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HUMN 3220: Political & Social History of Music
Author(s):
James Gifford
(see profile)
Date:
2017
Group(s):
MS Opera and Musical Performance
,
Music and Sound
Subject(s):
Cultural musicology
,
Historical musicology
,
Music history
Item Type:
Syllabus
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2012
Group(s):
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
MS Opera and Musical Performance
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
African studies
,
Cultural studies
,
Ethnomusicology
,
Music performance
,
Performance studies
Item Type:
Article
Tag(s):
ethnomusicology
,
performance
,
orality
Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations
Author(s):
Kendra Leonard
(see profile)
Date:
2009
Group(s):
LLC Shakespeare
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
TC Popular Culture
,
TC Women’s and Gender Studies
Subject(s):
British literature
,
Drama
,
Early modern studies
,
Film studies
,
Media studies
,
Shakespeare
Item Type:
Book
Tag(s):
adaptation
,
film
,
madness
,
music
,
Shakespeare
Music for Richard III: Cinematic Scoring for the Early Modern Monstrous
Author(s):
Kendra Leonard
(see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern
,
LLC Shakespeare
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
MS Sound
Subject(s):
Early modern studies
,
Film studies
Item Type:
Book chapter
Tag(s):
film
,
music
,
Shakespeare
The Use of Early Modern Music in Film Scoring for Elizabeth I
Author(s):
Kendra Leonard
(see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
Early modern studies
Item Type:
Book chapter
Tag(s):
early modern
,
film
,
music
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