Deposits – Humanities Commons

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Louise Talma: a Life in Composition
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
MS Opera and Musical Performance
Subject(s):
Musicology, Women's gender, and sexuality studies
Item Type:
Book
The Art Songs of Louise Talma
Author(s):
Kendra Leonard (see profile)
Date:
2016
Group(s):
MS Opera and Musical Performance
Subject(s):
Musicology, Women's history, Women's gender, and sexuality studies, Music analysis
Item Type:
Book
Review: Katherine R. Larson, The Matter of Song in Early England
Author(s):
Kendra Leonard (see profile)
Date:
2021
Group(s):
Global Shakespeares, MS Opera and Musical Performance, North American British Music Studies Association, TC Women’s and Gender Studies
Subject(s):
Musicology, Early modern culture, Early modern English culture, Music
Item Type:
Book review
Tag(s):
song
On the Record: Sissieretta Jones and Black Feminist Recording Praxes
Author(s):
Kristin Moriah (see profile)
Date:
2021
Group(s):
GS Drama and Performance, LLC 19th-Century American, LLC African American Forum, MS Opera and Musical Performance, MS Sound
Subject(s):
Black Atlantic studies, Black diaspora, Black feminist theory, Theater history, Musical theater, Black studies, Sound studies
Item Type:
Article
Tag(s):
Black Atlantic, Black Performance, Vaudeville
Political & Social History of Music (Study Guide PDF)
Author(s):
James Gifford (see profile)
Date:
2020
Group(s):
Modernist Studies Association, MS Opera and Musical Performance, Music and Sound
Subject(s):
Music and Society, Music and literature, Interdisciplinary humanities studies
Item Type:
Book
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film music, Music theory
Item Type:
Review
HUMN 3220: Political & Social History of Music
Author(s):
James Gifford (see profile)
Date:
2017
Group(s):
MS Opera and Musical Performance, Music and Sound
Subject(s):
Cultural musicology, Historical musicology, Music history
Item Type:
Syllabus
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2012
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies
Subject(s):
African studies, Cultural studies, Ethnomusicology, Music performance, Performance studies
Item Type:
Article
Tag(s):
ethnomusicology, performance, orality
Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations
Author(s):
Kendra Leonard (see profile)
Date:
2009
Group(s):
LLC Shakespeare, MS Opera and Musical Performance, MS Screen Arts and Culture, TC Popular Culture, TC Women’s and Gender Studies
Subject(s):
British literature, Drama, Early modern studies, Film studies, Media studies, Shakespeare
Item Type:
Book
Tag(s):
adaptation, film, madness, music, Shakespeare
Music for Richard III: Cinematic Scoring for the Early Modern Monstrous
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, MS Opera and Musical Performance, MS Screen Arts and Culture, MS Sound
Subject(s):
Early modern studies, Film studies
Item Type:
Book chapter
Tag(s):
film, music, Shakespeare
The Use of Early Modern Music in Film Scoring for Elizabeth I
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern, MS Opera and Musical Performance, MS Screen Arts and Culture, MS Sound, MS Visual Culture
Subject(s):
Early modern studies
Item Type:
Book chapter
Tag(s):
early modern, film, music

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