture, Women's gender, and sexuality studies
Item Type:
Article
Tag(s):
self-fashioning, Identity and Otherness, colonial latin american women, Indigenous women's writings, corpus/canon
“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Author(s):
Hania A.M. Nashef (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Arabic, MS Visual Culture, TC Popular Culture
Subject(s):
Palestine studies, Film, Documentary, Arabic culture, Cinema
Item Type:
Article
Tag(s):
Gaza, war, humiliation, survival, resilience
Archetypes Embodied, Then and Now
Author(s):
Ellen Spolsky (see profile)
Date:
2017
Group(s):
MS Visual Culture, TC Cognitive and Affect Studies
Subject(s):
Embodiment, Cognitive literary studies
Item Type:
Article
Tag(s):
Terminator, archetypes, cognitive cultural theory, Annunciation to Mary, picturing divinity
Iconotropism as Representational Hunger: Raphael and Titian
Author(s):
Ellen Spolsky (see profile)
Date:
2010
Group(s):
MS Visual Culture, TM Literary Criticism
Subject(s):
Renaissance literature, Visual communication, Embodiment
Item Type:
Book chapter
Tag(s):
kinesis in pictures
How Do Audiences Act?
Author(s):
Ellen Spolsky (see profile)
Date:
2018
Group(s):
MS Visual Culture, TC Cognitive and Affect Studies
Subject(s):
Renaissance English literature, Renaissance French literature, Embodied cognition, Figures of speech
Item Type:
Book chapter
Tag(s):
kinesis in literature, embodiment and rhetoric
Syllabus: Social Media Research
Author(s):
Anastasia Salter (see profile)
Date:
2020
Group(s):
Digital Humanities, MS Visual Culture, NEH Understanding Digital Culture
Subject(s):
Social media, Digital culture, Digital humanities, Pedagogy
Item Type:
Syllabus
Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'
Author(s):
Doris Hambuch (see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture
Subject(s):
Film, Feminism, Cinema, world cinema, Women's studies
Item Type:
Article
Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox (see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies, MS Screen Arts and Culture, MS Sound, MS Visual Culture
Subject(s):
French cinema, French studies, Gender politics, Sound design, Film and politics, Cinema
Item Type:
Blog Post
Tag(s):
female director, female gaze, listening, film industry
An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms
Author(s):
James Gifford (see profile)
Date:
2018
Group(s):
Anarchism, CLCS Global Anglophone, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century English and Anglophone, MS Visual Culture
Subject(s):
Modern, Surrealism, Canadian literature, Anglo-American modernism, Egyptian art
Item Type:
Article
Tag(s):
International Modernism, Radical Modernism, regional modernism, anarchism
On Being One's Own Heir: British Portraiture, Metaphysical Inheritance, and The Picture of Dorian Gray
Author(s):
Andrew G. Christensen (see profile)
Date:
2019
Group(s):
GS Folklore, Myth, and Fairy Tale, LLC Victorian and Early-20th-Century English, MS Visual Culture
Subject(s):
19th century, Victorian literature, British literature, History of art, Visual culture, Irish literature
Item Type:
Article
Tag(s):
portraiture, bildungsroman, Uncanny, decadence
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos (see profile)
Date:
2018
Group(s):
Education and Pedagogy, German Literature and Culture, History of Art, LLC 19th- and Early-20th-Century German, MS Visual Culture
Subject(s):
20th-century film, History of photography, Aesthetic theory, German studies, Weimar culture, Photography, Cinema, Frankfurt school, Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri
Author(s):
Doris Hambuch (see profile)
Date:
2018
Group(s):
MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture
Subject(s):
Cartoons, Electronic literature, Media arts
Item Type:
Article
What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest
Author(s):
Tobias Steiner (see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Trauma, Social justice, Television, Television studies, United States of America
Item Type:
Article
Tag(s):
cultural forum, post-9/11
Medieval Literature in the Contact Zone -- review essay
Author(s):
Shirin A. Khanmohamadi (see profile) , Sarah Elliott Novacich
Date:
2018
Group(s):
CLCS Medieval, MS Visual Culture, TC Postcolonial Studies
Subject(s):
Medieval literature, Postcolonialism, Postcolonial theory
Item Type:
Book review
Tag(s):
contact zones
TV Studies for all? On Open Access and Publishing in TV and Media Studies
Author(s):
Tobias Steiner (see profile)
Date:
2019
Group(s):
Advocating for the Humanities, MS Screen Arts and Culture, MS Visual Culture, TC Digital Humanities, Television Studies
Subject(s):
Open access, Television studies, Academic publishing, Media studies, Scholarly communication, Publishing
Item Type:
Blog Post
Tag(s):
scholcomm, openaccess, openscholarship
White Noise and the Supermarket Aesthetic
Author(s):
Andrew G. Christensen (see profile)
Date:
2019
Group(s):
MS Visual Culture
Subject(s):
Don DeLillo, Postmodern American literature, Visual art, Pop, Consumer culture
Item Type:
Conference paper
Tag(s):
Postmodern fiction, aesthetic critique, suburbs
Durendal, translated: Islamic object genealogies in the chansons de geste
Author(s):
Shirin A. Khanmohamadi (see profile)
Date:
2017
Group(s):
CLCS Medieval, CLCS Mediterranean, MS Visual Culture, TC Postcolonial Studies, TC Translation Studies
Subject(s):
Medieval French literature, Performing objects, Translation studies, Material culture, Medieval translation
Item Type:
Article
Tag(s):
Saracens, translatio, swords, chansons de gestes
The Look of Medieval Ethnography: William of Rubruck's Mission to Mongolia
Author(s):
Shirin A. Khanmohamadi (see profile)
Date:
2008
Group(s):
CLCS Medieval, CLCS Renaissance and Early Modern, MS Visual Culture, TC Postcolonial Studies, TC Race and Ethnicity Studies
Subject(s):
Missionary studies, Orientalism, Medieval literature, Medieval Latin, Ethnography
Item Type:
Article
Tag(s):
before Orienatlism, missionary ethnography, premodern ethnographic gaze
Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose
Author(s):
Jeremiah Mercurio (see profile)
Date:
2011
Group(s):
LLC Victorian and Early-20th-Century English, MS Visual Culture
Subject(s):
Illustration studies, Fin-de-siècle literature and culture, Oscar Wilde, Illustration
Item Type:
Article
Tag(s):
Charles Ricketts
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle
Author(s):
Tobias Steiner (see profile)
Date:
2018
Group(s):
Digital Humanists, MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Television, Television studies
Item Type:
Blog Post
Tag(s):
man in the high castle, 11.22.63, alternate history, nostalgia
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine (see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society, MS Visual Culture, TC Cognitive and Affect Studies, TC Popular Culture, TM Literary and Cultural Theory
Subject(s):
Narrative criticism, 20th-century film, Cognitive literary studies, Rhetorical theory, Comedy (genre), Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers, rhetorical narratology, Jim Phelan, cognition, Duck Soup
Beyond Darwinian Distance: Situating Distant Reading in a Feminist Ut Pictura Poesis Tradition
Author(s):
Lisa Marie Rhody (see profile)
Date:
2017
Group(s):
Computer Studies in Language and Literature, Digital Humanities, MS Visual Culture, TC Digital Humanities, TC Women’s and Gender Studies
Subject(s):
Digital humanities, Digital humanities research and methodology, Digital methods, Humanities computing, Technology and literature
Item Type:
Article
Tag(s):
moretti, feminism, dh, methodology, text analysis

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