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“The Dark Mirror of Our Lives”: Richard Wright, 12 Million Black Voices, and Auto/biography
Author(s):
Joseph R. Millichap
(see profile)
Date:
2021
Group(s):
LLC 20th- and 21st-Century American
,
LLC Southern United States
,
MS Visual Culture
Subject(s):
African American cultural studies
Item Type:
Article
Tag(s):
Richard Wright
Mujeres en papel y tinta: identificación, automodelaje y remodelaje en el archivo colonial
Author(s):
Rocío Quispe-Agnoli
(see profile)
Date:
2018
Group(s):
Archives
,
LLC Colonial Latin American
,
MS Visual Culture
Subject(s):
Colonial Latin American literature
,
Colonial Latin American studies
,
Colonial Latin American literature and culture
,
Latin American visual culture
,
Women's gender, and sexuality studies
Item Type:
Article
Tag(s):
self-fashioning
,
Identity and Otherness
,
colonial latin american women
,
Indigenous women's writings
,
corpus/canon
“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Arabic
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Palestine studies
,
Film
,
Documentary
,
Arabic culture
,
Cinema
Item Type:
Article
Tag(s):
Gaza
,
war
,
humiliation
,
survival
,
resilience
Archetypes Embodied, Then and Now
Author(s):
Ellen Spolsky
(see profile)
Date:
2017
Group(s):
MS Visual Culture
,
TC Cognitive and Affect Studies
Subject(s):
Embodiment
,
Cognitive literary studies
Item Type:
Article
Tag(s):
Terminator
,
archetypes
,
cognitive cultural theory
,
Annunciation to Mary
,
picturing divinity
Iconotropism as Representational Hunger: Raphael and Titian
Author(s):
Ellen Spolsky
(see profile)
Date:
2010
Group(s):
MS Visual Culture
,
TM Literary Criticism
Subject(s):
Renaissance literature
,
Visual communication
,
Embodiment
Item Type:
Book chapter
Tag(s):
kinesis in pictures
How Do Audiences Act?
Author(s):
Ellen Spolsky
(see profile)
Date:
2018
Group(s):
MS Visual Culture
,
TC Cognitive and Affect Studies
Subject(s):
Renaissance English literature
,
Renaissance French literature
,
Embodied cognition
,
Figures of speech
Item Type:
Book chapter
Tag(s):
kinesis in literature
,
embodiment and rhetoric
Syllabus: Social Media Research
Author(s):
Anastasia Salter
(see profile)
Date:
2020
Group(s):
Digital Humanities
,
MS Visual Culture
,
NEH Understanding Digital Culture
Subject(s):
Social media
,
Digital culture
,
Digital humanities
,
Pedagogy
Item Type:
Syllabus
Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'
Author(s):
Doris Hambuch
(see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Film
,
Feminism
,
Cinema
,
world cinema
,
Women's studies
Item Type:
Article
Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox
(see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
French cinema
,
French studies
,
Gender politics
,
Sound design
,
Film and politics
,
Cinema
Item Type:
Blog Post
Tag(s):
female director
,
female gaze
,
listening
,
film industry
An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms
Author(s):
James Gifford
(see profile)
Date:
2018
Group(s):
Anarchism
,
CLCS Global Anglophone
,
Interdisciplinary Approaches to Culture and Society
,
LLC 20th- and 21st-Century English and Anglophone
,
MS Visual Culture
Subject(s):
Modern
,
Surrealism
,
Canadian literature
,
Anglo-American modernism
,
Egyptian art
Item Type:
Article
Tag(s):
International Modernism
,
Radical Modernism
,
regional modernism
,
anarchism
On Being One's Own Heir: British Portraiture, Metaphysical Inheritance, and The Picture of Dorian Gray
Author(s):
Andrew G. Christensen
(see profile)
Date:
2019
Group(s):
GS Folklore, Myth, and Fairy Tale
,
LLC Victorian and Early-20th-Century English
,
MS Visual Culture
Subject(s):
19th century
,
Victorian literature
,
British literature
,
History of art
,
Visual culture
,
Irish literature
Item Type:
Article
Tag(s):
portraiture
,
bildungsroman
,
Uncanny
,
decadence
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos
(see profile)
Date:
2018
Group(s):
Education and Pedagogy
,
German Literature and Culture
,
History of Art
,
LLC 19th- and Early-20th-Century German
,
MS Visual Culture
Subject(s):
20th-century film
,
History of photography
,
Aesthetic theory
,
German studies
,
Weimar culture
,
Photography
,
Cinema
,
Frankfurt school
,
Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri
Author(s):
Doris Hambuch
(see profile)
Date:
2018
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Cartoons
,
Electronic literature
,
Media arts
Item Type:
Article
What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest
Author(s):
Tobias Steiner
(see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
,
Speculative and Science Fiction
,
Television Studies
Subject(s):
Trauma
,
Social justice
,
Television
,
Television studies
,
United States of America
Item Type:
Article
Tag(s):
cultural forum
,
post-9/11
Medieval Literature in the Contact Zone -- review essay
Author(s):
Shirin A. Khanmohamadi
(see profile)
,
Sarah Elliott Novacich
Date:
2018
Group(s):
CLCS Medieval
,
MS Visual Culture
,
TC Postcolonial Studies
Subject(s):
Medieval literature
,
Postcolonialism
,
Postcolonial theory
Item Type:
Book review
Tag(s):
contact zones
TV Studies for all? On Open Access and Publishing in TV and Media Studies
Author(s):
Tobias Steiner
(see profile)
Date:
2019
Group(s):
Advocating for the Humanities
,
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Digital Humanities
,
Television Studies
Subject(s):
Open access
,
Television studies
,
Academic publishing
,
Media studies
,
Scholarly communication
,
Publishing
Item Type:
Blog Post
Tag(s):
scholcomm
,
openaccess
,
openscholarship
White Noise and the Supermarket Aesthetic
Author(s):
Andrew G. Christensen
(see profile)
Date:
2019
Group(s):
MS Visual Culture
Subject(s):
Don DeLillo
,
Postmodern American literature
,
Visual art
,
Pop
,
Consumer culture
Item Type:
Conference paper
Tag(s):
Postmodern fiction
,
aesthetic critique
,
suburbs
Durendal, translated: Islamic object genealogies in the chansons de geste
Author(s):
Shirin A. Khanmohamadi
(see profile)
Date:
2017
Group(s):
CLCS Medieval
,
CLCS Mediterranean
,
MS Visual Culture
,
TC Postcolonial Studies
,
TC Translation Studies
Subject(s):
Medieval French literature
,
Performing objects
,
Translation studies
,
Material culture
,
Medieval translation
Item Type:
Article
Tag(s):
Saracens
,
translatio
,
swords
,
chansons de gestes
The Look of Medieval Ethnography: William of Rubruck's Mission to Mongolia
Author(s):
Shirin A. Khanmohamadi
(see profile)
Date:
2008
Group(s):
CLCS Medieval
,
CLCS Renaissance and Early Modern
,
MS Visual Culture
,
TC Postcolonial Studies
,
TC Race and Ethnicity Studies
Subject(s):
Missionary studies
,
Orientalism
,
Medieval literature
,
Medieval Latin
,
Ethnography
Item Type:
Article
Tag(s):
before Orienatlism
,
missionary ethnography
,
premodern ethnographic gaze
Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose
Author(s):
Jeremiah Mercurio
(see profile)
Date:
2011
Group(s):
LLC Victorian and Early-20th-Century English
,
MS Visual Culture
Subject(s):
Illustration studies
,
Fin-de-siècle literature and culture
,
Oscar Wilde
,
Illustration
Item Type:
Article
Tag(s):
Charles Ricketts
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch
(see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
Subject(s):
Film and society
,
Film criticism
,
world cinema
,
Polyphony
,
Film
,
Film studies
Item Type:
Article
Tag(s):
film discourse
,
Arab cinema
,
polyglossia
Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle
Author(s):
Tobias Steiner
(see profile)
Date:
2018
Group(s):
Digital Humanists
,
MS Screen Arts and Culture
,
MS Visual Culture
,
Speculative and Science Fiction
,
Television Studies
Subject(s):
Television
,
Television studies
Item Type:
Blog Post
Tag(s):
man in the high castle
,
11.22.63
,
alternate history
,
nostalgia
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine
(see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society
,
MS Visual Culture
,
TC Cognitive and Affect Studies
,
TC Popular Culture
,
TM Literary and Cultural Theory
Subject(s):
Narrative criticism
,
20th-century film
,
Cognitive literary studies
,
Rhetorical theory
,
Comedy (genre)
,
Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers
,
rhetorical narratology
,
Jim Phelan
,
cognition
,
Duck Soup
Beyond Darwinian Distance: Situating Distant Reading in a Feminist Ut Pictura Poesis Tradition
Author(s):
Lisa Marie Rhody
(see profile)
Date:
2017
Group(s):
Computer Studies in Language and Literature
,
Digital Humanities
,
MS Visual Culture
,
TC Digital Humanities
,
TC Women’s and Gender Studies
Subject(s):
Digital humanities
,
Digital humanities research and methodology
,
Digital methods
,
Humanities computing
,
Technology and literature
Item Type:
Article
Tag(s):
moretti
,
feminism
,
dh
,
methodology
,
text analysis
„Ça va de soi“. Die visuelle Repräsentation von Gewalt im Holocaust-Dokumentarfilm
Author(s):
Brian Winston
Translator(s):
Tobias Steiner
(see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
Subject(s):
Holocaust studies
,
Documentary
,
Holocaust
,
Animation
,
Visual culture
Item Type:
Translation
Tag(s):
Brian Winston
,
Documentary
,
Holocaust
,
Animatio
,
Visual Culture
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