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"Global mediation: Performing Shakespeare in the age of networked and digital cultures," The Arden Research Handbook of Shakespeare and Contemporary Performance, ed. Peter Kirwan and Kathryn Prince (London: Bloomsbury, 2021), pp. 132-150
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare
,
Adaptation
,
Digital media
,
Remediation
,
Globalization
,
Race
,
Feminism
,
Digital humanities
,
Sexuality
Item Type:
Book chapter
Tag(s):
pandemic
Fulbright Snapshot: Snapshot: Shakespeare & East Asia by Alexa Alice Joubin, March 24, 2021
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Cinema
,
Theatre and drama of Asia
,
Gender
,
Race
Item Type:
Interview
Tag(s):
transgender
,
parody
,
adaptations
"The Roots of Anti-Asian Racism in the U.S." George Washington University Department of English Blog, March 23, 2021
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Feminism
,
Race
,
Critical race studies
Item Type:
Blog Post
Tag(s):
anti-Asian racism
Review of Margaret Hillenbrand. Negative Exposures: Knowing What Not to Know in Contemporary China. Chinese Literature Today 9.2 (2020): 89-90
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
MS Screen Arts and Culture
Subject(s):
Censorship
,
China
,
Visual culture
,
Fiction
,
Public humanities
Item Type:
Book review
Tag(s):
massacre
"Familiar Ambiguity: The Value of the Humanities in a Globalized World," Signal House 10 (March 2021)
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare
,
Public humanities
,
Globalization
,
Race
,
Gender
,
Translation theory
,
Critical race studies
Item Type:
Article
Tag(s):
service learning; public humanities
,
literary ambiguity
"Five themes in Asian Shakespeare adaptations," Oxford University Press blog, February 16, 2021
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
East Asian studies
,
Race
,
Gender
,
Film studies
,
Performance studies
,
Translation studies
Item Type:
Blog Post
Tag(s):
Adaptation Studies
"Global Shakespeare: A Critical Introduction." The Palgrave Encyclopedia of Global Shakespeare, ed. Alexa Alice Joubin, Ema Vyroubalova, Elizabeth Pentland (Palgrave Macmillan, 2021)
Editor(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Global Shakespeare
,
Shakespeare in adaptation
,
Film
,
Theatre and history
Item Type:
Book
Cultural Diversity and the Musical Representation of California in Regional 1970s Television
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
Film music
,
Television
,
Animation
,
Race
Item Type:
Conference paper
"Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability." Adaptation, October 2020: 1-19
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Adaptation
,
Neoliberalism
,
Shakespeare
,
Critical race and ethnic studies
,
Global Shakespeare
,
Humanism
Item Type:
Article
Tag(s):
film adaptation
,
vocal disorder
,
parody
"Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare
,
Globalization
,
Race
,
Queer and gender studies
,
Adaptation
,
Global Shakespeare
,
Censorship
,
Translation
,
Feminism
,
Reception studies
Item Type:
Book chapter
Introduction: radical documentary today
Author(s):
Sarah Hamblin
,
Ryan Watson
(see profile)
Date:
2019
Group(s):
Film Studies
,
MS Screen Arts and Culture
Subject(s):
Documentary
,
Radical art
,
New media
,
Film history
,
Filmmaking
Item Type:
Article
Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'
Author(s):
Doris Hambuch
(see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Film
,
Feminism
,
Cinema
,
world cinema
,
Women's studies
Item Type:
Article
Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Adaptation
,
Sinophone literature
,
Globalization
,
Film
,
Global Shakespeare
,
Translation
Item Type:
Book chapter
Tag(s):
Hong Kong
,
Richard III
,
Hamlet
Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
Adaptation
,
Intercultural performance
,
Translation
,
Sinophone literature
,
Chinese studies
,
Shakespeare
,
Film
,
Appropriation
Item Type:
Book chapter
Tag(s):
theatre
Preface, The Shakespearean International Yearbook Volume 18
Author(s):
Tom Bishop
,
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Global Shakespeare
,
Soviet film
,
Translation
,
Adaptation
,
Censorship
,
Globalization
,
Shakespeare
,
Film studies
Item Type:
Book chapter
Tag(s):
intercultural theatre
May 2020 Bibliography for Cognitive Literary Studies
Author(s):
Lisa Zunshine
(see profile)
Date:
2020
Group(s):
GS Prose Fiction
,
MS Screen Arts and Culture
,
TC Cognitive and Affect Studies
,
TM Literary and Cultural Theory
,
TM Literary Criticism
Subject(s):
Cultural studies
,
Literature
,
Literary theory
,
Literature and psychology
,
Media studies
,
Cognitive science
,
Critical theory
,
Drama
Item Type:
Bibliography
Tag(s):
cognition
Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox
(see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
French cinema
,
French studies
,
Gender politics
,
Sound design
,
Film and politics
,
Cinema
Item Type:
Blog Post
Tag(s):
female director
,
female gaze
,
listening
,
film industry
The end but not the end: twist, revolt, survive
Author(s):
Albertine Fox
(see profile)
Date:
2019
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
Subject(s):
Queer and feminist performance
,
French cinema
,
Francophone film
,
French and Francophone women writers
Item Type:
Conference paper
RECording the End time in Twenty-First-Century Spanish Film
Author(s):
Elizabeth Scarlett
(see profile)
Date:
2019
Group(s):
Cinemas of Spain & Latin America
,
MS Screen Arts and Culture
,
TC Religion and Literature
Subject(s):
Apocalypticism
,
Spanish cinema
,
21st-century Spanish culture
,
Horror cinema
,
Horror films
,
Film
Item Type:
Article
Tag(s):
apocalypse
,
21st-Century visual culture
"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Biopolitics
,
Adaptation
,
Film studies
,
Shakespeare
,
Gender studies
Item Type:
Book chapter
Tag(s):
affect theory
,
Cultural appropriation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Appropriation
,
Film studies
,
Intercultural performance
,
Shakespeare
,
Globalization
,
Global Shakespeare
,
Film
Item Type:
Book chapter
Tag(s):
theatre
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Chinese studies
,
Adaptation
,
Memory
,
Globalization
Item Type:
Article
Tag(s):
Tang Xianzu
,
commemoration
,
Sino-british relations
Introduction: "What Is Creative Making As Creative Writing?"
Author(s):
Kathi Inman Berens
(see profile)
Date:
2019
Group(s):
Computer Studies in Language and Literature
,
MS Screen Arts and Culture
,
RCWS Creative Writing
,
RCWS Writing Pedagogies
,
TC Digital Humanities
Subject(s):
Creative writing
,
Creative writing pedagogy
,
Electronic literature
,
Critical code studies
,
Participatory Culture
,
Media studies
,
Translation
,
Fandom
Item Type:
Online publication
Tag(s):
digital composition
,
digital literary studies
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Digital humanities
,
Global Shakespeare
,
Intercultural performance
,
Adaptation
,
Pedagogy
,
Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear
,
digital archive
,
Beijing opera
,
Peter Brook
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
Feminism
,
Adaptation
,
Film studies
,
Gender and queer studies
,
Bollywood
,
Appropriation
Item Type:
Article
Tag(s):
Ophelia
,
Shakespeare in performance
,
queer cinema
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