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Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox (see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies, MS Screen Arts and Culture, MS Sound, MS Visual Culture
Subject(s):
French cinema, French studies, Gender politics, Sound design, Film and politics, Cinema
Item Type:
Blog Post
Tag(s):
female director, female gaze, listening, film industry
An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms
Author(s):
James Gifford (see profile)
Date:
2018
Group(s):
Anarchism, CLCS Global Anglophone, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century English and Anglophone, MS Visual Culture
Subject(s):
Modern, Surrealism, Canadian literature, Anglo-American modernism, Egyptian art
Item Type:
Article
Tag(s):
International Modernism, Radical Modernism, regional modernism, anarchism
On Being One's Own Heir: British Portraiture, Metaphysical Inheritance, and The Picture of Dorian Gray
Author(s):
Andrew G. Christensen (see profile)
Date:
2019
Group(s):
GS Folklore, Myth, and Fairy Tale, LLC Victorian and Early-20th-Century English, MS Visual Culture
Subject(s):
19th century, Victorian literature, British literature, History of art, Visual culture, Irish literature
Item Type:
Article
Tag(s):
portraiture, bildungsroman, Uncanny, decadence
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos (see profile)
Date:
2018
Group(s):
Education and Pedagogy, German Literature and Culture, History of Art, LLC 19th- and Early-20th-Century German, MS Visual Culture
Subject(s):
20th-century film, History of photography, Aesthetic theory, German studies, Weimar culture, Photography, Cinema, Frankfurt school, Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri
Author(s):
Doris Hambuch (see profile)
Date:
2018
Group(s):
MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture
Subject(s):
Cartoons, Electronic literature, Media arts
Item Type:
Article
What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest
Author(s):
Tobias Steiner (see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Trauma, Social justice, Television, Television studies, United States of America
Item Type:
Article
Tag(s):
cultural forum, post-9/11
Medieval Literature in the Contact Zone -- review essay
Author(s):
Shirin A. Khanmohamadi (see profile) , Sarah Elliott Novacich
Date:
2018
Group(s):
CLCS Medieval, MS Visual Culture, TC Postcolonial Studies
Subject(s):
Medieval literature, Postcolonialism, Postcolonial theory
Item Type:
Book review
Tag(s):
contact zones
TV Studies for all? On Open Access and Publishing in TV and Media Studies
Author(s):
Tobias Steiner (see profile)
Date:
2019
Group(s):
Advocating for the Humanities, MS Screen Arts and Culture, MS Visual Culture, TC Digital Humanities, Television Studies
Subject(s):
Open access, Television studies, Academic publishing, Media studies, Scholarly communication, Publishing
Item Type:
Blog Post
Tag(s):
scholcomm, openaccess, openscholarship
White Noise and the Supermarket Aesthetic
Author(s):
Andrew G. Christensen (see profile)
Date:
2019
Group(s):
MS Visual Culture
Subject(s):
Don DeLillo, Postmodern American literature, Visual art, Pop, Consumer culture
Item Type:
Conference paper
Tag(s):
Postmodern fiction, aesthetic critique, suburbs
Durendal, translated: Islamic object genealogies in the chansons de geste
Author(s):
Shirin A. Khanmohamadi (see profile)
Date:
2017
Group(s):
CLCS Medieval, CLCS Mediterranean, MS Visual Culture, TC Postcolonial Studies, TC Translation Studies
Subject(s):
Medieval French literature, Performing objects, Translation studies, Material culture, Medieval translation
Item Type:
Article
Tag(s):
Saracens, translatio, swords, chansons de gestes
The Look of Medieval Ethnography: William of Rubruck's Mission to Mongolia
Author(s):
Shirin A. Khanmohamadi (see profile)
Date:
2008
Group(s):
CLCS Medieval, CLCS Renaissance and Early Modern, MS Visual Culture, TC Postcolonial Studies, TC Race and Ethnicity Studies
Subject(s):
Missionary studies, Orientalism, Medieval literature, Medieval Latin, Ethnography
Item Type:
Article
Tag(s):
before Orienatlism, missionary ethnography, premodern ethnographic gaze
Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose
Author(s):
Jeremiah Mercurio (see profile)
Date:
2011
Group(s):
LLC Victorian and Early-20th-Century English, MS Visual Culture
Subject(s):
Illustration studies, Fin-de-siècle literature and culture, Oscar Wilde, Illustration
Item Type:
Article
Tag(s):
Charles Ricketts
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle
Author(s):
Tobias Steiner (see profile)
Date:
2018
Group(s):
Digital Humanists, MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Television, Television studies
Item Type:
Blog Post
Tag(s):
man in the high castle, 11.22.63, alternate history, nostalgia
Groucho, Harpo, and Narrative Theory
Author(s):
Lisa Zunshine (see profile)
Date:
2018
Group(s):
Interdisciplinary Approaches to Culture and Society, MS Visual Culture, TC Cognitive and Affect Studies, TC Popular Culture, TM Literary and Cultural Theory
Subject(s):
Narrative criticism, 20th-century film, Cognitive literary studies, Rhetorical theory, Comedy (genre), Interdisciplinary studies
Item Type:
Article
Tag(s):
Marx brothers, rhetorical narratology, Jim Phelan, cognition, Duck Soup
Beyond Darwinian Distance: Situating Distant Reading in a Feminist Ut Pictura Poesis Tradition
Author(s):
Lisa Marie Rhody (see profile)
Date:
2017
Group(s):
Computer Studies in Language and Literature, Digital Humanities, MS Visual Culture, TC Digital Humanities, TC Women’s and Gender Studies
Subject(s):
Digital humanities, Digital humanities research and methodology, Digital methods, Humanities computing, Technology and literature
Item Type:
Article
Tag(s):
moretti, feminism, dh, methodology, text analysis
„Ça va de soi“. Die visuelle Repräsentation von Gewalt im Holocaust-Dokumentarfilm
Author(s):
Brian Winston
Translator(s):
Tobias Steiner (see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Holocaust studies, Documentary, Holocaust, Animation, Visual culture
Item Type:
Translation
Tag(s):
Brian Winston, Documentary, Holocaust, Animatio, Visual Culture
Transmediales Erzählen im narrativen Universum von "Game of Thrones"
Author(s):
Tobias Steiner (see profile)
Date:
2013
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Game of Thrones, Transmedia Storytelling, Television studies
Item Type:
Article
Tag(s):
Game of Thrones, transmedia, fan fiction
Review: Jonas Nesselhauf / Markus Schleich (Hrsg.) (2014): Quality-TV. Die narrative Spielwiese des 21. Jahrhunderts?! Münster: LIT
Author(s):
Sebastian Armbrust, Tobias Steiner (see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Television Studies
Subject(s):
Television, Television studies, Visual culture
Item Type:
Book review
Tag(s):
Quality TV, Television Studies, Book review
TV or not TV? Historical Development of US American Serial Television from the 1950s up to today // Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute
Author(s):
Tobias Steiner (see profile)
Date:
2013
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Television Studies
Subject(s):
Television studies, Visual culture
Item Type:
Syllabus
Tag(s):
US television, history
Bron/Broen, the Pilot Episode as Space between Cultures, and (re)negotiations of Nordic Noir
Author(s):
Tobias Steiner (see profile)
Date:
2017
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Nordic Noir, Television format, Television Studies, Scandinavian noir
Item Type:
Presentation
Tag(s):
Television Studies, Noir Fiction, Television Formats
Políticas de lo estético en la ilustración de ciencia ficción. El caso de “Think Blue, Count Two” de Cordwainer Smith
Author(s):
Silvia G. Kurlat-Ares (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century Latin American, MS Visual Culture
Subject(s):
20th century, Aesthetics, Art criticism, Latin American literature, Latin American studies
Item Type:
Article
Tag(s):
cultural history, Latin America, science fiction, visual art
Looking Anywhere But At You: The Gaze in Kara Walker's Silhouettes
Author(s):
Charles Gleek (see profile)
Date:
2017
Group(s):
MS Visual Culture, TM Literary and Cultural Theory
Subject(s):
African-American art, African American culture, African American literature
Item Type:
Article
Tag(s):
kara walker, post soul aesthetic
Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson's Beneath the Roses
Author(s):
Charles Gleek (see profile)
Date:
2017
Group(s):
MS Visual Culture, TC Ecocriticism and Environmental Humanities
Subject(s):
Environmental art, Environmental humanities
Item Type:
Article
Tag(s):
Art history, energy humanities, gregory crewdson
Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson's "Beneath the Roses"
Author(s):
Charles Gleek (see profile)
Date:
2017
Group(s):
MS Visual Culture, TC Ecocriticism and Environmental Humanities
Subject(s):
Art history, Environmental humanities, Visual culture
Item Type:
Article

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